Stylistic analysis and economy of montage in Cinédia (1940-1946)

Detalhes bibliográficos
Autor(a) principal: Adamatti, Margarida Maria
Data de Publicação: 2022
Outros Autores: Uchôa, Fábio Raddi
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/105633
Resumo: The article proposes a stylistic analysis of seven films produced by Cinédia in the 1940s, taking into account the company's economy of montage and its production method. In view of the gap on the stylistic continuities of Adhemar Gonzaga’s company, the study about the collective style emphasizes the formal recurrences of four technical procedures: shot-reverse-shot, long take, mobile framing and staging in depth. Observing whether the genre, the budget and the filming conditions may have been integrated into the internal structure of the works, the proposal intends to evaluate how such procedures are related to the pace of montage and the spatial configuration of the works.
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spelling Stylistic analysis and economy of montage in Cinédia (1940-1946)Análise estilística e economia da montagem na Cinédia (1940-1946)EstiloModo de produçãoCinédiaStyleProduction modeCinédiaThe article proposes a stylistic analysis of seven films produced by Cinédia in the 1940s, taking into account the company's economy of montage and its production method. In view of the gap on the stylistic continuities of Adhemar Gonzaga’s company, the study about the collective style emphasizes the formal recurrences of four technical procedures: shot-reverse-shot, long take, mobile framing and staging in depth. Observing whether the genre, the budget and the filming conditions may have been integrated into the internal structure of the works, the proposal intends to evaluate how such procedures are related to the pace of montage and the spatial configuration of the works.O artigo propõe a análise estilística de sete filmes produzidos pela Cinédia na década de 1940 tendo em vista a economia da montagem da empresa e seu modo de produção. Face à lacuna sobre as continuidades estilísticas da companhia de Adhemar Gonzaga, o estudo sobre o estilo coletivo enfatiza as recorrências formais de quatro procedimentos técnicos: campocontracampo, plano longo, enquadramento móvel e encenação em profundidade. Observando se o gênero, o orçamento e as condições de filmagem podem ter se integrado à estrutura interna das obras, a proposta pretende avaliar como tais procedimentos relacionam-se ao ritmo da montagem e à configuração espacial das obras.Universidade Federal do Rio Grande do Sul2022-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionanálise fílmicaapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/10563310.19132/1807-8583202253.105633Intexto; No. 53 (2022); 105633Intexto; Núm. 53 (2022); 105633Intexto; No. 53 (2022); 105633Intexto; N. 53 (2022); 105633Intexto; n. 53 (2022); 1056331807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/105633/65024Copyright (c) 2021 Margarida Maria Adamatti, Fábio Raddi Uchôahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAdamatti, Margarida MariaUchôa, Fábio Raddi2023-07-18T17:20:22Zoai:seer.ufrgs.br:article/105633Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-07-18T17:20:22Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Stylistic analysis and economy of montage in Cinédia (1940-1946)
Análise estilística e economia da montagem na Cinédia (1940-1946)
title Stylistic analysis and economy of montage in Cinédia (1940-1946)
spellingShingle Stylistic analysis and economy of montage in Cinédia (1940-1946)
Adamatti, Margarida Maria
Estilo
Modo de produção
Cinédia
Style
Production mode
Cinédia
title_short Stylistic analysis and economy of montage in Cinédia (1940-1946)
title_full Stylistic analysis and economy of montage in Cinédia (1940-1946)
title_fullStr Stylistic analysis and economy of montage in Cinédia (1940-1946)
title_full_unstemmed Stylistic analysis and economy of montage in Cinédia (1940-1946)
title_sort Stylistic analysis and economy of montage in Cinédia (1940-1946)
author Adamatti, Margarida Maria
author_facet Adamatti, Margarida Maria
Uchôa, Fábio Raddi
author_role author
author2 Uchôa, Fábio Raddi
author2_role author
dc.contributor.author.fl_str_mv Adamatti, Margarida Maria
Uchôa, Fábio Raddi
dc.subject.por.fl_str_mv Estilo
Modo de produção
Cinédia
Style
Production mode
Cinédia
topic Estilo
Modo de produção
Cinédia
Style
Production mode
Cinédia
description The article proposes a stylistic analysis of seven films produced by Cinédia in the 1940s, taking into account the company's economy of montage and its production method. In view of the gap on the stylistic continuities of Adhemar Gonzaga’s company, the study about the collective style emphasizes the formal recurrences of four technical procedures: shot-reverse-shot, long take, mobile framing and staging in depth. Observing whether the genre, the budget and the filming conditions may have been integrated into the internal structure of the works, the proposal intends to evaluate how such procedures are related to the pace of montage and the spatial configuration of the works.
publishDate 2022
dc.date.none.fl_str_mv 2022-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
análise fílmica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/105633
10.19132/1807-8583202253.105633
url https://seer.ufrgs.br/index.php/intexto/article/view/105633
identifier_str_mv 10.19132/1807-8583202253.105633
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/105633/65024
dc.rights.driver.fl_str_mv Copyright (c) 2021 Margarida Maria Adamatti, Fábio Raddi Uchôa
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Margarida Maria Adamatti, Fábio Raddi Uchôa
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 53 (2022); 105633
Intexto; Núm. 53 (2022); 105633
Intexto; No. 53 (2022); 105633
Intexto; N. 53 (2022); 105633
Intexto; n. 53 (2022); 105633
1807-8583
reponame:Intexto (Porto Alegre)
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
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reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||intexto@ufrgs.br
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