Corporal Mimesis: creative observation
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/113839 |
Resumo: | This article examines corporal mimesis, a technique created and developed by LUME Teatro. The objective is to explain how, with this technique, the performer poetically embodies different stimuli that are found in everyday life, be they people, images, voices, sounds, animals, or even texts or monuments. The concepts of mimesis, observation, and affectation, which form the basis of this practice, are discussed. Then, different experiences with corporal mimesis are described. Finally, it is concluded that this technique is an open field for exploring acting, which is found in an intermediate place between creation and training based on the sensorial universe of the artists who develop it. |
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Corporal Mimesis: creative observationMimesisObservationActingPoeticsTechnique.792.9This article examines corporal mimesis, a technique created and developed by LUME Teatro. The objective is to explain how, with this technique, the performer poetically embodies different stimuli that are found in everyday life, be they people, images, voices, sounds, animals, or even texts or monuments. The concepts of mimesis, observation, and affectation, which form the basis of this practice, are discussed. Then, different experiences with corporal mimesis are described. Finally, it is concluded that this technique is an open field for exploring acting, which is found in an intermediate place between creation and training based on the sensorial universe of the artists who develop it.Universidade Federal do Rio Grande do Sul2021-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/113839Brazilian Journal on Presence Studies; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-24Révue Brésilienne d'Études de la Présence; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-24Révue Brésilienne d'Études de la Présence; Vol. 11 No 3 (2021): Jul./Set.2021; 01-24Revista Brasileira de Estudos da Presença; v. 11 n. 3 (2021): Jul./Set.2021; 01-242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/113839/63360Copyright (c) 2021 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessBuendía, Belén2021-09-29T23:30:18Zoai:seer.ufrgs.br:article/113839Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2021-09-29T23:30:18Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Corporal Mimesis: creative observation |
title |
Corporal Mimesis: creative observation |
spellingShingle |
Corporal Mimesis: creative observation Buendía, Belén Mimesis Observation Acting Poetics Technique. 792.9 |
title_short |
Corporal Mimesis: creative observation |
title_full |
Corporal Mimesis: creative observation |
title_fullStr |
Corporal Mimesis: creative observation |
title_full_unstemmed |
Corporal Mimesis: creative observation |
title_sort |
Corporal Mimesis: creative observation |
author |
Buendía, Belén |
author_facet |
Buendía, Belén |
author_role |
author |
dc.contributor.author.fl_str_mv |
Buendía, Belén |
dc.subject.por.fl_str_mv |
Mimesis Observation Acting Poetics Technique. 792.9 |
topic |
Mimesis Observation Acting Poetics Technique. 792.9 |
description |
This article examines corporal mimesis, a technique created and developed by LUME Teatro. The objective is to explain how, with this technique, the performer poetically embodies different stimuli that are found in everyday life, be they people, images, voices, sounds, animals, or even texts or monuments. The concepts of mimesis, observation, and affectation, which form the basis of this practice, are discussed. Then, different experiences with corporal mimesis are described. Finally, it is concluded that this technique is an open field for exploring acting, which is found in an intermediate place between creation and training based on the sensorial universe of the artists who develop it. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-06-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/113839 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/113839 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/113839/63360 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-24 Révue Brésilienne d'Études de la Présence; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-24 Révue Brésilienne d'Études de la Présence; Vol. 11 No 3 (2021): Jul./Set.2021; 01-24 Revista Brasileira de Estudos da Presença; v. 11 n. 3 (2021): Jul./Set.2021; 01-24 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766310055313408 |