Samba de pareia pelos saberes do corpo que samba

Detalhes bibliográficos
Autor(a) principal: Silva, Jonathan Rodrigues
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFS
Texto Completo: http://ri.ufs.br/jspui/handle/riufs/13451
Resumo: The focus of observation of this dissertation is the Samba de Pareia coming from the quilombola community Mussuca, located in Laranjeiras, Sergipe. Samba is mainly performed by women, with the participation of men focused on musical performance, especially on the drum. Other instruments such as ganzá and cuíca are played by the women who sing and come together to celebrate the birth of a child in the community. The dance takes place in a circle, with choreographic variations in pairs. Currently, Samba de Pareia also performs as a show in cultural events that take place outside the community. Through a methodological approach focused on experience (MACEDO, 2015), I conducted the field research becoming a resident of Mussuca. Contact with the researched phenomenon occurred with the daily contact with samba women, including observations, informal conversations, interviews and daily sharing including fishing work and samba parties. The voices of the members, through my capture, choice and writing, make up a significant part of the dissertation text. The reflections on the performing arts and popular cultures and the Samba de Pareia (DUMAS, 2016; OLIVEIRA, 2007; SANTOS, 2017; SILVA, 2015), besides being based on the reality that I lived in Mussuca, dialogue with theoretical studies located in the field of decolonization (DUSSEL, 2013; KILOMBA, 2017; MBEMBE, 2019), racial socio-historical and ethnic issues (AKOTIRENE, 2018; ALMEIDA, 2018; DAVIS, 2016; FANON, 2008; HALL, 2003; HOOKS, 2005; NASCIMENTO, 2018; SOUZA, 2018; SOUZA, 1983). The perceived and analyzed reality expanded with the knowledge I had of the daily reality of women who do the Samba de Pareia, providing a deeper understanding and understanding not only of bodies that sambam, but that work, exist and resist.
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spelling Silva, Jonathan RodriguesDumas, Alexandra Gouvêa2020-05-28T12:41:15Z2020-05-28T12:41:15Z2019-08-31SILVA, Jonathan Rodrigues. Samba de pareia pelos saberes do corpo que samba. 2019. 194 f. Dissertação (Mestrado em Culturas Populares) - Universidade Federal de Sergipe, São Cristóvão, SE, 2019.http://ri.ufs.br/jspui/handle/riufs/13451The focus of observation of this dissertation is the Samba de Pareia coming from the quilombola community Mussuca, located in Laranjeiras, Sergipe. Samba is mainly performed by women, with the participation of men focused on musical performance, especially on the drum. Other instruments such as ganzá and cuíca are played by the women who sing and come together to celebrate the birth of a child in the community. The dance takes place in a circle, with choreographic variations in pairs. Currently, Samba de Pareia also performs as a show in cultural events that take place outside the community. Through a methodological approach focused on experience (MACEDO, 2015), I conducted the field research becoming a resident of Mussuca. Contact with the researched phenomenon occurred with the daily contact with samba women, including observations, informal conversations, interviews and daily sharing including fishing work and samba parties. The voices of the members, through my capture, choice and writing, make up a significant part of the dissertation text. The reflections on the performing arts and popular cultures and the Samba de Pareia (DUMAS, 2016; OLIVEIRA, 2007; SANTOS, 2017; SILVA, 2015), besides being based on the reality that I lived in Mussuca, dialogue with theoretical studies located in the field of decolonization (DUSSEL, 2013; KILOMBA, 