Samba de pareia pelos saberes do corpo que samba
Autor(a) principal: | |
---|---|
Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | http://ri.ufs.br/jspui/handle/riufs/13451 |
Resumo: | The focus of observation of this dissertation is the Samba de Pareia coming from the quilombola community Mussuca, located in Laranjeiras, Sergipe. Samba is mainly performed by women, with the participation of men focused on musical performance, especially on the drum. Other instruments such as ganzá and cuíca are played by the women who sing and come together to celebrate the birth of a child in the community. The dance takes place in a circle, with choreographic variations in pairs. Currently, Samba de Pareia also performs as a show in cultural events that take place outside the community. Through a methodological approach focused on experience (MACEDO, 2015), I conducted the field research becoming a resident of Mussuca. Contact with the researched phenomenon occurred with the daily contact with samba women, including observations, informal conversations, interviews and daily sharing including fishing work and samba parties. The voices of the members, through my capture, choice and writing, make up a significant part of the dissertation text. The reflections on the performing arts and popular cultures and the Samba de Pareia (DUMAS, 2016; OLIVEIRA, 2007; SANTOS, 2017; SILVA, 2015), besides being based on the reality that I lived in Mussuca, dialogue with theoretical studies located in the field of decolonization (DUSSEL, 2013; KILOMBA, 2017; MBEMBE, 2019), racial socio-historical and ethnic issues (AKOTIRENE, 2018; ALMEIDA, 2018; DAVIS, 2016; FANON, 2008; HALL, 2003; HOOKS, 2005; NASCIMENTO, 2018; SOUZA, 2018; SOUZA, 1983). The perceived and analyzed reality expanded with the knowledge I had of the daily reality of women who do the Samba de Pareia, providing a deeper understanding and understanding not only of bodies that sambam, but that work, exist and resist. |
id |
UFS-2_7a7fee65406d4f0a9dd447f737fbd9e1 |
---|---|
oai_identifier_str |
oai:ufs.br:riufs/13451 |
network_acronym_str |
UFS-2 |
network_name_str |
Repositório Institucional da UFS |
repository_id_str |
|
spelling |
Silva, Jonathan RodriguesDumas, Alexandra Gouvêa2020-05-28T12:41:15Z2020-05-28T12:41:15Z2019-08-31SILVA, Jonathan Rodrigues. Samba de pareia pelos saberes do corpo que samba. 2019. 194 f. Dissertação (Mestrado em Culturas Populares) - Universidade Federal de Sergipe, São Cristóvão, SE, 2019.http://ri.ufs.br/jspui/handle/riufs/13451The focus of observation of this dissertation is the Samba de Pareia coming from the quilombola community Mussuca, located in Laranjeiras, Sergipe. Samba is mainly performed by women, with the participation of men focused on musical performance, especially on the drum. Other instruments such as ganzá and cuíca are played by the women who sing and come together to celebrate the birth of a child in the community. The dance takes place in a circle, with choreographic variations in pairs. Currently, Samba de Pareia also performs as a show in cultural events that take place outside the community. Through a methodological approach focused on experience (MACEDO, 2015), I conducted the field research becoming a resident of Mussuca. Contact with the researched phenomenon occurred with the daily contact with samba women, including observations, informal conversations, interviews and daily sharing including fishing work and samba parties. The voices of the members, through my capture, choice and writing, make up a significant part of the dissertation text. The reflections on the performing arts and popular cultures and the Samba de Pareia (DUMAS, 2016; OLIVEIRA, 2007; SANTOS, 2017; SILVA, 2015), besides being based on the reality that I lived in Mussuca, dialogue with theoretical studies located in the field of decolonization (DUSSEL, 2013; KILOMBA, 2017; MBEMBE, 2019), racial socio-historical and ethnic issues (AKOTIRENE, 2018; ALMEIDA, 2018; DAVIS, 2016; FANON, 2008; HALL, 2003; HOOKS, 2005; NASCIMENTO, 2018; SOUZA, 2018; SOUZA, 1983). The perceived and analyzed reality expanded with the knowledge I had of the daily reality of women who do the Samba de Pareia, providing a deeper understanding and understanding not only of bodies that sambam, but that work, exist and resist.O foco dessa dissertação é o Samba de Pareia vindo da comunidade quilombola Mussuca, localizada no município de Laranjeiras, Sergipe. O samba é feito essencialmente por mulheres, com participação de homens concentrados na execução musical, especialmente no tambor. Demais instrumentos como ganzá e cuíca são tocados pelas mulheres que cantam e se reúnem para celebrar o nascimento de uma criança na comunidade. A dança acontece numa roda, com variações coreográficas em pares. Atualmente, o Samba de Pareia também se apresenta como espetáculo em eventos culturais que acontecem fora da comunidade. Através de uma abordagem metodológica concentrada na experiência (MACEDO, 2015), realizei a pesquisa de campo tornando-me residente da Mussuca. O contato com o fenômeno pesquisado se deu com o