Ingmar Bergman's magic moments
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/92322 |
Resumo: | The article is about the documentary The island of Bergman (2006) by Marie Nyreröd. The aim is to study the cinematographic thought of the director Ingmar Bergman (1918-2007) when analyzing critically two of his classic works: The seventh seal (1956) and Persona (1965). This research privileges the use of concepts about the cinematographic message within the theoretical method of Roland Bathes’ obtuse message. The filmmaker's thought based on existential questions results in the life-death duality and reality-fiction as well as the poetic impact of his ideas for the present moment. Life contradictions are the concerns of the swedish director who launches questions without definitive answers. The conclusion is that his authorial work based on these two films aims to seek perfection and the psychological-existential dimension as well as unveiling the path of interiority. |
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Ingmar Bergman's magic momentsInstantes Mágicos de Ingmar BergmanCinema. Fotografia. Imagem. Análise. Memória.Movie. Photography. Image. Analysis. Memory.The article is about the documentary The island of Bergman (2006) by Marie Nyreröd. The aim is to study the cinematographic thought of the director Ingmar Bergman (1918-2007) when analyzing critically two of his classic works: The seventh seal (1956) and Persona (1965). This research privileges the use of concepts about the cinematographic message within the theoretical method of Roland Bathes’ obtuse message. The filmmaker's thought based on existential questions results in the life-death duality and reality-fiction as well as the poetic impact of his ideas for the present moment. Life contradictions are the concerns of the swedish director who launches questions without definitive answers. The conclusion is that his authorial work based on these two films aims to seek perfection and the psychological-existential dimension as well as unveiling the path of interiority.O artigo tem por objeto o documentário A ilha de Bergman (2006) de Marie Nyreröd. O objetivo é estudar o pensamento cinematográfico do diretor Ingmar Bergman (1918-2007) ao analisar criticamente duas de suas obras clássicas: O sétimo selo (1956) e Persona (1965). Esta pesquisa privilegia a utilização de conceitos sobre a mensagem cinematográfica dentro do método teórico da mensagem obtusa de Roland Barthes. O pensamento do cineasta baseado em questões existenciais traz como resultado a dualidade vida-morte e realidade-ficção, e também o impacto poético de suas ideias para a atualidade. As contradições da vida são as inquietações do diretor sueco, que lança perguntas sem respostas definitivas. A conclusão é de que a sua obra autoral, baseada nesses dois filmes, procura buscar a perfeição e a dimensão psicológica-existencial, além de desvendar o caminho da interioridade.Universidade Federal do Rio Grande do Sul2020-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionponto de vistaapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/9232210.19132/1807-8583202050.111-126Intexto; n. 50, set./dez. 2020; 111-126Intexto; n. 50, set./dez. 2020; 111-126Intexto; n. 50, set./dez. 2020; 111-126Intexto; n. 50, set./dez. 2020; 111-126Intexto; n. 50, set./dez. 2020; 111-1261807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/92322/56214Copyright (c) 2020 Atílio Avancinihttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAvancini, Atílio2023-02-13T12:33:46Zoai:seer.ufrgs.br:article/92322Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-13T12:33:46Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Ingmar Bergman's magic moments Instantes Mágicos de Ingmar Bergman |
title |
Ingmar Bergman's magic moments |
spellingShingle |
Ingmar Bergman's magic moments Avancini, Atílio Cinema. Fotografia. Imagem. Análise. Memória. Movie. Photography. Image. Analysis. Memory. |
title_short |
Ingmar Bergman's magic moments |
title_full |
Ingmar Bergman's magic moments |
title_fullStr |
Ingmar Bergman's magic moments |
title_full_unstemmed |
Ingmar Bergman's magic moments |
title_sort |
Ingmar Bergman's magic moments |
author |
Avancini, Atílio |
author_facet |
Avancini, Atílio |
author_role |
author |
dc.contributor.author.fl_str_mv |
Avancini, Atílio |
dc.subject.por.fl_str_mv |
Cinema. Fotografia. Imagem. Análise. Memória. Movie. Photography. Image. Analysis. Memory. |
topic |
Cinema. Fotografia. Imagem. Análise. Memória. Movie. Photography. Image. Analysis. Memory. |
description |
The article is about the documentary The island of Bergman (2006) by Marie Nyreröd. The aim is to study the cinematographic thought of the director Ingmar Bergman (1918-2007) when analyzing critically two of his classic works: The seventh seal (1956) and Persona (1965). This research privileges the use of concepts about the cinematographic message within the theoretical method of Roland Bathes’ obtuse message. The filmmaker's thought based on existential questions results in the life-death duality and reality-fiction as well as the poetic impact of his ideas for the present moment. Life contradictions are the concerns of the swedish director who launches questions without definitive answers. The conclusion is that his authorial work based on these two films aims to seek perfection and the psychological-existential dimension as well as unveiling the path of interiority. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-08-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion ponto de vista |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/92322 10.19132/1807-8583202050.111-126 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/92322 |
identifier_str_mv |
10.19132/1807-8583202050.111-126 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/92322/56214 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Atílio Avancini https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Atílio Avancini https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; n. 50, set./dez. 2020; 111-126 Intexto; n. 50, set./dez. 2020; 111-126 Intexto; n. 50, set./dez. 2020; 111-126 Intexto; n. 50, set./dez. 2020; 111-126 Intexto; n. 50, set./dez. 2020; 111-126 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
collection |
Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
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1799766110752473088 |