2017; MBEMBE, 2019), racial socio-historical and ethnic issues (AKOTIRENE, 2018; ALMEIDA, 2018; DAVIS, 2016; FANON, 2008; HALL, 2003; HOOKS, 2005; NASCIMENTO, 2018; SOUZA, 2018; SOUZA, 1983). The perceived and analyzed reality expanded with the knowledge I had of the daily reality of women who do the Samba de Pareia, providing a deeper understanding and understanding not only of bodies that sambam, but that work, exist and resist.O foco dessa dissertação é o Samba de Pareia vindo da comunidade quilombola Mussuca, localizada no município de Laranjeiras, Sergipe. O samba é feito essencialmente por mulheres, com participação de homens concentrados na execução musical, especialmente no tambor. Demais instrumentos como ganzá e cuíca são tocados pelas mulheres que cantam e se reúnem para celebrar o nascimento de uma criança na comunidade. A dança acontece numa roda, com variações coreográficas em pares. Atualmente, o Samba de Pareia também se apresenta como espetáculo em eventos culturais que acontecem fora da comunidade. Através de uma abordagem metodológica concentrada na experiência (MACEDO, 2015), realizei a pesquisa de campo tornando-me residente da Mussuca. O contato com o fenômeno pesquisado se deu com o convívio diário com as mulheres do samba, incluindo observações, conversas informais, entrevistas e compartilhamento do cotidiano incluindo o trabalho da pesca e as festas do samba. As vozes das integrantes, através da minha captação, escolha e escrita, compõem parte significativa do texto dissertativo. As reflexões acerca das artes da cena e das culturas populares e do Samba de Pareia (DUMAS, 2016; OLIVEIRA, 2007; SANTOS, 2017; SILVA, 2015), além de estarem assentadas na realidade por mim vividas na Mussuca, dialogam com estudos teóricos localizados no campo da decolonização (DUSSEL, 2013; KILOMBA, 2017; MBEMBE, 2019), das questões sócio históricas e étnico raciais (AKOTIRENE, 2018; ALMEIDA, 2018; DAVIS, 2016; FANON, 2008; HALL, 2003; HOOKS, 2005; NASCIMENTO, 2018; SOUZA, 2018; SOUZA, 1983). A realidade percebida e analisada se ampliou com o conhecimento que tive da realidade cotidiana das mulheres que fazem o Samba de Pareia, proporcionando um maior aprofundamento e compreensão não só dos corpos que sambam, mas que trabalham, existem e resistem.São Cristóvão, SEporSamba de PareiaMussuca (SE)Comunidade quilombolaCorpos negrosCulturas popularesQuilombola communityBlack bodiesPopular culturesOUTROSSamba de pareia pelos saberes do corpo que sambaSamba de Pareia for the knowledge of the body that sambainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação Interdisciplinar em Culturas PopularesUniversidade Federal de Sergipereponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/13451/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALJONATHAN_RODRIGUES_SILVA.pdfJONATHAN_RODRIGUES_SILVA.pdfapplication/pdf6995049https://ri.ufs.br/jspui/bitstream/riufs/13451/2/JONATHAN_RODRIGUES_SILVA.pdf65a85b5d7bae2abe266074919cfa67feMD52TEXTJONATHAN_RODRIGUES_SILVA.pdf.txtJONATHAN_RODRIGUES_SILVA.pdf.txtExtracted texttext/plain406458https://ri.ufs.br/jspui/bitstream/riufs/13451/3/JONATHAN_RODRIGUES_SILVA.pdf.txt96e1f8fcdd4e7e05f507507bf7d3660fMD53THUMBNAILJONATHAN_RODRIGUES_SILVA.pdf.jpgJONATHAN_RODRIGUES_SILVA.pdf.jpgGenerated Thumbnailimage/jpeg1323https://ri.ufs.br/jspui/bitstream/riufs/13451/4/JONATHAN_RODRIGUES_SILVA.pdf.jpg1d98fb62496266fd498b5b910e00b362MD54riufs/134512020-05-28 09:48:49.233oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2020-05-28T12:48:49Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false
dc.title.pt_BR.fl_str_mv Samba de pareia pelos saberes do corpo que samba
dc.title.alternative.eng.fl_str_mv Samba de Pareia for the knowledge of the body that samba
title Samba de pareia pelos saberes do corpo que samba
