Between major and minor: political meanings of the French Revolution’s values in Krzysztof Kieślowski’s Three Colors trilogy

Detalhes bibliográficos
Autor(a) principal: Flores da Cunha, João Fabrício
Data de Publicação: 2014
Outros Autores: da Silva, Alexandre Rocha
Tipo de documento: Artigo
Idioma: por
Título da fonte: Em Questão (Online)
Texto Completo: https://seer.ufrgs.br/index.php/EmQuestao/article/view/44339
Resumo: This paper’s object of study is the Three Colors trilogy, by the Polish director Krzysztof Kieślowski (1941-1996), composed by Blue (1993), White (1994) and Red (1994). We discuss theoretically the positioning of the French Revolution’s values in the political field in the trilogy. The objective is to comprehend how the revolutionary values are micropolitically worked in each one of the movies that compose it. Based in an idea of a “minor cinema”, this article deconstructs the connections suggested by the Brazilian translation of the movie’s titles by showing how, paradoxically, values such as liberty, equality and brotherhood are experienced transversally in the characters’ quotidian, and contradicts its director by recognizing the inseparability of the molar and molecular strategies which make this trilogy one expression of the political cinema of the end of the 20th century.
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spelling Between major and minor: political meanings of the French Revolution’s values in Krzysztof Kieślowski’s Three Colors trilogyEntre o maior e o menor: sentidos políticos dos valores da Revolução Francesa na Trilogia das Cores, de Krzysztof KieślowskiCommunication. Film. Micropolitics. Kieślowski. Three Colours.ComunicaçãoCinemaMicropolíticaKieślowskiTrilogia das Cores.cinemaThis paper’s object of study is the Three Colors trilogy, by the Polish director Krzysztof Kieślowski (1941-1996), composed by Blue (1993), White (1994) and Red (1994). We discuss theoretically the positioning of the French Revolution’s values in the political field in the trilogy. The objective is to comprehend how the revolutionary values are micropolitically worked in each one of the movies that compose it. Based in an idea of a “minor cinema”, this article deconstructs the connections suggested by the Brazilian translation of the movie’s titles by showing how, paradoxically, values such as liberty, equality and brotherhood are experienced transversally in the characters’ quotidian, and contradicts its director by recognizing the inseparability of the molar and molecular strategies which make this trilogy one expression of the political cinema of the end of the 20th century.Este artigo tem como objeto de estudo a Trilogia das Cores, do diretor polonês Krzysztof Kieślowski (1941-1996), composta por Azul (1993), Branco (1994) e Vermelho (1994). Realiza-se uma argumentação de caráter teórico sobre o posicionamento no campo político dos princípios da Revolução Francesa na Trilogia. O objetivo é compreender como os valores revolucionários são micropoliticamente trabalhados em cada um dos filmes que a compõe. Sustentado por uma ideia de "cinema menor", este artigo desconstrói as associações sugeridas pela tradução brasileira do título dos filmes ao evidenciar como, paradoxalmente, valores como liberdade, igualdade e fraternidade são experienciados transversalmente no cotidiano dos personagens, e contradiz seu diretor ao reconhecer a indissociabilidade das estratégias molares e moleculares que fazem desta trilogia uma expressão do cinema político do fim do século XX. Universidade Federal do Rio Grande do Sul, Faculdade de Biblioteconomia e Comunicação, Programa de Pós-Graduação em Ciência da Informação (Porto Alegre/RS)2014-06-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado por Paresapplication/pdfhttps://seer.ufrgs.br/index.php/EmQuestao/article/view/44339Em Questão; Vol. 20 No. 1 (2014); 247-268Em Questão; Vol. 20 Núm. 1 (2014); 247-268Em Questão; v. 20 n. 1 (2014); 247-2681808-52451807-8893reponame:Em Questão (Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/EmQuestao/article/view/44339/33193Copyright (c) 2014 João Fabrício Flores da Cunha, Alexandre Rocha da Silvahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFlores da Cunha, João Fabrícioda Silva, Alexandre Rocha2024-03-18T17:15:13Zoai:seer.ufrgs.br:article/44339Revistahttps://seer.ufrgs.br/emquestao/PUBhttps://seer.ufrgs.br/EmQuestao/oaiemquestao@ufrgs.br||emquestao@ufrgs.br1808-52451807-8893opendoar:2024-03-18T17:15:13Em Questão (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Between major and minor: political meanings of the French Revolution’s values in Krzysztof Kieślowski’s Three Colors trilogy
Entre o maior e o menor: sentidos políticos dos valores da Revolução Francesa na Trilogia das Cores, de Krzysztof Kieślowski
title Between major and minor: political meanings of the French Revolution’s values in Krzysztof Kieślowski’s Three Colors trilogy
spellingShingle Between major and minor: political meanings of the French Revolution’s values in Krzysztof Kieślowski’s Three Colors trilogy
Flores da Cunha, João Fabrício
Communication. Film. Micropolitics. Kieślowski. Three Colours.
