“WHY ARE WE TO SHUT UP THE BOOK WEEPING?”: ELIZABETH GASKELL’S RUTH AND THE (IM)POSSIBILITY OF REDEMPTION FOR THE FALLEN WOMAN
Autor(a) principal: | |
---|---|
Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Organon (Porto Alegre. Online) |
Texto Completo: | https://seer.ufrgs.br/index.php/organon/article/view/85561 |
Resumo: | Victorian literature is filled with images of women who have sinned, but often these characters are in the background, foreshadowing the heroine’s future if she is not proper and pious. Elizabeth Gaskell’s Ruth, however, puts the fallen woman in its centre and calls her its heroine. This paper aims to look at the contradictions imposed on middle-class women’s existence in the nineteenth century, especially concerning the figures of the Angel in the House and the fallen woman, which are essential for the analysis of Ruth and its tragic ending, in order to understand the (im)possibility of redemption for women in the Victorian period. Scholars such as Mary Poovey (1998) and Eleonore Davidoff (1995), amongst others, willprovide the historical and sociological background necessary to this reading of Elizabeth Gaskell’s 1835 novel Ruth.KEYWORDS: Ruth; Elizabeth Gaskell; Angel in the House; Fallen Woman. |
id |
UFRGS-19_e49c1dfab364d579b47e92a229265581 |
---|---|
oai_identifier_str |
oai:seer.ufrgs.br:article/85561 |
network_acronym_str |
UFRGS-19 |
network_name_str |
Organon (Porto Alegre. Online) |
repository_id_str |
|
spelling |
“WHY ARE WE TO SHUT UP THE BOOK WEEPING?”: ELIZABETH GASKELL’S RUTH AND THE (IM)POSSIBILITY OF REDEMPTION FOR THE FALLEN WOMANVictorian literature is filled with images of women who have sinned, but often these characters are in the background, foreshadowing the heroine’s future if she is not proper and pious. Elizabeth Gaskell’s Ruth, however, puts the fallen woman in its centre and calls her its heroine. This paper aims to look at the contradictions imposed on middle-class women’s existence in the nineteenth century, especially concerning the figures of the Angel in the House and the fallen woman, which are essential for the analysis of Ruth and its tragic ending, in order to understand the (im)possibility of redemption for women in the Victorian period. Scholars such as Mary Poovey (1998) and Eleonore Davidoff (1995), amongst others, willprovide the historical and sociological background necessary to this reading of Elizabeth Gaskell’s 1835 novel Ruth.KEYWORDS: Ruth; Elizabeth Gaskell; Angel in the House; Fallen Woman.Universidade Federal do Rio Grande do Sul2018-12-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/organon/article/view/8556110.22456/2238-8915.85561Organon; v. 33 n. 65 (2018): LITERATURAS DE LÍNGUA INGLESA: O VITORIANISMO E SEUS DESDOBRAMENTOS; 162238-89150102-6267reponame:Organon (Porto Alegre. Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/organon/article/view/85561/51212Copyright (c) 2018 Deborah Mondadori Simionatoinfo:eu-repo/semantics/openAccessSimionato, Deborah Mondadori2020-07-15T15:05:13Zoai:seer.ufrgs.br:article/85561Revistahttp://seer.ufrgs.br/organon/indexPUBhttp://seer.ufrgs.br/index.php/organon/oai||organon@ufrgs.br2238-89150102-6267opendoar:2020-07-15T15:05:13Organon (Porto Alegre. Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
“WHY ARE WE TO SHUT UP THE BOOK WEEPING?”: ELIZABETH GASKELL’S RUTH AND THE (IM)POSSIBILITY OF REDEMPTION FOR THE FALLEN WOMAN |
title |
“WHY ARE WE TO SHUT UP THE BOOK WEEPING?”: ELIZABETH GASKELL’S RUTH AND THE (IM)POSSIBILITY OF REDEMPTION FOR THE FALLEN WOMAN |
spellingShingle |
“WHY ARE WE TO SHUT UP THE BOOK WEEPING?”: ELIZABETH GASKELL’S RUTH AND THE (IM)POSSIBILITY OF REDEMPTION FOR THE FALLEN WOMAN Simionato, Deborah Mondadori |
title_short |
“WHY ARE WE TO SHUT UP THE BOOK WEEPING?”: ELIZABETH GASKELL’S RUTH AND THE (IM)POSSIBILITY OF REDEMPTION FOR THE FALLEN WOMAN |
title_full |
“WHY ARE WE TO SHUT UP THE BOOK WEEPING?”: ELIZABETH GASKELL’S RUTH AND THE (IM)POSSIBILITY OF REDEMPTION FOR THE FALLEN WOMAN |
title_fullStr |
“WHY ARE WE TO SHUT UP THE BOOK WEEPING?”: ELIZABETH GASKELL’S RUTH AND THE (IM)POSSIBILITY OF REDEMPTION FOR THE FALLEN WOMAN |
title_full_unstemmed |
“WHY ARE WE TO SHUT UP THE BOOK WEEPING?”: ELIZABETH GASKELL’S RUTH AND THE (IM)POSSIBILITY OF REDEMPTION FOR THE FALLEN WOMAN |
title_sort |
“WHY ARE WE TO SHUT UP THE BOOK WEEPING?”: ELIZABETH GASKELL’S RUTH AND THE (IM)POSSIBILITY OF REDEMPTION FOR THE FALLEN WOMAN |
author |
Simionato, Deborah Mondadori |
author_facet |
Simionato, Deborah Mondadori |
author_role |
author |
dc.contributor.author.fl_str_mv |
Simionato, Deborah Mondadori |
description |
Victorian literature is filled with images of women who have sinned, but often these characters are in the background, foreshadowing the heroine’s future if she is not proper and pious. Elizabeth Gaskell’s Ruth, however, puts the fallen woman in its centre and calls her its heroine. This paper aims to look at the contradictions imposed on middle-class women’s existence in the nineteenth century, especially concerning the figures of the Angel in the House and the fallen woman, which are essential for the analysis of Ruth and its tragic ending, in order to understand the (im)possibility of redemption for women in the Victorian period. Scholars such as Mary Poovey (1998) and Eleonore Davidoff (1995), amongst others, willprovide the historical and sociological background necessary to this reading of Elizabeth Gaskell’s 1835 novel Ruth.KEYWORDS: Ruth; Elizabeth Gaskell; Angel in the House; Fallen Woman. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/organon/article/view/85561 10.22456/2238-8915.85561 |
url |
https://seer.ufrgs.br/index.php/organon/article/view/85561 |
identifier_str_mv |
10.22456/2238-8915.85561 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/organon/article/view/85561/51212 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Deborah Mondadori Simionato info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Deborah Mondadori Simionato |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Organon; v. 33 n. 65 (2018): LITERATURAS DE LÍNGUA INGLESA: O VITORIANISMO E SEUS DESDOBRAMENTOS; 16 2238-8915 0102-6267 reponame:Organon (Porto Alegre. Online) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Organon (Porto Alegre. Online) |
collection |
Organon (Porto Alegre. Online) |
repository.name.fl_str_mv |
Organon (Porto Alegre. Online) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||organon@ufrgs.br |
_version_ |
1799767075237920768 |