Dialogues between painting and cinema: analysis of the pictorial representations of Susanna and the Elders and its appearance in Psycho, by Alfred Hitchcock.

Detalhes bibliográficos
Autor(a) principal: Rodríguez, Vanessa Brasil Campos
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/67586
Resumo: The article is the result of a research on the movie Psycho, by Alfred Hitchcock, from 1960. The theme of the picture that covers the hole, through which the protagonist Norman Bates sees Marion Crane undressing is the element of our analysis. This is a representation of the biblical tale of Susanna and the Elders which addresses voyeurism, the incestuous desire of two judges and the violation. The work approaches the semiotic research on interface with psychoanalysis, anthropology and communication in culture. The method discussed is the filmic discourse and pictorial analysis. We mention the formal, aesthetic and structural resonances between the paintings and the film. The images analyzed in Psycho have extremely deep layers and rooted the elements located in several paintings of the 17th century, which address the topic of Susanna and the Elders. The ones that survived moved through time, space and between cultures.
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spelling Dialogues between painting and cinema: analysis of the pictorial representations of Susanna and the Elders and its appearance in Psycho, by Alfred Hitchcock.Diálogos entre a pintura e o cinema: análise de representações pictóricas do relato de Susana e os velhos e de sua aparição em Psicose, de Alfred HitchcockAnálise do discurso. Cinema. Alfred Hitchcock. Susana e os velhos. Voyeurismo.Discourse analysis. Cinema. Alfred Hitchcock. Susanna and the elders. Voyeurism.The article is the result of a research on the movie Psycho, by Alfred Hitchcock, from 1960. The theme of the picture that covers the hole, through which the protagonist Norman Bates sees Marion Crane undressing is the element of our analysis. This is a representation of the biblical tale of Susanna and the Elders which addresses voyeurism, the incestuous desire of two judges and the violation. The work approaches the semiotic research on interface with psychoanalysis, anthropology and communication in culture. The method discussed is the filmic discourse and pictorial analysis. We mention the formal, aesthetic and structural resonances between the paintings and the film. The images analyzed in Psycho have extremely deep layers and rooted the elements located in several paintings of the 17th century, which address the topic of Susanna and the Elders. The ones that survived moved through time, space and between cultures.O artigo é resultado de investigação sobre o filme Psicose, de Alfred Hitchcock, de 1960. O tema do quadro que tapa o buraco pelo qual o protagonista Norman Bates observa Marion Crane despindo-se constitui o elemento de análise. Trata-se de uma representação do relato bíblico de Susana e os velhos que aborda o voyeurismo, o desejo incestuoso de dois juízes e a violação. O trabalho abrange a pesquisa semiótica em interface com a psicanálise, a antropologia e a comunicação na cultura. O método abordado é a análise do discurso fílmico e pictórico. Assinalam-se as ressonâncias formais, estéticas e estruturais entre as pinturas e o filme. As imagens analisadas em Psicose apresentam camadas extremamente profundas e arraigadas a elementos imagéticos, localizadas em várias pinturas do século XVII que abordam o tema de Susana e os velhos. Estas sobreviveram e transportaram-se através do tempo, do espaço e entre culturas..Universidade Federal do Rio Grande do Sul2018-04-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa empíricaapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/6758610.19132/1807-8583201842.135-165Intexto; n. 42, maio/ago. 2018; 135-165Intexto; n. 42, maio/ago. 2018; 135-165Intexto; n. 42, maio/ago. 2018; 135-165Intexto; n. 42, maio/ago. 2018; 135-165Intexto; n. 42, maio/ago. 2018; 135-1651807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/67586/45897Copyright (c) 2017 Vanessa Brasil Campos Rodríguez https://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessRodríguez, Vanessa Brasil Campos2023-11-23T16:43:59Zoai:seer.ufrgs.br:article/67586Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T16:43:59Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Dialogues between painting and cinema: analysis of the pictorial representations of Susanna and the Elders and its appearance in Psycho, by Alfred Hitchcock.
Diálogos entre a pintura e o cinema: análise de representações pictóricas do relato de Susana e os velhos e de sua aparição em Psicose, de Alfred Hitchcock
title Dialogues between painting and cinema: analysis of the pictorial representations of Susanna and the Elders and its appearance in Psycho, by Alfred Hitchcock.
spellingShingle Dialogues between painting and cinema: analysis of the pictorial representations of Susanna and the Elders and its appearance in Psycho, by Alfred Hitchcock.
Rodríguez, Vanessa Brasil Campos
Análise do discurso. Cinema. Alfred Hitchcock. Susana e os velhos. Voyeurismo.
Discourse analysis. Cinema. Alfred Hitchcock. Susanna and the elders. Voyeurism.
title_short Dialogues between painting and cinema: analysis of the pictorial representations of Susanna and the Elders and its appearance in Psycho, by Alfred Hitchcock.
title_full Dialogues between painting and cinema: analysis of the pictorial representations of Susanna and the Elders and its appearance in Psycho, by Alfred Hitchcock.
title_fullStr Dialogues between painting and cinema: analysis of the pictorial representations of Susanna and the Elders and its appearance in Psycho, by Alfred Hitchcock.
title_full_unstemmed Dialogues between painting and cinema: analysis of the pictorial representations of Susanna and the Elders and its appearance in Psycho, by Alfred Hitchcock.
title_sort Dialogues between painting and cinema: analysis of the pictorial representations of Susanna and the Elders and its appearance in Psycho, by Alfred Hitchcock.
author Rodríguez, Vanessa Brasil Campos
author_facet Rodríguez, Vanessa Brasil Campos
author_role author
dc.contributor.author.fl_str_mv Rodríguez, Vanessa Brasil Campos
dc.subject.por.fl_str_mv Análise do discurso. Cinema. Alfred Hitchcock. Susana e os velhos. Voyeurismo.
Discourse analysis. Cinema. Alfred Hitchcock. Susanna and the elders. Voyeurism.
topic Análise do discurso. Cinema. Alfred Hitchcock. Susana e os velhos. Voyeurismo.
Discourse analysis. Cinema. Alfred Hitchcock. Susanna and the elders. Voyeurism.
description The article is the result of a research on the movie Psycho, by Alfred Hitchcock, from 1960. The theme of the picture that covers the hole, through which the protagonist Norman Bates sees Marion Crane undressing is the element of our analysis. This is a representation of the biblical tale of Susanna and the Elders which addresses voyeurism, the incestuous desire of two judges and the violation. The work approaches the semiotic research on interface with psychoanalysis, anthropology and communication in culture. The method discussed is the filmic discourse and pictorial analysis. We mention the formal, aesthetic and structural resonances between the paintings and the film. The images analyzed in Psycho have extremely deep layers and rooted the elements located in several paintings of the 17th century, which address the topic of Susanna and the Elders. The ones that survived moved through time, space and between cultures.
publishDate 2018
dc.date.none.fl_str_mv 2018-04-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Pesquisa empírica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/67586
10.19132/1807-8583201842.135-165
url https://seer.ufrgs.br/index.php/intexto/article/view/67586
identifier_str_mv 10.19132/1807-8583201842.135-165
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/67586/45897
dc.rights.driver.fl_str_mv Copyright (c) 2017 Vanessa Brasil Campos Rodríguez
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Vanessa Brasil Campos Rodríguez
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n. 42, maio/ago. 2018; 135-165
Intexto; n. 42, maio/ago. 2018; 135-165
Intexto; n. 42, maio/ago. 2018; 135-165
Intexto; n. 42, maio/ago. 2018; 135-165
Intexto; n. 42, maio/ago. 2018; 135-165
1807-8583
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