The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby

Detalhes bibliográficos
Autor(a) principal: Garbatzky, Irina Ruth
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Anos 90 (Online)
Texto Completo: https://seer.ufrgs.br/index.php/anos90/article/view/40601
Resumo: During the 2000s, several artistic experiences, poetics and politics of Argentine vanguards of '60 and countercultural movements of democratic recovery process have been the subject of numerous investigations, retrospective exhibitions, archives and documentaries. The condition of this series (certainly expansive), brings an observation about the weight on the notion of archive: not only as a meeting and debit set of documents, but as ideal conceptual tool for thinking about the material issues in the arts and in literature. This article addresses, from a Foucauldian perspective of the archive (such as emergency regulations systematization and speeches), a network discourse about the role of the archive as a producer not only of critical stories about the task of archiving, but a particular device as common cultural use. Such a device would intervene in the forefront avant-garde / musealization opening new  problematization of politics. This is tracked in the volume "El deseo nace del derrumbe. Acciones, conceptos y escritos" by Roberto Jacoby (Ana Longoni, ed) (2011), different times in which strategy use was linked to his artistic practice.
id UFRGS-31_af38801aa4c72699127bb498b3fe1934
oai_identifier_str oai:seer.ufrgs.br:article/40601
network_acronym_str UFRGS-31
network_name_str Anos 90 (Online)
repository_id_str
spelling The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto JacobyEl archivo como productor: el lugar del uso en El deseo nace del derrumbe, de Roberto JacobyArchivesArgentine avant-gardeRoberto JacobyMusealizationArtist's literatureArchivosVanguardia argentinaRoberto JacobyMuseificaciónTextos de artistasDuring the 2000s, several artistic experiences, poetics and politics of Argentine vanguards of '60 and countercultural movements of democratic recovery process have been the subject of numerous investigations, retrospective exhibitions, archives and documentaries. The condition of this series (certainly expansive), brings an observation about the weight on the notion of archive: not only as a meeting and debit set of documents, but as ideal conceptual tool for thinking about the material issues in the arts and in literature. This article addresses, from a Foucauldian perspective of the archive (such as emergency regulations systematization and speeches), a network discourse about the role of the archive as a producer not only of critical stories about the task of archiving, but a particular device as common cultural use. Such a device would intervene in the forefront avant-garde / musealization opening new  problematization of politics. This is tracked in the volume "El deseo nace del derrumbe. Acciones, conceptos y escritos" by Roberto Jacoby (Ana Longoni, ed) (2011), different times in which strategy use was linked to his artistic practice.Durante la primera década del 2000, varias experiencias artísticas, poéticas y políticas de las vanguardias argentinas del '60 y de ciertos movimientos contraculturales del proceso de recuperación democrática han sido objeto de numerosas investigaciones, muestras retrospectivas, archivos y documentales. La condición ciertamente expansiva de dicha serie nos trae la observación acerca de una puesta en peso de la noción de archivo: no sólo como reunión y domiciliación de un conjunto documental, sino como herramienta conceptual idónea para un pensamiento sobre las materialidades en las artes y en la literatura. En el presente artículo se aborda, a partir de una perspectiva foucaultiana del archivo (como sistematización y normativa de emergencia de los discursos), un entramado discursivo en torno al rol del archivo como productor no sólo de relatos críticos sobre la tarea de archivar sino, especialmente, como dispositivo de uso de bienes culturales comunes. Dicho dispositivo intervendría en la tensión vanguardia/musealización abriendo nuevos lugares de problematización de lo político. Para ello se rastrea en el volumen "El deseo nace del derrumbe. Acciones, conceptos y escritos", de Roberto Jacoby (Ana Longoni, compiladora) (2011), distintos momentos en los cuales la estrategia del uso se encontraba vinculada a su práctica artística.UFRGS2013-12-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/anos90/article/view/4060110.22456/1983-201X.40601Anos 90; Vol. 21 No. 40 (2014): História das Sociedades Africanas: Temas, Questões e Perspectivas de Estudo; 311-331Anos 90; v. 21 n. 40 (2014): História das Sociedades Africanas: Temas, Questões e Perspectivas de Estudo; 311-3311983-201X0104-236Xreponame:Anos 90 (Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGS-30porhttps://seer.ufrgs.br/index.php/anos90/article/view/40601/32275Garbatzky, Irina Ruthinfo:eu-repo/semantics/openAccess2023-01-12T17:04:15Zoai:seer.ufrgs.br:article/40601Revistahttps://seer.ufrgs.br/anos90PUBhttps://seer.ufrgs.br/anos90/oaianos90@ufrgs.br||1983-201X0104-236Xopendoar:2023-01-12T17:04:15Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby
El archivo como productor: el lugar del uso en El deseo nace del derrumbe, de Roberto Jacoby
title The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby
spellingShingle The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby
Garbatzky, Irina Ruth
Archives
Argentine avant-garde
Roberto Jacoby
Musealization
Artist's literature
Archivos
Vanguardia argentina
Roberto Jacoby
Museificación
Textos de artistas
title_short The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby
title_full The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby
title_fullStr The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby
title_full_unstemmed The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby
title_sort The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby
author Garbatzky, Irina Ruth
author_facet Garbatzky, Irina Ruth
author_role author
dc.contributor.author.fl_str_mv Garbatzky, Irina Ruth
dc.subject.por.fl_str_mv Archives
Argentine avant-garde
Roberto Jacoby
Musealization
Artist's literature
Archivos
Vanguardia argentina
Roberto Jacoby
Museificación
Textos de artistas
topic Archives
Argentine avant-garde
Roberto Jacoby
Musealization
Artist's literature
Archivos
Vanguardia argentina
Roberto Jacoby
Museificación
Textos de artistas
description During the 2000s, several artistic experiences, poetics and politics of Argentine vanguards of '60 and countercultural movements of democratic recovery process have been the subject of numerous investigations, retrospective exhibitions, archives and documentaries. The condition of this series (certainly expansive), brings an observation about the weight on the notion of archive: not only as a meeting and debit set of documents, but as ideal conceptual tool for thinking about the material issues in the arts and in literature. This article addresses, from a Foucauldian perspective of the archive (such as emergency regulations systematization and speeches), a network discourse about the role of the archive as a producer not only of critical stories about the task of archiving, but a particular device as common cultural use. Such a device would intervene in the forefront avant-garde / musealization opening new  problematization of politics. This is tracked in the volume "El deseo nace del derrumbe. Acciones, conceptos y escritos" by Roberto Jacoby (Ana Longoni, ed) (2011), different times in which strategy use was linked to his artistic practice.
publishDate 2013
dc.date.none.fl_str_mv 2013-12-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/anos90/article/view/40601
10.22456/1983-201X.40601
url https://seer.ufrgs.br/index.php/anos90/article/view/40601
identifier_str_mv 10.22456/1983-201X.40601
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/anos90/article/view/40601/32275
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRGS
publisher.none.fl_str_mv UFRGS
dc.source.none.fl_str_mv Anos 90; Vol. 21 No. 40 (2014): História das Sociedades Africanas: Temas, Questões e Perspectivas de Estudo; 311-331
Anos 90; v. 21 n. 40 (2014): História das Sociedades Africanas: Temas, Questões e Perspectivas de Estudo; 311-331
1983-201X
0104-236X
reponame:Anos 90 (Online)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS-30
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS-30
institution UFRGS-30
reponame_str Anos 90 (Online)
collection Anos 90 (Online)
repository.name.fl_str_mv Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv anos90@ufrgs.br||
_version_ 1797067840730169345

Registros relacionados