Comunicação
Cinema
Micropolítica
Kieślowski
Trilogia das Cores.
cinema
title_short Between major and minor: political meanings of the French Revolution’s values in Krzysztof Kieślowski’s Three Colors trilogy
title_full Between major and minor: political meanings of the French Revolution’s values in Krzysztof Kieślowski’s Three Colors trilogy
title_fullStr Between major and minor: political meanings of the French Revolution’s values in Krzysztof Kieślowski’s Three Colors trilogy
title_full_unstemmed Between major and minor: political meanings of the French Revolution’s values in Krzysztof Kieślowski’s Three Colors trilogy
title_sort Between major and minor: political meanings of the French Revolution’s values in Krzysztof Kieślowski’s Three Colors trilogy
author Flores da Cunha, João Fabrício
author_facet Flores da Cunha, João Fabrício
da Silva, Alexandre Rocha
author_role author
author2 da Silva, Alexandre Rocha
author2_role author
dc.contributor.author.fl_str_mv Flores da Cunha, João Fabrício
da Silva, Alexandre Rocha
dc.subject.por.fl_str_mv Communication. Film. Micropolitics. Kieślowski. Three Colours.
Comunicação
Cinema
Micropolítica
Kieślowski
Trilogia das Cores.
cinema
topic Communication. Film. Micropolitics. Kieślowski. Three Colours.
Comunicação
Cinema
Micropolítica
Kieślowski
Trilogia das Cores.
cinema
description This paper’s object of study is the Three Colors trilogy, by the Polish director Krzysztof Kieślowski (1941-1996), composed by Blue (1993), White (1994) and Red (1994). We discuss theoretically the positioning of the French Revolution’s values in the political field in the trilogy. The objective is to comprehend how the revolutionary values are micropolitically worked in each one of the movies that compose it. Based in an idea of a “minor cinema”, this article deconstructs the connections suggested by the Brazilian translation of the movie’s titles by showing how, paradoxically, values such as liberty, equality and brotherhood are experienced transversally in the characters’ quotidian, and contradicts its director by recognizing the inseparability of the molar and molecular strategies which make this trilogy one expression of the political cinema of the end of the 20th century.
publishDate 2014
dc.date.none.fl_str_mv 2014-06-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado por Pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/EmQuestao/article/view/44339
url https://seer.ufrgs.br/index.php/EmQuestao/article/view/44339
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/EmQuestao/article/view/44339/33193
dc.rights.driver.fl_str_mv Copyright (c) 2014 João Fabrício Flores da Cunha, Alexandre Rocha da Silva
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 João Fabrício Flores da Cunha, Alexandre Rocha da Silva
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul, Faculdade de Biblioteconomia e Comunicação, Programa de Pós-Graduação em Ciência da Informação (Porto Alegre/RS)
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul, Faculdade de Biblioteconomia e Comunicação, Programa de Pós-Graduação em Ciência da Informação (Porto Alegre/RS)
dc.source.none.fl_str_mv Em Questão; Vol. 20 No. 1 (2014); 247-268
Em Questão; Vol. 20 Núm. 1 (2014); 247-268
Em Questão; v. 20 n. 1 (2014); 247-268
1808-5245
1807-8893
reponame:Em Questão (Online)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Em Questão (Online)
collection Em Questão (Online)
repository.name.fl_str_mv Em Questão (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv emquestao@ufrgs.br||emquestao@ufrgs.br
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