Corporal Mimesis: creative observation

Detalhes bibliográficos
Autor(a) principal: Buendía, Belén
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/113839
Resumo: This article examines corporal mimesis, a technique created and developed by LUME Teatro. The objective is to explain how, with this technique, the performer poetically embodies different stimuli that are found in everyday life, be they people, images, voices, sounds, animals, or even texts or monuments. The concepts of mimesis, observation, and affectation, which form the basis of this practice, are discussed. Then, different experiences with corporal mimesis are described. Finally, it is concluded that this technique is an open field for exploring acting, which is found in an intermediate place between creation and training based on the sensorial universe of the artists who develop it.
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spelling Corporal Mimesis: creative observationMimesisObservationActingPoeticsTechnique.792.9This article examines corporal mimesis, a technique created and developed by LUME Teatro. The objective is to explain how, with this technique, the performer poetically embodies different stimuli that are found in everyday life, be they people, images, voices, sounds, animals, or even texts or monuments. The concepts of mimesis, observation, and affectation, which form the basis of this practice, are discussed. Then, different experiences with corporal mimesis are described. Finally, it is concluded that this technique is an open field for exploring acting, which is found in an intermediate place between creation and training based on the sensorial universe of the artists who develop it.Universidade Federal do Rio Grande do Sul2021-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/113839Brazilian Journal on Presence Studies; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-24Révue Brésilienne d'Études de la Présence; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-24Révue Brésilienne d'Études de la Présence; Vol. 11 No 3 (2021): Jul./Set.2021; 01-24Revista Brasileira de Estudos da Presença; v. 11 n. 3 (2021): Jul./Set.2021; 01-242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/113839/63360Copyright (c) 2021 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessBuendía, Belén2021-09-29T23:30:18Zoai:seer.ufrgs.br:article/113839Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2021-09-29T23:30:18Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Corporal Mimesis: creative observation
title Corporal Mimesis: creative observation
spellingShingle Corporal Mimesis: creative observation
Buendía, Belén
Mimesis
Observation
Acting
Poetics
Technique.
792.9
title_short Corporal Mimesis: creative observation
title_full Corporal Mimesis: creative observation
title_fullStr Corporal Mimesis: creative observation
title_full_unstemmed Corporal Mimesis: creative observation
title_sort Corporal Mimesis: creative observation
author Buendía, Belén
author_facet Buendía, Belén
author_role author
dc.contributor.author.fl_str_mv Buendía, Belén
dc.subject.por.fl_str_mv Mimesis
Observation
Acting
Poetics
Technique.
792.9
topic Mimesis
Observation
Acting
Poetics
Technique.
792.9
description This article examines corporal mimesis, a technique created and developed by LUME Teatro. The objective is to explain how, with this technique, the performer poetically embodies different stimuli that are found in everyday life, be they people, images, voices, sounds, animals, or even texts or monuments. The concepts of mimesis, observation, and affectation, which form the basis of this practice, are discussed. Then, different experiences with corporal mimesis are described. Finally, it is concluded that this technique is an open field for exploring acting, which is found in an intermediate place between creation and training based on the sensorial universe of the artists who develop it.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/113839
url https://seer.ufrgs.br/index.php/presenca/article/view/113839
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/113839/63360
dc.rights.driver.fl_str_mv Copyright (c) 2021 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-24
Révue Brésilienne d'Études de la Présence; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-24
Révue Brésilienne d'Études de la Présence; Vol. 11 No 3 (2021): Jul./Set.2021; 01-24
Revista Brasileira de Estudos da Presença; v. 11 n. 3 (2021): Jul./Set.2021; 01-24
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
_version_ 1799766310055313408

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