Carmelo Bene, a Stuttering War Machine
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/72337 |
Resumo: | This article presents one of the topics raised by the research in progress on the work of the Italian artist Carmelo Bene. The author resumes a relation already made at the beginning of the research between the Benean actorial machine and the Deleuzean-Guattarian war machine, adding elements from an approach of stuttering in Gilles Deleuze, as well as from materials and experiences collected in the field research developed in Italy and France along the last three years. The initial goal of the research was to study the concepts that Carmelo Bene created in scene, seeking a closeness to what was original in his work. From the observation of the multiplicity of Bene’s theoretical and artistic alliances, it became necessary to interrogate and contaminate the research and writing modes themselves, establishing a production by means of fragments and closeness, being this text one of them. |
id |
UFRGS-17_f5a17b8620a0c1d13330be5d19f7ca6a |
---|---|
oai_identifier_str |
oai:seer.ufrgs.br:article/72337 |
network_acronym_str |
UFRGS-17 |
network_name_str |
Revista Brasileira de Estudos da Presença |
repository_id_str |
|
spelling |
Carmelo Bene, a Stuttering War MachineCarmelo Bene, une Machine de Guerre BégayanteCarmelo Bene, uma Máquina de Guerra GaguejanteCarmelo BeneMáquina AtorialMáquina de GuerraMáquina GaguejanteDeleuze-GuattariCarmelo BeneActorial MachineWar MachineStuttering MachineDeleuze-GuattariCarmelo BeneMachine ActorielleMachine de GuerreMachine BégayanteDeleuze-GuattariThis article presents one of the topics raised by the research in progress on the work of the Italian artist Carmelo Bene. The author resumes a relation already made at the beginning of the research between the Benean actorial machine and the Deleuzean-Guattarian war machine, adding elements from an approach of stuttering in Gilles Deleuze, as well as from materials and experiences collected in the field research developed in Italy and France along the last three years. The initial goal of the research was to study the concepts that Carmelo Bene created in scene, seeking a closeness to what was original in his work. From the observation of the multiplicity of Bene’s theoretical and artistic alliances, it became necessary to interrogate and contaminate the research and writing modes themselves, establishing a production by means of fragments and closeness, being this text one of them.Cet article presente l’un des sujets soulevés par la recherche de l’oeuvre de l’artiste italien Carmelo Bene, toujours en cours. L’auteur reprend une relation qu’elle avait faite au début de sa recherche entre la machine actorielle bénéenne et la machine de guerre deleuze-guattarienne, en les ajoutant un abordage du bégayage chez Deleuze et par le biais de matériels et d’expériences recueillis lors de recherches de terrain menées en Italie et en France depuis 2014. La recherche avait comme objectif initial une étude des concepts que Carmelo Bene avait créés sur la scene, en cherchant ce qui était original dans son travail. La connaissance de la multiplicité des aliances théoriques et artistiques de Bene imposait la necessite d’interroger et de contaminer les propres modes de recherche et d’écrite, établissant une production par fragments et approximations dont le présent texte en est une tentative.O artigo apresenta uma das temáticas suscitadas pela pesquisa, ainda em andamento, da obra do artista italiano Carmelo Bene. A autora retoma uma relação que já havia feito, no início da pesquisa, entre o conceito beneano de máquina atorial e o conceito deleuze-guattariano de máquina de guerra, acrescentando-lhe elementos de uma abordagem da gagueira em Gilles Deleuze e de materiais e experiências colhidos em pesquisas de campo na Itália e na França nos últimos três anos. A pesquisa teve por objetivo inicial um estudo dos conceitos que Carmelo Bene criou em cena, buscando uma aproximação ao que havia de original em sua obra. A partir do conhecimento da multiplicidade de alianças teóricas e artísticas de Bene, impôs-se a necessidade de interrogar e contaminar os próprios modos de pesquisa e escrita, estabelecendo-se uma produção por fragmentos e aproximações, dentre os quais o presente texto é uma tentativa.Universidade Federal do Rio Grande do Sul2022-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/72337Brazilian Journal on Presence Studies; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 82-98Révue Brésilienne d'Études de la Présence; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 82-98Révue Brésilienne d'Études de la Présence; Vol. 8 No 1 (2018): Jan./Mar. 2018; 82-98Revista Brasileira de Estudos da Presença; v. 8 n. 1 (2018): Jan./Mar. 2018; 82-982237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/72337/50299Copyright (c) 2017 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessBalestreri (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre, Brasil), Silvia2022-10-04T18:07:54Zoai:seer.ufrgs.br:article/72337Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-04T18:07:54Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Carmelo Bene, a Stuttering War Machine Carmelo Bene, une Machine de Guerre Bégayante Carmelo Bene, uma Máquina de Guerra Gaguejante |
title |
Carmelo Bene, a Stuttering War Machine |
spellingShingle |
Carmelo Bene, a Stuttering War Machine Balestreri (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre, Brasil), Silvia Carmelo Bene Máquina Atorial Máquina de Guerra Máquina Gaguejante Deleuze-Guattari Carmelo Bene Actorial Machine War Machine Stuttering Machine Deleuze-Guattari Carmelo Bene Machine Actorielle Machine de Guerre Machine Bégayante Deleuze-Guattari |
title_short |
Carmelo Bene, a Stuttering War Machine |
title_full |
Carmelo Bene, a Stuttering War Machine |
title_fullStr |
Carmelo Bene, a Stuttering War Machine |
title_full_unstemmed |
Carmelo Bene, a Stuttering War Machine |
title_sort |
Carmelo Bene, a Stuttering War Machine |
author |
Balestreri (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre, Brasil), Silvia |
author_facet |
Balestreri (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre, Brasil), Silvia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Balestreri (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre, Brasil), Silvia |
dc.subject.por.fl_str_mv |
Carmelo Bene Máquina Atorial Máquina de Guerra Máquina Gaguejante Deleuze-Guattari Carmelo Bene Actorial Machine War Machine Stuttering Machine Deleuze-Guattari Carmelo Bene Machine Actorielle Machine de Guerre Machine Bégayante Deleuze-Guattari |
topic |
Carmelo Bene Máquina Atorial Máquina de Guerra Máquina Gaguejante Deleuze-Guattari Carmelo Bene Actorial Machine War Machine Stuttering Machine Deleuze-Guattari Carmelo Bene Machine Actorielle Machine de Guerre Machine Bégayante Deleuze-Guattari |
description |
This article presents one of the topics raised by the research in progress on the work of the Italian artist Carmelo Bene. The author resumes a relation already made at the beginning of the research between the Benean actorial machine and the Deleuzean-Guattarian war machine, adding elements from an approach of stuttering in Gilles Deleuze, as well as from materials and experiences collected in the field research developed in Italy and France along the last three years. The initial goal of the research was to study the concepts that Carmelo Bene created in scene, seeking a closeness to what was original in his work. From the observation of the multiplicity of Bene’s theoretical and artistic alliances, it became necessary to interrogate and contaminate the research and writing modes themselves, establishing a production by means of fragments and closeness, being this text one of them. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/72337 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/72337 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/72337/50299 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 82-98 Révue Brésilienne d'Études de la Présence; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 82-98 Révue Brésilienne d'Études de la Présence; Vol. 8 No 1 (2018): Jan./Mar. 2018; 82-98 Revista Brasileira de Estudos da Presença; v. 8 n. 1 (2018): Jan./Mar. 2018; 82-98 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766308524392448 |