Arte indígena : miçangas na cultura Ye'Kuana

Detalhes bibliográficos
Autor(a) principal: Paes, Dayana Soares Araújo
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFRR
Texto Completo: http://repositorio.ufrr.br:8080/jspui/handle/prefix/240
Resumo: This work denominated "INDIGENOUS ART: BEADS IN CULTURA YE'KUANA", has as main objective to analyze the cultural relevance of the production of art in beads for Ye'kuana. For this, we have as specific objectives the following points: to identify the representations present in the iconographic elements in the Ye'kuana art; investigate the technical processes used in the production of the pieces in beads; and to analyze the cultural importance that the artifacts in beads assume in the daily life of this people. To this end, we followed the making of beads in a workshop that lasted four days in the city of Boa Vista, with a family group Ye'kuana, where most of them are from the community of Kuratanha, when they were in the city and also when we accompany their experiences in events, fairs, or places that present their relations around the pieces in beads. When dealing with the production of pieces in beads as indigenous art Ye'kuana, we use as reference Gell (2009), Franz Boas (2014), Berta Ribeiro (2000) and Els Lagrou (2010). Other authors that served as a subsidy for the research process were David M. Guss (1994, 1989), Karenina Andrade (2007), Elaine Moreira Laoriola (2003), Isabella Coutinho (2013), Henrique Gimenes (2014), Carvalho Ferreira (2016) and Koch-Grünberg (1981). At the end, we can see that the artistic production with the beads evidences the culture and the ethnic identity of the Ye'kuana People. And, also that, besides some pieces in beads, the present symbols have an agentiv character.
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spelling Arte indígena : miçangas na cultura Ye'KuanaIndigenous art : beads in cultura Ye'kuanaArte indígenaYe'kuanaCulturaMiçangasCNPQ::CIENCIAS HUMANASThis work denominated "INDIGENOUS ART: BEADS IN CULTURA YE'KUANA", has as main objective to analyze the cultural relevance of the production of art in beads for Ye'kuana. For this, we have as specific objectives the following points: to identify the representations present in the iconographic elements in the Ye'kuana art; investigate the technical processes used in the production of the pieces in beads; and to analyze the cultural importance that the artifacts in beads assume in the daily life of this people. To this end, we followed the making of beads in a workshop that lasted four days in the city of Boa Vista, with a family group Ye'kuana, where most of them are from the community of Kuratanha, when they were in the city and also when we accompany their experiences in events, fairs, or places that present their relations around the pieces in beads. When dealing with the production of pieces in beads as indigenous art Ye'kuana, we use as reference Gell (2009), Franz Boas (2014), Berta Ribeiro (2000) and Els Lagrou (2010). Other authors that served as a subsidy for the research process were David M. Guss (1994, 1989), Karenina Andrade (2007), Elaine Moreira Laoriola (2003), Isabella Coutinho (2013), Henrique Gimenes (2014), Carvalho Ferreira (2016) and Koch-Grünberg (1981). At the end, we can see that the artistic production with the beads evidences the culture and the ethnic identity of the Ye'kuana People. And, also that, besides some pieces in beads, the present symbols have an agentiv character.Este trabalho denominado de “ARTE INDÍGENA: MIÇANGAS NA CULTURA YE’KUANA”, tem por objetivo principal analisar a relevância cultural da produção da arte em miçanga para os Ye’kuana. Para isso, trazemos como objetivos específicos os seguintes pontos: identificar as representações presentes nos elementos iconográficos na arte Ye’kuana; investigar os processos técnicos empregados na produção das peças em miçanga; e analisar a importância cultural que os artefatos em miçanga assumem no cotidiano desse povo. Para isso, acompanhamos a confecção das peças em miçangas durante uma oficina que durou quatro dias na cidade de Boa Vista, com um grupo familiar Ye’kuana, onde sua maioria é da comunidade de Kuratanha, quando estes estavam na cidade e, também, quando acompanhamos suas vivências em eventos, feiras, ou lugares que estes apresentavam suas relações em torno das peças em miçanga. Ao tratar da produção de peças em miçanga como arte indígena Ye’kuana, utilizamos como referência Gell (2009), Franz Boas (2014), Berta Ribeiro (2000) e Els Lagrou (2010). Outros autores que serviram de subsídio para o processo desta pesquisa foi David M. Guss (1994 [1989]), Karenina Andrade (2007), Elaine Moreira Laoriola (2003), Isabella Coutinho (2013), Henrique Gimenes (2008), Viviane Rocha (2014), Carvalho Ferreira (2016) e Koch-Grünberg (1981). Ao fim, podemos constatar que a produção artística com as miçangas evidencia a cultura e a identidade étnica do Povo Ye’kuana. E, também que, além de algumas peças em miçanga, os símbolos presentes possuem um caráter agentivo.Universidade Federal de RoraimaBrasilPRPPG - Pró-Reitoria de Pesquisa e Pós-GraduaçãoPPGSOF - Programa de Pós-Graduação em Sociedade e FronteirasUFRRCavalcante, Olendina de Carvalhohttp://lattes.cnpq.br/2491620499449405Paes, Dayana Soares Araújo2019-12-19T13:14:34Z2019-12-19T13:14:34Z2018info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPAES, Dayana Soares Araújo. Arte indígena: miçangas na cultura Ye'Kuana. 