The performances of everyday life, memory and gender in the documentary Kátia

Detalhes bibliográficos
Autor(a) principal: Silva, Gustavo Souza da
Data de Publicação: 2022
Outros Autores: Alves-Silva, Jamilson José
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/125342
Resumo: Kátia is a documentary about Kátia Tapety, the first transvestite elected to a political office in Brazil. She was a councilor three times and deputy mayor (2004-2008), an exceptional situation in the country that kills the most transgender people and transvestites in the world. Due to understand how the film builds Kátia’s life story, we start from the hypothesis that performance and memory constitute the foundation through which it is possible to access her as a character. For this, the analysis focuses on the interpretation of the immanent filmic components that allow the identification of these two instances, with theoretical support related to performance studies. Through the narrative elements provided by the film, the text sheds light on the protagonist’s subjectivity and reveals that individual memories can present a more collective character. This movement allows the film to go beyond crystallized and reductive imaginaries about issues related to sexual orientation and gender identity that still insistently circulate in our society.
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spelling The performances of everyday life, memory and gender in the documentary KátiaAs performances do cotidiano, da memória e de gênero no documentário Kátiadocumentaryperformancememory everyday lifegenderdocumentárioperformancememóriacotidianogêneroKátia is a documentary about Kátia Tapety, the first transvestite elected to a political office in Brazil. She was a councilor three times and deputy mayor (2004-2008), an exceptional situation in the country that kills the most transgender people and transvestites in the world. Due to understand how the film builds Kátia’s life story, we start from the hypothesis that performance and memory constitute the foundation through which it is possible to access her as a character. For this, the analysis focuses on the interpretation of the immanent filmic components that allow the identification of these two instances, with theoretical support related to performance studies. Through the narrative elements provided by the film, the text sheds light on the protagonist’s subjectivity and reveals that individual memories can present a more collective character. This movement allows the film to go beyond crystallized and reductive imaginaries about issues related to sexual orientation and gender identity that still insistently circulate in our society.Kátia é um documentário sobre Kátia Tapety, a primeira travesti eleita a um cargo político no Brasil. Foi vereadora por três vezes e vice-prefeita (2004-2008), uma situação excepcional no país que mais mata pessoas trans e travestis no mundo. Com o objetivo de perceber como o filme constrói a história de vida de Kátia, partimos da hipótese de que as performances do cotidiano, de gênero e da memória constituem o alicerce por meio do qual é possível acessá-la como personagem. Para isso, a análise se concentra nos componentes fílmicos imanentes que permitem a identificação dessas instâncias, com o suporte teórico relacionado aos estudos de performance. Pelos elementos narrativos fornecidos pelo filme, o texto lança luz à subjetividade da protagonista e revela que as memórias individuais podem apresentar um caráter mais coletivo. Esse movimento permite ao filme ultrapassar imaginários cristalizados e redutores a respeito de questões referentes à orientação sexual e à identidade de gênero que ainda circulam insistentemente em nossa sociedade.Universidade Federal do Rio Grande do Sul2022-12-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/12534210.19132/1807-8583202253.125342Intexto; No. 53 (2022); 125342Intexto; Núm. 53 (2022); 125342Intexto; No. 53 (2022); 125342Intexto; N. 53 (2022); 125342Intexto; n. 53 (2022); 1253421807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/125342/87117Copyright (c) 2022 Gustavo Souza da Silva, Jamilson José Alves-Silvahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSilva, Gustavo Souza daAlves-Silva, Jamilson José2023-07-17T17:30:32Zoai:seer.ufrgs.br:article/125342Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-07-17T17:30:32Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The performances of everyday life, memory and gender in the documentary Kátia
As performances do cotidiano, da memória e de gênero no documentário Kátia
title The performances of everyday life, memory and gender in the documentary Kátia
spellingShingle The performances of everyday life, memory and gender in the documentary Kátia
Silva, Gustavo Souza da
documentary
performance
memory
everyday life
gender
documentário
performance
memória
cotidiano
gênero
title_short The performances of everyday life, memory and gender in the documentary Kátia
title_full The performances of everyday life, memory and gender in the documentary Kátia
title_fullStr The performances of everyday life, memory and gender in the documentary Kátia
title_full_unstemmed The performances of everyday life, memory and gender in the documentary Kátia
title_sort The performances of everyday life, memory and gender in the documentary Kátia
author Silva, Gustavo Souza da
author_facet Silva, Gustavo Souza da
Alves-Silva, Jamilson José
author_role author
author2 Alves-Silva, Jamilson José
author2_role author
dc.contributor.author.fl_str_mv Silva, Gustavo Souza da
Alves-Silva, Jamilson José
dc.subject.por.fl_str_mv documentary
performance
memory
everyday life
gender
documentário
performance
memória
cotidiano
gênero
topic documentary
performance
memory
everyday life
gender
documentário
performance
memória
cotidiano
gênero
description Kátia is a documentary about Kátia Tapety, the first transvestite elected to a political office in Brazil. She was a councilor three times and deputy mayor (2004-2008), an exceptional situation in the country that kills the most transgender people and transvestites in the world. Due to understand how the film builds Kátia’s life story, we start from the hypothesis that performance and memory constitute the foundation through which it is possible to access her as a character. For this, the analysis focuses on the interpretation of the immanent filmic components that allow the identification of these two instances, with theoretical support related to performance studies. Through the narrative elements provided by the film, the text sheds light on the protagonist’s subjectivity and reveals that individual memories can present a more collective character. This movement allows the film to go beyond crystallized and reductive imaginaries about issues related to sexual orientation and gender identity that still insistently circulate in our society.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/125342
10.19132/1807-8583202253.125342
url https://seer.ufrgs.br/index.php/intexto/article/view/125342
identifier_str_mv 10.19132/1807-8583202253.125342
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/125342/87117
dc.rights.driver.fl_str_mv Copyright (c) 2022 Gustavo Souza da Silva, Jamilson José Alves-Silva
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Gustavo Souza da Silva, Jamilson José Alves-Silva
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 53 (2022); 125342
Intexto; Núm. 53 (2022); 125342
Intexto; No. 53 (2022); 125342
Intexto; N. 53 (2022); 125342
Intexto; n. 53 (2022); 125342
1807-8583
reponame:Intexto (Porto Alegre)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||intexto@ufrgs.br
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