Montage and Image as Paradigm

Detalhes bibliográficos
Autor(a) principal: Huapaya (Universidade Federal do Espírito Santo – UFES, Vitória/ES, Brazil), César
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/59965
Resumo: Thought as montage and image has become a revealing method in the practical and theoretical study processes of artists and researchers of the 20th and 21st centuries. This article aims to articulate three ways of thinking through montage in the works of Bertolt Brecht, Sergei Eisenstein e Georges Didi-Huberman. The philosopher and art historian Georges Didi-Huberman re-inaugurates the debate and exercise of thinking the anthropology of image and montage as a meta-language and a form of knowledge. 
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spelling Montage and Image as ParadigmMontage and Image as ParadigmMontage and Image as ParadigmMontageImagePerformanceMeta-language-sForms of KnowledgeMontageImagePerformanceMeta-language-sForms of KnowledgeMontageImagePerformanceMeta-language-sForms of KnowledgeThought as montage and image has become a revealing method in the practical and theoretical study processes of artists and researchers of the 20th and 21st centuries. This article aims to articulate three ways of thinking through montage in the works of Bertolt Brecht, Sergei Eisenstein e Georges Didi-Huberman. The philosopher and art historian Georges Didi-Huberman re-inaugurates the debate and exercise of thinking the anthropology of image and montage as a meta-language and a form of knowledge. Thought as montage and image has become a revealing method in the practical and theoretical study processes of artists and researchers of the 20th and 21st centuries. This article aims to articulate three ways of thinking through montage in the works of Bertolt Brecht, Sergei Eisenstein e Georges Didi-Huberman. The philosopher and art historian Georges Didi-Huberman re-inaugurates the debate and exercise of thinking the anthropology of image and montage as a meta-language and a form of knowledge. Thought as montage and image has become a revealing method in the practical and theoretical study processes of artists and researchers of the 20th and 21st centuries. This article aims to articulate three ways of thinking through montage in the works of Bertolt Brecht, Sergei Eisenstein e Georges Didi-Huberman. The philosopher and art historian Georges Didi-Huberman re-inaugurates the debate and exercise of thinking the anthropology of image and montage as a meta-language and a form of knowledge. Universidade Federal do Rio Grande do Sul2022-10-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/59965Brazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 110-123Révue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 110-123Révue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 110-123Revista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 110-1232237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/59965/50477Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessHuapaya (Universidade Federal do Espírito Santo – UFES, Vitória/ES, Brazil), César2022-10-12T19:27:51Zoai:seer.ufrgs.br:article/59965Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-12T19:27:51Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Montage and Image as Paradigm
Montage and Image as Paradigm
Montage and Image as Paradigm
title Montage and Image as Paradigm
spellingShingle Montage and Image as Paradigm
Huapaya (Universidade Federal do Espírito Santo – UFES, Vitória/ES, Brazil), César
Montage
Image
Performance
Meta-language-s
Forms of Knowledge
Montage
Image
Performance
Meta-language-s
Forms of Knowledge
Montage
Image
Performance
Meta-language-s
Forms of Knowledge
title_short Montage and Image as Paradigm
title_full Montage and Image as Paradigm
title_fullStr Montage and Image as Paradigm
title_full_unstemmed Montage and Image as Paradigm
title_sort Montage and Image as Paradigm
author Huapaya (Universidade Federal do Espírito Santo – UFES, Vitória/ES, Brazil), César
author_facet Huapaya (Universidade Federal do Espírito Santo – UFES, Vitória/ES, Brazil), César
author_role author
dc.contributor.author.fl_str_mv Huapaya (Universidade Federal do Espírito Santo – UFES, Vitória/ES, Brazil), César
dc.subject.por.fl_str_mv Montage
Image
Performance
Meta-language-s
Forms of Knowledge
Montage
Image
Performance
Meta-language-s
Forms of Knowledge
Montage
Image
Performance
Meta-language-s
Forms of Knowledge
topic Montage
Image
Performance
Meta-language-s
Forms of Knowledge
Montage
Image
Performance
Meta-language-s
Forms of Knowledge
Montage
Image
Performance
Meta-language-s
Forms of Knowledge
description Thought as montage and image has become a revealing method in the practical and theoretical study processes of artists and researchers of the 20th and 21st centuries. This article aims to articulate three ways of thinking through montage in the works of Bertolt Brecht, Sergei Eisenstein e Georges Didi-Huberman. The philosopher and art historian Georges Didi-Huberman re-inaugurates the debate and exercise of thinking the anthropology of image and montage as a meta-language and a form of knowledge. 
publishDate 2022
dc.date.none.fl_str_mv 2022-10-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/59965
url https://seer.ufrgs.br/index.php/presenca/article/view/59965
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/59965/50477
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 110-123
Révue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 110-123
Révue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 110-123
Revista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 110-123
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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