Ingmar Bergman's magic moments

Detalhes bibliográficos
Autor(a) principal: Avancini, Atílio
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/92322
Resumo: The article is about the documentary The island of Bergman (2006) by Marie Nyreröd. The aim is to study the cinematographic thought of the director Ingmar Bergman (1918-2007) when analyzing critically two of his classic works: The seventh seal (1956) and Persona (1965). This research privileges the use of concepts about the cinematographic message within the theoretical method of Roland Bathes’ obtuse message. The filmmaker's thought based on existential questions results in the life-death duality and reality-fiction as well as the poetic impact of his ideas for the present moment. Life contradictions are the concerns of the swedish director who launches questions without definitive answers. The conclusion is that his authorial work based on these two films aims to seek perfection and the psychological-existential dimension as well as unveiling the path of interiority.
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spelling Ingmar Bergman's magic momentsInstantes Mágicos de Ingmar BergmanCinema. Fotografia. Imagem. Análise. Memória.Movie. Photography. Image. Analysis. Memory.The article is about the documentary The island of Bergman (2006) by Marie Nyreröd. The aim is to study the cinematographic thought of the director Ingmar Bergman (1918-2007) when analyzing critically two of his classic works: The seventh seal (1956) and Persona (1965). This research privileges the use of concepts about the cinematographic message within the theoretical method of Roland Bathes’ obtuse message. The filmmaker's thought based on existential questions results in the life-death duality and reality-fiction as well as the poetic impact of his ideas for the present moment. Life contradictions are the concerns of the swedish director who launches questions without definitive answers. The conclusion is that his authorial work based on these two films aims to seek perfection and the psychological-existential dimension as well as unveiling the path of interiority.O artigo tem por objeto o documentário A ilha de Bergman (2006) de Marie Nyreröd. O objetivo é estudar o pensamento cinematográfico do diretor Ingmar Bergman (1918-2007) ao analisar criticamente duas de suas obras clássicas: O sétimo selo (1956) e Persona (1965). Esta pesquisa privilegia a utilização de conceitos sobre a mensagem cinematográfica dentro do método teórico da mensagem obtusa de Roland Barthes. O pensamento do cineasta baseado em questões existenciais traz como resultado a dualidade vida-morte e realidade-ficção, e também o impacto poético de suas ideias para a atualidade. As contradições da vida são as inquietações do diretor sueco, que lança perguntas sem respostas definitivas. A conclusão é de que a sua obra autoral, baseada nesses dois filmes, procura buscar a perfeição e a dimensão psicológica-existencial, além de desvendar o caminho da interioridade.Universidade Federal do Rio Grande do Sul2020-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionponto de vistaapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/9232210.19132/1807-8583202050.111-126Intexto; n. 50, set./dez. 2020; 111-126Intexto; n. 50, set./dez. 2020; 111-126Intexto; n. 50, set./dez. 2020; 111-126Intexto; n. 50, set./dez. 2020; 111-126Intexto; n. 50, set./dez. 2020; 111-1261807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/92322/56214Copyright (c) 2020 Atílio Avancinihttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAvancini, Atílio2023-02-13T12:33:46Zoai:seer.ufrgs.br:article/92322Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-13T12:33:46Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Ingmar Bergman's magic moments
Instantes Mágicos de Ingmar Bergman
title Ingmar Bergman's magic moments
spellingShingle Ingmar Bergman's magic moments
Avancini, Atílio
Cinema. Fotografia. Imagem. Análise. Memória.
Movie. Photography. Image. Analysis. Memory.
title_short Ingmar Bergman's magic moments
title_full Ingmar Bergman's magic moments
title_fullStr Ingmar Bergman's magic moments
title_full_unstemmed Ingmar Bergman's magic moments
title_sort Ingmar Bergman's magic moments
author Avancini, Atílio
author_facet Avancini, Atílio
author_role author
dc.contributor.author.fl_str_mv Avancini, Atílio
dc.subject.por.fl_str_mv Cinema. Fotografia. Imagem. Análise. Memória.
Movie. Photography. Image. Analysis. Memory.
topic Cinema. Fotografia. Imagem. Análise. Memória.
Movie. Photography. Image. Analysis. Memory.
description The article is about the documentary The island of Bergman (2006) by Marie Nyreröd. The aim is to study the cinematographic thought of the director Ingmar Bergman (1918-2007) when analyzing critically two of his classic works: The seventh seal (1956) and Persona (1965). This research privileges the use of concepts about the cinematographic message within the theoretical method of Roland Bathes’ obtuse message. The filmmaker's thought based on existential questions results in the life-death duality and reality-fiction as well as the poetic impact of his ideas for the present moment. Life contradictions are the concerns of the swedish director who launches questions without definitive answers. The conclusion is that his authorial work based on these two films aims to seek perfection and the psychological-existential dimension as well as unveiling the path of interiority.
publishDate 2020
dc.date.none.fl_str_mv 2020-08-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
ponto de vista
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/92322
10.19132/1807-8583202050.111-126
url https://seer.ufrgs.br/index.php/intexto/article/view/92322
identifier_str_mv 10.19132/1807-8583202050.111-126
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/92322/56214
dc.rights.driver.fl_str_mv Copyright (c) 2020 Atílio Avancini
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Atílio Avancini
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n. 50, set./dez. 2020; 111-126
Intexto; n. 50, set./dez. 2020; 111-126
Intexto; n. 50, set./dez. 2020; 111-126
Intexto; n. 50, set./dez. 2020; 111-126
Intexto; n. 50, set./dez. 2020; 111-126
1807-8583
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