Poetic images in Lampejos by Leonilda Hilgenberg Justus

Detalhes bibliográficos
Autor(a) principal: Kroin, Vanderlei
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista odisséia
Texto Completo: https://periodicos.ufrn.br/odisseia/article/view/18633
Resumo: Poetry has come to being along with myth, in the primordial times and so it refers more closely to the sacred. As time passed, it separated in parts from this compulsively organic relation that united men, gods and nature, but it has not lost its essence which puts poetry in close relation with the mythical and the magical. Nowadays the poetic still maintains its shifting language, which keeps men in dialogue with the world. In this perspective, the aim of this work is to bring forth some considerations concerning poetic images in Lampejos, by the writer Leonilda Hilgenberg Justus, trying to show some of these linguistically built images in the haicai genre. With that purpose in mind, this study is based on the thoughts concerning poetry and the imaginary, found in works of authors such as Octavio Paz (1994; 1996), Gaston Bachelard (1993), Gilbert Durand (2002), and others. As a result, Hilgenberg Justus’s thriving glimmers show the establishment of man’s symbolic relationship with the world through poetic language, which is a power of the human imagination
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spelling Poetic images in Lampejos by Leonilda Hilgenberg JustusImagens poéticas em Lampejos de Leonilda Hilgenberg JustusPoetryImaginaryPoetic ImagePoetic LanguagePoesiaImaginárioImagem poéticaLinguagem poéticaPoetry has come to being along with myth, in the primordial times and so it refers more closely to the sacred. As time passed, it separated in parts from this compulsively organic relation that united men, gods and nature, but it has not lost its essence which puts poetry in close relation with the mythical and the magical. Nowadays the poetic still maintains its shifting language, which keeps men in dialogue with the world. In this perspective, the aim of this work is to bring forth some considerations concerning poetic images in Lampejos, by the writer Leonilda Hilgenberg Justus, trying to show some of these linguistically built images in the haicai genre. With that purpose in mind, this study is based on the thoughts concerning poetry and the imaginary, found in works of authors such as Octavio Paz (1994; 1996), Gaston Bachelard (1993), Gilbert Durand (2002), and others. As a result, Hilgenberg Justus’s thriving glimmers show the establishment of man’s symbolic relationship with the world through poetic language, which is a power of the human imaginationA poesia se originou com o mito nos tempos primordiais e por isso remetia mais intimamente ao sagrado. Com o passar do tempo, desgarrou-se em partes dessa relação compulsivamente orgânica que unia homens, deuses e natureza, mas não perdeu a essência que a põe em relação íntima com o mítico e o mágico. Na atualidade, o poético ainda mantém uma linguagem itinerante, que põe o homem em diálogo com o mundo. Nessa perspectiva, o propósito deste trabalho é trazer algumas considerações acerca de imagens poéticas presentes na obra Lampejos, da escritora Leonilda Hilgenberg Justus, tentando mostrar algumas dessas imagens construídas linguisticamente no gênero haicai. Para tal propósito, o estudo se pauta nas considerações acerca da poesia e do imaginário, contemplando estudos de autores como Octavio Paz, Gaston Bachelard, Gilbert Durand, entre outros. Como resultado, os lampejos vicejantes de Hilgenberg Justus mostram o estabelecimento da relação simbólica do homem com o mundo por meio da linguagem poética, que é uma potência do imaginário humano.UFRN2019-11-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufrn.br/odisseia/article/view/1863310.21680/1983-2435.2019v4n2ID18633Odisseia; Vol. 4 No. 2 (2019); p. 131 - 149Revue Odisseia; Vol. 4 No. 2 (2019); p. 131 - 149Revista Odisseia; v. 4 n. 2 (2019); p. 131 - 1491983-243510.21680/1983-2435.2019v4n2reponame:Revista odisséiainstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNporhttps://periodicos.ufrn.br/odisseia/article/view/18633/12242Copyright (c) 2019 Revista Odisseiainfo:eu-repo/semantics/openAccessKroin, Vanderlei2019-11-19T19:08:55Zoai:periodicos.ufrn.br:article/18633Revistahttps://periodicos.ufrn.br/odisseia/indexPUBhttps://periodicos.ufrn.br/odisseia/oai||revistaodisseia2016@gmail.com1983-24351983-2435opendoar:2019-11-19T19:08:55Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.none.fl_str_mv Poetic images in Lampejos by Leonilda Hilgenberg Justus
Imagens poéticas em Lampejos de Leonilda Hilgenberg Justus
title Poetic images in Lampejos by Leonilda Hilgenberg Justus
spellingShingle Poetic images in Lampejos by Leonilda Hilgenberg Justus
Kroin, Vanderlei
Poetry
Imaginary
Poetic Image
Poetic Language
Poesia
Imaginário
Imagem poética
Linguagem poética
title_short Poetic images in Lampejos by Leonilda Hilgenberg Justus
title_full Poetic images in Lampejos by Leonilda Hilgenberg Justus
title_fullStr Poetic images in Lampejos by Leonilda Hilgenberg Justus
title_full_unstemmed Poetic images in Lampejos by Leonilda Hilgenberg Justus
title_sort Poetic images in Lampejos by Leonilda Hilgenberg Justus
author Kroin, Vanderlei
author_facet Kroin, Vanderlei
author_role author
dc.contributor.author.fl_str_mv Kroin, Vanderlei
dc.subject.por.fl_str_mv Poetry
Imaginary
Poetic Image
Poetic Language
Poesia
Imaginário
Imagem poética
Linguagem poética
topic Poetry
Imaginary
Poetic Image
Poetic Language
Poesia
Imaginário
Imagem poética
Linguagem poética
description Poetry has come to being along with myth, in the primordial times and so it refers more closely to the sacred. As time passed, it separated in parts from this compulsively organic relation that united men, gods and nature, but it has not lost its essence which puts poetry in close relation with the mythical and the magical. Nowadays the poetic still maintains its shifting language, which keeps men in dialogue with the world. In this perspective, the aim of this work is to bring forth some considerations concerning poetic images in Lampejos, by the writer Leonilda Hilgenberg Justus, trying to show some of these linguistically built images in the haicai genre. With that purpose in mind, this study is based on the thoughts concerning poetry and the imaginary, found in works of authors such as Octavio Paz (1994; 1996), Gaston Bachelard (1993), Gilbert Durand (2002), and others. As a result, Hilgenberg Justus’s thriving glimmers show the establishment of man’s symbolic relationship with the world through poetic language, which is a power of the human imagination
publishDate 2019
dc.date.none.fl_str_mv 2019-11-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/18633
10.21680/1983-2435.2019v4n2ID18633
url https://periodicos.ufrn.br/odisseia/article/view/18633
identifier_str_mv 10.21680/1983-2435.2019v4n2ID18633
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/18633/12242
dc.rights.driver.fl_str_mv Copyright (c) 2019 Revista Odisseia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Revista Odisseia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRN
publisher.none.fl_str_mv UFRN
dc.source.none.fl_str_mv Odisseia; Vol. 4 No. 2 (2019); p. 131 - 149
Revue Odisseia; Vol. 4 No. 2 (2019); p. 131 - 149
Revista Odisseia; v. 4 n. 2 (2019); p. 131 - 149
1983-2435
10.21680/1983-2435.2019v4n2
reponame:Revista odisséia
instname:Universidade Federal do Rio Grande do Norte (UFRN)
instacron:UFRN
instname_str Universidade Federal do Rio Grande do Norte (UFRN)
instacron_str UFRN
institution UFRN
reponame_str Revista odisséia
collection Revista odisséia
repository.name.fl_str_mv Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)
repository.mail.fl_str_mv ||revistaodisseia2016@gmail.com
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