Dialogues on Narration – It’s the nostalgia of the bonfire, I’m sure

Detalhes bibliográficos
Autor(a) principal: Keiserman, Nara Waldemar
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/24581
Resumo: Thoughts on narrative theater, with texts based on literary fiction. This text brings into focus aspects such as the creation of scenes based on books, the use of objects, spatiality, the relationship with the audience, the composition of gestures and acting. The author’s stage experiences are the main reference for this paper. The keeps a dialogue format, according to its source: an interview which was part of the Master’s degree research conducted by Ligia Borges Matias, the co-author of this article.
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spelling Dialogues on Narration – It’s the nostalgia of the bonfire, I’m sureDialogues sur la Narration – C’est la nostalgie du feu, j’en suis sûrDiálogos sobre a Narração – É a nostalgia da fogueira, tenho certezaArtes CênicasTeatroEstéticaProcesso CriativoNarrative TheaterActor NarratorRelationship with the AudienceTheatricalityGestureThéâtre NarratifActeur NarrateurRapport au SpectateurThéâtralitéGesteThoughts on narrative theater, with texts based on literary fiction. This text brings into focus aspects such as the creation of scenes based on books, the use of objects, spatiality, the relationship with the audience, the composition of gestures and acting. The author’s stage experiences are the main reference for this paper. The keeps a dialogue format, according to its source: an interview which was part of the Master’s degree research conducted by Ligia Borges Matias, the co-author of this article.Il s’agit d’une réflexion sur le théâtre narratif qui trouve dans la fiction littéraire son fondement textuel. Il traite des aspects tels que le passage du livre à la scène, l’utilisation d’objets, la spatialité, la relation avec le spectateur, la composition et le travail gestuel de l’acteur, ayant comme principale référence les expériences de mise en scène réalisées par l’auteure du présent article. Celui-ci conserve la forme dialogique présente à la source: l’interview réalisée par Ligia Borges Matias dans le cadre de sa recherche de Master en 2010. Cette dernière joue ainsi le rôle de co-auteure de l’article.Reflexões sobre o teatro narrativo que tem na literatura de ficção sua base textual. Abordam-se aspectos como a passagem do livro para a cena, o uso de objetos, a espacialidade, a relação com o espectador, a composição gestual e o trabalho do ator, tendo como referência principal as experiências de encenação realizadas pela autora. O artigo mantém o formato dialógico, de acordo com sua matriz: entrevista realizada por Lígia Borges Matias como parte de sua pesquisa de Mestrado, em 2010, e que ocupa, assim, o papel de coautora do artigo.Universidade Federal do Rio Grande do Sul2022-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/24581Brazilian Journal on Presence Studies; Vol. 2 No. 1 (2012): jan./jun. 2012; 215-229Révue Brésilienne d'Études de la Présence; Vol. 2 No. 1 (2012): jan./jun. 2012; 215-229Révue Brésilienne d'Études de la Présence; Vol. 2 No 1 (2012): jan./jun. 2012; 215-229Revista Brasileira de Estudos da Presença; v. 2 n. 1 (2012): jan./jun. 2012; 215-2292237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/24581/50170Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessKeiserman, Nara Waldemar2022-10-19T12:48:25Zoai:seer.ufrgs.br:article/24581Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-19T12:48:25Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Dialogues on Narration – It’s the nostalgia of the bonfire, I’m sure
Dialogues sur la Narration – C’est la nostalgie du feu, j’en suis sûr
Diálogos sobre a Narração – É a nostalgia da fogueira, tenho certeza
title Dialogues on Narration – It’s the nostalgia of the bonfire, I’m sure
spellingShingle Dialogues on Narration – It’s the nostalgia of the bonfire, I’m sure
Keiserman, Nara Waldemar
Artes Cênicas
Teatro
Estética
Processo Criativo
Narrative Theater
Actor Narrator
Relationship with the Audience
Theatricality
Gesture
Théâtre Narratif
Acteur Narrateur
Rapport au Spectateur
Théâtralité
Geste
title_short Dialogues on Narration – It’s the nostalgia of the bonfire, I’m sure
title_full Dialogues on Narration – It’s the nostalgia of the bonfire, I’m sure
title_fullStr Dialogues on Narration – It’s the nostalgia of the bonfire, I’m sure
title_full_unstemmed Dialogues on Narration – It’s the nostalgia of the bonfire, I’m sure
title_sort Dialogues on Narration – It’s the nostalgia of the bonfire, I’m sure
author Keiserman, Nara Waldemar
author_facet Keiserman, Nara Waldemar
author_role author
dc.contributor.author.fl_str_mv Keiserman, Nara Waldemar
dc.subject.por.fl_str_mv Artes Cênicas
Teatro
Estética
Processo Criativo
Narrative Theater
Actor Narrator
Relationship with the Audience
Theatricality
Gesture
Théâtre Narratif
Acteur Narrateur
Rapport au Spectateur
Théâtralité
Geste
topic Artes Cênicas
Teatro
Estética
Processo Criativo
Narrative Theater
Actor Narrator
Relationship with the Audience
Theatricality
Gesture
Théâtre Narratif
Acteur Narrateur
Rapport au Spectateur
Théâtralité
Geste
description Thoughts on narrative theater, with texts based on literary fiction. This text brings into focus aspects such as the creation of scenes based on books, the use of objects, spatiality, the relationship with the audience, the composition of gestures and acting. The author’s stage experiences are the main reference for this paper. The keeps a dialogue format, according to its source: an interview which was part of the Master’s degree research conducted by Ligia Borges Matias, the co-author of this article.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/24581
url https://seer.ufrgs.br/index.php/presenca/article/view/24581
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/24581/50170
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 2 No. 1 (2012): jan./jun. 2012; 215-229
Révue Brésilienne d'Études de la Présence; Vol. 2 No. 1 (2012): jan./jun. 2012; 215-229
Révue Brésilienne d'Études de la Présence; Vol. 2 No 1 (2012): jan./jun. 2012; 215-229
Revista Brasileira de Estudos da Presença; v. 2 n. 1 (2012): jan./jun. 2012; 215-229
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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