spellingShingle Samba de pareia pelos saberes do corpo que samba
Silva, Jonathan Rodrigues
Samba de Pareia
Mussuca (SE)
Comunidade quilombola
Corpos negros
Culturas populares
Quilombola community
Black bodies
Popular cultures
OUTROS
title_short Samba de pareia pelos saberes do corpo que samba
title_full Samba de pareia pelos saberes do corpo que samba
title_fullStr Samba de pareia pelos saberes do corpo que samba
title_full_unstemmed Samba de pareia pelos saberes do corpo que samba
title_sort Samba de pareia pelos saberes do corpo que samba
author Silva, Jonathan Rodrigues
author_facet Silva, Jonathan Rodrigues
author_role author
dc.contributor.author.fl_str_mv Silva, Jonathan Rodrigues
dc.contributor.advisor1.fl_str_mv Dumas, Alexandra Gouvêa
contributor_str_mv Dumas, Alexandra Gouvêa
dc.subject.por.fl_str_mv Samba de Pareia
Mussuca (SE)
Comunidade quilombola
Corpos negros
Culturas populares
topic Samba de Pareia
Mussuca (SE)
Comunidade quilombola
Corpos negros
Culturas populares
Quilombola community
Black bodies
Popular cultures
OUTROS
dc.subject.eng.fl_str_mv Quilombola community
Black bodies
Popular cultures
dc.subject.cnpq.fl_str_mv OUTROS
description The focus of observation of this dissertation is the Samba de Pareia coming from the quilombola community Mussuca, located in Laranjeiras, Sergipe. Samba is mainly performed by women, with the participation of men focused on musical performance, especially on the drum. Other instruments such as ganzá and cuíca are played by the women who sing and come together to celebrate the birth of a child in the community. The dance takes place in a circle, with choreographic variations in pairs. Currently, Samba de Pareia also performs as a show in cultural events that take place outside the community. Through a methodological approach focused on experience (MACEDO, 2015), I conducted the field research becoming a resident of Mussuca. Contact with the researched phenomenon occurred with the daily contact with samba women, including observations, informal conversations, interviews and daily sharing including fishing work and samba parties. The voices of the members, through my capture, choice and writing, make up a significant part of the dissertation text. The reflections on the performing arts and popular cultures and the Samba de Pareia (DUMAS, 2016; OLIVEIRA, 2007; SANTOS, 2017; SILVA, 2015), besides being based on the reality that I lived in Mussuca, dialogue with theoretical studies located in the field of decolonization (DUSSEL, 2013; KILOMBA, 2017; MBEMBE, 2019), racial socio-historical and ethnic issues (AKOTIRENE, 2018; ALMEIDA, 2018; DAVIS, 2016; FANON, 2008; HALL, 2003; HOOKS, 2005; NASCIMENTO, 2018; SOUZA, 2018; SOUZA, 1983). The perceived and analyzed reality expanded with the knowledge I had of the daily reality of women who do the Samba de Pareia, providing a deeper understanding and understanding not only of bodies that sambam, but that work, exist and resist.
publishDate 2019
dc.date.issued.fl_str_mv 2019-08-31
dc.date.accessioned.fl_str_mv 2020-05-28T12:41:15Z
dc.date.available.fl_str_mv 2020-05-28T12:41:15Z
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dc.identifier.citation.fl_str_mv SILVA, Jonathan Rodrigues. Samba de pareia pelos saberes do corpo que samba. 2019. 194 f. Dissertação (Mestrado em Culturas Populares) - Universidade Federal de Sergipe, São Cristóvão, SE, 2019.
dc.identifier.uri.fl_str_mv http://ri.ufs.br/jspui/handle/riufs/13451
identifier_str_mv SILVA, Jonathan Rodrigues. Samba de pareia pelos saberes do corpo que samba. 2019. 194 f. Dissertação (Mestrado em Culturas Populares) - Universidade Federal de Sergipe, São Cristóvão, SE, 2019.
url http://ri.ufs.br/jspui/handle/riufs/13451
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