2018. 111f. Dissertação (Mestrado em Sociedade e Fronteiras) - Programa de Pós-Graduação em Sociedade e Fronteiras, Universidade Federal de Roraima, Boa Vista, 2018.http://repositorio.ufrr.br:8080/jspui/handle/prefix/240porAttribution-NonCommercial-ShareAlike 3.0 Brazilhttp://creativecommons.org/licenses/by-nc-sa/3.0/br/info:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFRRinstname:Universidade Federal de Roraima (UFRR)instacron:UFRR2023-07-11T15:32:20Zoai:repositorio.ufrr.br:prefix/240Repositório InstitucionalPUBhttp://repositorio.ufrr.br:8080/oai/requestangelsenhora@gmail.comopendoar:2023-07-11T15:32:20Repositório Institucional da UFRR - Universidade Federal de Roraima (UFRR)false
dc.title.none.fl_str_mv Arte indígena : miçangas na cultura Ye'Kuana
Indigenous art : beads in cultura Ye'kuana
title Arte indígena : miçangas na cultura Ye'Kuana
spellingShingle Arte indígena : miçangas na cultura Ye'Kuana
Paes, Dayana Soares Araújo
Arte indígena
Ye'kuana
Cultura
Miçangas
CNPQ::CIENCIAS HUMANAS
title_short Arte indígena : miçangas na cultura Ye'Kuana
title_full Arte indígena : miçangas na cultura Ye'Kuana
title_fullStr Arte indígena : miçangas na cultura Ye'Kuana
title_full_unstemmed Arte indígena : miçangas na cultura Ye'Kuana
title_sort Arte indígena : miçangas na cultura Ye'Kuana
author Paes, Dayana Soares Araújo
author_facet Paes, Dayana Soares Araújo
author_role author
dc.contributor.none.fl_str_mv Cavalcante, Olendina de Carvalho
http://lattes.cnpq.br/2491620499449405
dc.contributor.author.fl_str_mv Paes, Dayana Soares Araújo
dc.subject.por.fl_str_mv Arte indígena
Ye'kuana
Cultura
Miçangas
CNPQ::CIENCIAS HUMANAS
topic Arte indígena
Ye'kuana
Cultura
Miçangas
CNPQ::CIENCIAS HUMANAS
description This work denominated "INDIGENOUS ART: BEADS IN CULTURA YE'KUANA", has as main objective to analyze the cultural relevance of the production of art in beads for Ye'kuana. For this, we have as specific objectives the following points: to identify the representations present in the iconographic elements in the Ye'kuana art; investigate the technical processes used in the production of the pieces in beads; and to analyze the cultural importance that the artifacts in beads assume in the daily life of this people. To this end, we followed the making of beads in a workshop that lasted four days in the city of Boa Vista, with a family group Ye'kuana, where most of them are from the community of Kuratanha, when they were in the city and also when we accompany their experiences in events, fairs, or places that present their relations around the pieces in beads. When dealing with the production of pieces in beads as indigenous art Ye'kuana, we use as reference Gell (2009), Franz Boas (2014), Berta Ribeiro (2000) and Els Lagrou (2010). Other authors that served as a subsidy for the research process were David M. Guss (1994, 1989), Karenina Andrade (2007), Elaine Moreira Laoriola (2003), Isabella Coutinho (2013), Henrique Gimenes (2014), Carvalho Ferreira (2016) and Koch-Grünberg (1981). At the end, we can see that the artistic production with the beads evidences the culture and the ethnic identity of the Ye'kuana People. And, also that, besides some pieces in beads, the present symbols have an agentiv character.
publishDate 2018
dc.date.none.fl_str_mv 2018
2019-12-19T13:14:34Z
2019-12-19T13:14:34Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv PAES, Dayana Soares Araújo. Arte indígena: miçangas na cultura Ye'Kuana. 2018. 111f. Dissertação (Mestrado em Sociedade e Fronteiras) - Programa de Pós-Graduação em Sociedade e Fronteiras, Universidade Federal de Roraima, Boa Vista, 2018.
http://repositorio.ufrr.br:8080/jspui/handle/prefix/240
identifier_str_mv PAES, Dayana Soares Araújo. Arte indígena: miçangas na cultura Ye'Kuana. 2018. 111f. Dissertação (Mestrado em Sociedade e Fronteiras) - Programa de Pós-Graduação em Sociedade e Fronteiras, Universidade Federal de Roraima, Boa Vista, 2018.
url http://repositorio.ufrr.br:8080/jspui/handle/prefix/240
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv Attribution-NonCommercial-ShareAlike 3.0 Brazil
http://creativecommons.org/licenses/by-nc-sa/3.0/br/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-ShareAlike 3.0 Brazil
http://creativecommons.org/licenses/by-nc-sa/3.0/br/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal de Roraima
Brasil
PRPPG - Pró-Reitoria de Pesquisa e Pós-Graduação
PPGSOF - Programa de Pós-Graduação em Sociedade e Fronteiras
UFRR
publisher.none.fl_str_mv Universidade Federal de Roraima
Brasil
PRPPG - Pró-Reitoria de Pesquisa e Pós-Graduação
PPGSOF - Programa de Pós-Graduação em Sociedade e Fronteiras
UFRR
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFRR
instname:Universidade Federal de Roraima (UFRR)
instacron:UFRR
instname_str Universidade Federal de Roraima (UFRR)
instacron_str UFRR
institution UFRR
reponame_str Repositório Institucional da UFRR
collection Repositório Institucional da UFRR
repository.name.fl_str_mv Repositório Institucional da UFRR - Universidade Federal de Roraima (UFRR)
repository.mail.fl_str_mv angelsenhora@gmail.com
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