The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Anos 90 (Online) |
Texto Completo: | https://seer.ufrgs.br/index.php/anos90/article/view/40601 |
Resumo: | During the 2000s, several artistic experiences, poetics and politics of Argentine vanguards of '60 and countercultural movements of democratic recovery process have been the subject of numerous investigations, retrospective exhibitions, archives and documentaries. The condition of this series (certainly expansive), brings an observation about the weight on the notion of archive: not only as a meeting and debit set of documents, but as ideal conceptual tool for thinking about the material issues in the arts and in literature. This article addresses, from a Foucauldian perspective of the archive (such as emergency regulations systematization and speeches), a network discourse about the role of the archive as a producer not only of critical stories about the task of archiving, but a particular device as common cultural use. Such a device would intervene in the forefront avant-garde / musealization opening new problematization of politics. This is tracked in the volume "El deseo nace del derrumbe. Acciones, conceptos y escritos" by Roberto Jacoby (Ana Longoni, ed) (2011), different times in which strategy use was linked to his artistic practice. |
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The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto JacobyEl archivo como productor: el lugar del uso en El deseo nace del derrumbe, de Roberto JacobyArchivesArgentine avant-gardeRoberto JacobyMusealizationArtist's literatureArchivosVanguardia argentinaRoberto JacobyMuseificaciónTextos de artistasDuring the 2000s, several artistic experiences, poetics and politics of Argentine vanguards of '60 and countercultural movements of democratic recovery process have been the subject of numerous investigations, retrospective exhibitions, archives and documentaries. The condition of this series (certainly expansive), brings an observation about the weight on the notion of archive: not only as a meeting and debit set of documents, but as ideal conceptual tool for thinking about the material issues in the arts and in literature. This article addresses, from a Foucauldian perspective of the archive (such as emergency regulations systematization and speeches), a network discourse about the role of the archive as a producer not only of critical stories about the task of archiving, but a particular device as common cultural use. Such a device would intervene in the forefront avant-garde / musealization opening new problematization of politics. This is tracked in the volume "El deseo nace del derrumbe. Acciones, conceptos y escritos" by Roberto Jacoby (Ana Longoni, ed) (2011), different times in which strategy use was linked to his artistic practice.Durante la primera década del 2000, varias experiencias artísticas, poéticas y políticas de las vanguardias argentinas del '60 y de ciertos movimientos contraculturales del proceso de recuperación democrática han sido objeto de numerosas investigaciones, muestras retrospectivas, archivos y documentales. La condición ciertamente expansiva de dicha serie nos trae la observación acerca de una puesta en peso de la noción de archivo: no sólo como reunión y domiciliación de un conjunto documental, sino como herramienta conceptual idónea para un pensamiento sobre las materialidades en las artes y en la literatura. En el presente artículo se aborda, a partir de una perspectiva foucaultiana del archivo (como sistematización y normativa de emergencia de los discursos), un entramado discursivo en torno al rol del archivo como productor no sólo de relatos críticos sobre la tarea de archivar sino, especialmente, como dispositivo de uso de bienes culturales comunes. Dicho dispositivo intervendría en la tensión vanguardia/musealización abriendo nuevos lugares de problematización de lo político. Para ello se rastrea en el volumen "El deseo nace del derrumbe. Acciones, conceptos y escritos", de Roberto Jacoby (Ana Longoni, compiladora) (2011), distintos momentos en los cuales la estrategia del uso se encontraba vinculada a su práctica artística.UFRGS2013-12-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/anos90/article/view/4060110.22456/1983-201X.40601Anos 90; Vol. 21 No. 40 (2014): História das Sociedades Africanas: Temas, Questões e Perspectivas de Estudo; 311-331Anos 90; v. 21 n. 40 (2014): História das Sociedades Africanas: Temas, Questões e Perspectivas de Estudo; 311-3311983-201X0104-236Xreponame:Anos 90 (Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGS-30porhttps://seer.ufrgs.br/index.php/anos90/article/view/40601/32275Garbatzky, Irina Ruthinfo:eu-repo/semantics/openAccess2023-01-12T17:04:15Zoai:seer.ufrgs.br:article/40601Revistahttps://seer.ufrgs.br/anos90PUBhttps://seer.ufrgs.br/anos90/oaianos90@ufrgs.br||1983-201X0104-236Xopendoar:2023-01-12T17:04:15Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby El archivo como productor: el lugar del uso en El deseo nace del derrumbe, de Roberto Jacoby |
title |
The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby |
spellingShingle |
The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby Garbatzky, Irina Ruth Archives Argentine avant-garde Roberto Jacoby Musealization Artist's literature Archivos Vanguardia argentina Roberto Jacoby Museificación Textos de artistas |
title_short |
The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby |
title_full |
The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby |
title_fullStr |
The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby |
title_full_unstemmed |
The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby |
title_sort |
The archive as a producer: the place of use in El deseo nace del derrumbe by Roberto Jacoby |
author |
Garbatzky, Irina Ruth |
author_facet |
Garbatzky, Irina Ruth |
author_role |
author |
dc.contributor.author.fl_str_mv |
Garbatzky, Irina Ruth |
dc.subject.por.fl_str_mv |
Archives Argentine avant-garde Roberto Jacoby Musealization Artist's literature Archivos Vanguardia argentina Roberto Jacoby Museificación Textos de artistas |
topic |
Archives Argentine avant-garde Roberto Jacoby Musealization Artist's literature Archivos Vanguardia argentina Roberto Jacoby Museificación Textos de artistas |
description |
During the 2000s, several artistic experiences, poetics and politics of Argentine vanguards of '60 and countercultural movements of democratic recovery process have been the subject of numerous investigations, retrospective exhibitions, archives and documentaries. The condition of this series (certainly expansive), brings an observation about the weight on the notion of archive: not only as a meeting and debit set of documents, but as ideal conceptual tool for thinking about the material issues in the arts and in literature. This article addresses, from a Foucauldian perspective of the archive (such as emergency regulations systematization and speeches), a network discourse about the role of the archive as a producer not only of critical stories about the task of archiving, but a particular device as common cultural use. Such a device would intervene in the forefront avant-garde / musealization opening new problematization of politics. This is tracked in the volume "El deseo nace del derrumbe. Acciones, conceptos y escritos" by Roberto Jacoby (Ana Longoni, ed) (2011), different times in which strategy use was linked to his artistic practice. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-12-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/anos90/article/view/40601 10.22456/1983-201X.40601 |
url |
https://seer.ufrgs.br/index.php/anos90/article/view/40601 |
identifier_str_mv |
10.22456/1983-201X.40601 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/anos90/article/view/40601/32275 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFRGS |
publisher.none.fl_str_mv |
UFRGS |
dc.source.none.fl_str_mv |
Anos 90; Vol. 21 No. 40 (2014): História das Sociedades Africanas: Temas, Questões e Perspectivas de Estudo; 311-331 Anos 90; v. 21 n. 40 (2014): História das Sociedades Africanas: Temas, Questões e Perspectivas de Estudo; 311-331 1983-201X 0104-236X reponame:Anos 90 (Online) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS-30 |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS-30 |
institution |
UFRGS-30 |
reponame_str |
Anos 90 (Online) |
collection |
Anos 90 (Online) |
repository.name.fl_str_mv |
Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
anos90@ufrgs.br|| |
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1797067840730169345 |