The hedonist perspective of the femme fatale element: the contribution of visuality in building the Nelly Borden character in Milano Calibro 9
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Data de Publicação: | 2021 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/107455 |
Resumo: | This work aims, from the analysis of the movie Milano calibro 9, address the hedonistic perspective of Italian film noir. The element femme fatale is chosen as the central focus of observation. Priority is given to the visuality of the work, seeking more regularly the concrete and visible elements of art direction work. The analysis is conducted by a methodological construction understood from some assumptions of film analysis, highlighting the authors Jacques Aumont & Michel Marie, Francis Vanoye & Anne Goliot-Lété, and the methodological proposition of Diane Rose . This research allows us to point out and reflect on how the femme fatale, in its hedonistic potential, directs the other characters and works as a fundamental element for the conduction of the narrative. |
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The hedonist perspective of the femme fatale element: the contribution of visuality in building the Nelly Borden character in Milano Calibro 9A perspectiva hedonista do elemento femme fatale: a contribuição da visualidade na construção da personagem Nelly Borden em Milano Calibro 9Análise fílmicaCinema noir italianoDireção de arteFemme fataleHedonismoFilm analysis. Italian film noir. Art direction. Femme fatale. Hedonism.This work aims, from the analysis of the movie Milano calibro 9, address the hedonistic perspective of Italian film noir. The element femme fatale is chosen as the central focus of observation. Priority is given to the visuality of the work, seeking more regularly the concrete and visible elements of art direction work. The analysis is conducted by a methodological construction understood from some assumptions of film analysis, highlighting the authors Jacques Aumont & Michel Marie, Francis Vanoye & Anne Goliot-Lété, and the methodological proposition of Diane Rose . This research allows us to point out and reflect on how the femme fatale, in its hedonistic potential, directs the other characters and works as a fundamental element for the conduction of the narrative.O trabalho objetiva, a partir da análise do filme Milano Calibro 9, abordar a perspectiva hedonista do cinema noir italiano. Elege-se o elemento femme fatale como foco central de observação. Observa-se, prioritariamente, a visualidade da obra, buscando-se regularmente os elementos concretos e visíveis de trabalho da direção de arte. A análise é conduzida por uma construção metodológica compreendida a partir de alguns pressupostos da Análise Fílmica, destacando-se, para tal, os autores Jacques Aumont e Michel Marie, e, Francis Vanoye e Anne Goliot-Lété, e também da proposição metodológica de Diane Rose. A pesquisa permite apontar e refletir sobre o modo como a femme fatale, em seu potencial hedonista, direciona as demais personagens e funciona como elemento fundamental para a condução da narrativa.Universidade Federal do Rio Grande do Sul2021-07-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/10745510.19132/1807-8583202152.107455Intexto; No. 52 (2021); 107455Intexto; Núm. 52 (2021); 107455Intexto; No. 52 (2021); 107455Intexto; N. 52 (2021); 107455Intexto; n. 52 (2021); 1074551807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/107455/63537Copyright (c) 2021 Alexandre Rossato Augusti, Gilka Padilha de Vargashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAugusti, Alexandre RossatoPadilha de Vargas, Gilka2023-02-06T12:29:15Zoai:seer.ufrgs.br:article/107455Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-06T12:29:15Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
The hedonist perspective of the femme fatale element: the contribution of visuality in building the Nelly Borden character in Milano Calibro 9 A perspectiva hedonista do elemento femme fatale: a contribuição da visualidade na construção da personagem Nelly Borden em Milano Calibro 9 |
title |
The hedonist perspective of the femme fatale element: the contribution of visuality in building the Nelly Borden character in Milano Calibro 9 |
spellingShingle |
The hedonist perspective of the femme fatale element: the contribution of visuality in building the Nelly Borden character in Milano Calibro 9 Augusti, Alexandre Rossato Análise fílmica Cinema noir italiano Direção de arte Femme fatale Hedonismo Film analysis. Italian film noir. Art direction. Femme fatale. Hedonism. |
title_short |
The hedonist perspective of the femme fatale element: the contribution of visuality in building the Nelly Borden character in Milano Calibro 9 |
title_full |
The hedonist perspective of the femme fatale element: the contribution of visuality in building the Nelly Borden character in Milano Calibro 9 |
title_fullStr |
The hedonist perspective of the femme fatale element: the contribution of visuality in building the Nelly Borden character in Milano Calibro 9 |
title_full_unstemmed |
The hedonist perspective of the femme fatale element: the contribution of visuality in building the Nelly Borden character in Milano Calibro 9 |
title_sort |
The hedonist perspective of the femme fatale element: the contribution of visuality in building the Nelly Borden character in Milano Calibro 9 |
author |
Augusti, Alexandre Rossato |
author_facet |
Augusti, Alexandre Rossato Padilha de Vargas, Gilka |
author_role |
author |
author2 |
Padilha de Vargas, Gilka |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Augusti, Alexandre Rossato Padilha de Vargas, Gilka |
dc.subject.por.fl_str_mv |
Análise fílmica Cinema noir italiano Direção de arte Femme fatale Hedonismo Film analysis. Italian film noir. Art direction. Femme fatale. Hedonism. |
topic |
Análise fílmica Cinema noir italiano Direção de arte Femme fatale Hedonismo Film analysis. Italian film noir. Art direction. Femme fatale. Hedonism. |
description |
This work aims, from the analysis of the movie Milano calibro 9, address the hedonistic perspective of Italian film noir. The element femme fatale is chosen as the central focus of observation. Priority is given to the visuality of the work, seeking more regularly the concrete and visible elements of art direction work. The analysis is conducted by a methodological construction understood from some assumptions of film analysis, highlighting the authors Jacques Aumont & Michel Marie, Francis Vanoye & Anne Goliot-Lété, and the methodological proposition of Diane Rose . This research allows us to point out and reflect on how the femme fatale, in its hedonistic potential, directs the other characters and works as a fundamental element for the conduction of the narrative. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-07-12 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/107455 10.19132/1807-8583202152.107455 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/107455 |
identifier_str_mv |
10.19132/1807-8583202152.107455 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/107455/63537 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Alexandre Rossato Augusti, Gilka Padilha de Vargas https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Alexandre Rossato Augusti, Gilka Padilha de Vargas https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; No. 52 (2021); 107455 Intexto; Núm. 52 (2021); 107455 Intexto; No. 52 (2021); 107455 Intexto; N. 52 (2021); 107455 Intexto; n. 52 (2021); 107455 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
collection |
Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
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1799766111383715840 |