BPI Process and its epistemological specificities

Detalhes bibliográficos
Autor(a) principal: Campos, Flávio
Data de Publicação: 2022
Outros Autores: Rodrigues (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Graziela Estela Fonseca
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/56763
Resumo: In this article, we present some aspects of Dancer-Researcher-Performer (BPI) method that can be considered in its epistemological specificities. Therefore, the first purpose is to present a bibliographic review of this training and scenic creation methodology that has been developed for over thirty years in Brazil. Through brief reports, we present the history of the BPI, we describe its creative process and we list some data that enable a better understanding of this method, its singularities in the performing arts field. This paper does not intend to exhaust this subject, but rather seeks to open spaces for new dialogues and debate. 
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spelling BPI Process and its epistemological specificitiesProcessus BPI et ses Spécificités EpistémologiquesThe BPI Process and its epistemological specificitiesBPI MethodCreative ProcessAffective RelationshipsPerforming ArtsSelf-knowledgeBPI MethodCreative ProcessAffective RelationshipsPerforming ArtsSelf-knowledgeMéthode BPIProcessus de CréationRelations AffectivesArts de la ScèneAuto-ConnaissanceIn this article, we present some aspects of Dancer-Researcher-Performer (BPI) method that can be considered in its epistemological specificities. Therefore, the first purpose is to present a bibliographic review of this training and scenic creation methodology that has been developed for over thirty years in Brazil. Through brief reports, we present the history of the BPI, we describe its creative process and we list some data that enable a better understanding of this method, its singularities in the performing arts field. This paper does not intend to exhaust this subject, but rather seeks to open spaces for new dialogues and debate. Dans cet article, nous présentons quelques aspects de la méthode Danseur-Chercheur-Interprète (BPI) qui peuvent être considérés comme ses spécificités épistémologiques. Il s’agit d’une révision de la bibliographie fondamentale de cette méthode de formation et de création scénique qui se développe au Brésil depuis plus de trente ans. Par de brefs rapports, nous présentons l'histoire de la méthode BPI. Nous décrivons également son processus de création et présentons des informations qui permettent une compréhension de ses singularités dans le champ des arts scéniques. Ce travail n’a pas l’intention d’épuiser le sujet, mais cherche plutôt à ouvrir de nouveaux dialogues et discussions. In this article, we present some aspects of Dancer-Researcher-Performer (BPI) method that can be considered in its epistemological specificities. Therefore, the first purpose is to present a bibliographic review of this training and scenic creation methodology that has been developed for over thirty years in Brazil. Through brief reports, we present the history of the BPI, we describe its creative process and we list some data that enable a better understanding of this method, its singularities in the performing arts field. This paper does not intend to exhaust this subject, but rather seeks to open spaces for new dialogues and debate. Universidade Federal do Rio Grande do Sul2022-10-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/56763Brazilian Journal on Presence Studies; Vol. 5 No. 3 (2015): set./dez. 2015; 490-506Révue Brésilienne d'Études de la Présence; Vol. 5 No. 3 (2015): set./dez. 2015; 490-506Révue Brésilienne d'Études de la Présence; Vol. 5 No 3 (2015): set./dez. 2015; 490-506Revista Brasileira de Estudos da Presença; v. 5 n. 3 (2015): set./dez. 2015; 490-5062237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/56763/50509Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessCampos, FlávioRodrigues (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Graziela Estela Fonseca2022-10-13T18:25:09Zoai:seer.ufrgs.br:article/56763Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-13T18:25:09Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv BPI Process and its epistemological specificities
Processus BPI et ses Spécificités Epistémologiques
The BPI Process and its epistemological specificities
title BPI Process and its epistemological specificities
spellingShingle BPI Process and its epistemological specificities
Campos, Flávio
BPI Method
Creative Process
Affective Relationships
Performing Arts
Self-knowledge
BPI Method
Creative Process
Affective Relationships
Performing Arts
Self-knowledge
Méthode BPI
Processus de Création
Relations Affectives
Arts de la Scène
Auto-Connaissance
title_short BPI Process and its epistemological specificities
title_full BPI Process and its epistemological specificities
title_fullStr BPI Process and its epistemological specificities
title_full_unstemmed BPI Process and its epistemological specificities
title_sort BPI Process and its epistemological specificities
author Campos, Flávio
author_facet Campos, Flávio
Rodrigues (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Graziela Estela Fonseca
author_role author
author2 Rodrigues (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Graziela Estela Fonseca
author2_role author
dc.contributor.author.fl_str_mv Campos, Flávio
Rodrigues (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Graziela Estela Fonseca
dc.subject.por.fl_str_mv BPI Method
Creative Process
Affective Relationships
Performing Arts
Self-knowledge
BPI Method
Creative Process
Affective Relationships
Performing Arts
Self-knowledge
Méthode BPI
Processus de Création
Relations Affectives
Arts de la Scène
Auto-Connaissance
topic BPI Method
Creative Process
Affective Relationships
Performing Arts
Self-knowledge
BPI Method
Creative Process
Affective Relationships
Performing Arts
Self-knowledge
Méthode BPI
Processus de Création
Relations Affectives
Arts de la Scène
Auto-Connaissance
description In this article, we present some aspects of Dancer-Researcher-Performer (BPI) method that can be considered in its epistemological specificities. Therefore, the first purpose is to present a bibliographic review of this training and scenic creation methodology that has been developed for over thirty years in Brazil. Through brief reports, we present the history of the BPI, we describe its creative process and we list some data that enable a better understanding of this method, its singularities in the performing arts field. This paper does not intend to exhaust this subject, but rather seeks to open spaces for new dialogues and debate. 
publishDate 2022
dc.date.none.fl_str_mv 2022-10-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/56763
url https://seer.ufrgs.br/index.php/presenca/article/view/56763
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/56763/50509
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 5 No. 3 (2015): set./dez. 2015; 490-506
Révue Brésilienne d'Études de la Présence; Vol. 5 No. 3 (2015): set./dez. 2015; 490-506
Révue Brésilienne d'Études de la Présence; Vol. 5 No 3 (2015): set./dez. 2015; 490-506
Revista Brasileira de Estudos da Presença; v. 5 n. 3 (2015): set./dez. 2015; 490-506
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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