convívio diário com as mulheres do samba, incluindo observações, conversas informais, entrevistas e compartilhamento do cotidiano incluindo o trabalho da pesca e as festas do samba. As vozes das integrantes, através da minha captação, escolha e escrita, compõem parte significativa do texto dissertativo. As reflexões acerca das artes da cena e das culturas populares e do Samba de Pareia (DUMAS, 2016; OLIVEIRA, 2007; SANTOS, 2017; SILVA, 2015), além de estarem assentadas na realidade por mim vividas na Mussuca, dialogam com estudos teóricos localizados no campo da decolonização (DUSSEL, 2013; KILOMBA, 2017; MBEMBE, 2019), das questões sócio históricas e étnico raciais (AKOTIRENE, 2018; ALMEIDA, 2018; DAVIS, 2016; FANON, 2008; HALL, 2003; HOOKS, 2005; NASCIMENTO, 2018; SOUZA, 2018; SOUZA, 1983). A realidade percebida e analisada se ampliou com o conhecimento que tive da realidade cotidiana das mulheres que fazem o Samba de Pareia, proporcionando um maior aprofundamento e compreensão não só dos corpos que sambam, mas que trabalham, existem e resistem.São Cristóvão, SEporSamba de PareiaMussuca (SE)Comunidade quilombolaCorpos negrosCulturas popularesQuilombola communityBlack bodiesPopular culturesOUTROSSamba de pareia pelos saberes do corpo que sambaSamba de Pareia for the knowledge of the body that sambainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação Interdisciplinar em Culturas PopularesUniversidade Federal de Sergipereponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/13451/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALJONATHAN_RODRIGUES_SILVA.pdfJONATHAN_RODRIGUES_SILVA.pdfapplication/pdf6995049https://ri.ufs.br/jspui/bitstream/riufs/13451/2/JONATHAN_RODRIGUES_SILVA.pdf65a85b5d7bae2abe266074919cfa67feMD52TEXTJONATHAN_RODRIGUES_SILVA.pdf.txtJONATHAN_RODRIGUES_SILVA.pdf.txtExtracted texttext/plain406458https://ri.ufs.br/jspui/bitstream/riufs/13451/3/JONATHAN_RODRIGUES_SILVA.pdf.txt96e1f8fcdd4e7e05f507507bf7d3660fMD53THUMBNAILJONATHAN_RODRIGUES_SILVA.pdf.jpgJONATHAN_RODRIGUES_SILVA.pdf.jpgGenerated Thumbnailimage/jpeg1323https://ri.ufs.br/jspui/bitstream/riufs/13451/4/JONATHAN_RODRIGUES_SILVA.pdf.jpg1d98fb62496266fd498b5b910e00b362MD54riufs/134512020-05-28 09:48:49.233oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2020-05-28T12:48:49Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
Samba de pareia pelos saberes do corpo que samba |
dc.title.alternative.eng.fl_str_mv |
Samba de Pareia for the knowledge of the body that samba |
title |
Samba de pareia pelos saberes do corpo que samba |
spellingShingle |
Samba de pareia pelos saberes do corpo que samba Silva, Jonathan Rodrigues Samba de Pareia Mussuca (SE) Comunidade quilombola Corpos negros Culturas populares Quilombola community Black bodies Popular cultures OUTROS |
title_short |
Samba de pareia pelos saberes do corpo que samba |
title_full |
Samba de pareia pelos saberes do corpo que samba |
title_fullStr |
Samba de pareia pelos saberes do corpo que samba |
title_full_unstemmed |
Samba de pareia pelos saberes do corpo que samba |
title_sort |
Samba de pareia pelos saberes do corpo que samba |
author |
Silva, Jonathan Rodrigues |
author_facet |
Silva, Jonathan Rodrigues |
author_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Jonathan Rodrigues |
dc.contributor.advisor1.fl_str_mv |
Dumas, Alexandra Gouvêa |
contributor_str_mv |
Dumas, Alexandra Gouvêa |
dc.subject.por.fl_str_mv |
Samba de Pareia Mussuca (SE) Comunidade quilombola Corpos negros Culturas populares |
topic |
Samba de Pareia Mussuca (SE) Comunidade quilombola Corpos negros Culturas populares Quilombola community Black bodies Popular cultures OUTROS |
dc.subject.eng.fl_str_mv |
Quilombola community Black bodies Popular cultures |
dc.subject.cnpq.fl_str_mv |
OUTROS |
description |
The focus of observation of this dissertation is the Samba de Pareia coming from the quilombola community Mussuca, located in Laranjeiras, Sergipe. Samba is mainly performed by women, with the participation of men focused on musical performance, especially on the drum. Other instruments such as ganzá and cuíca are played by the women who sing and come together to celebrate the birth of a child in the community. The dance takes place in a circle, with choreographic variations in pairs. Currently, Samba de Pareia also performs as a show in cultural events that take place outside the community. Through a methodological approach focused on experience (MACEDO, 2015), I conducted the field research becoming a resident of Mussuca. Contact with the researched phenomenon occurred with the daily contact with samba women, including observations, informal conversations, interviews and daily sharing including fishing work and samba parties. The voices of the members, through my capture, choice and writing, make up a significant part of the dissertation text. The reflections on the performing arts and popular cultures and the Samba de Pareia (DUMAS, 2016; OLIVEIRA, 2007; SANTOS, 2017; SILVA, 2015), besides being based on the reality that I lived in Mussuca, dialogue with theoretical studies located in the field of decolonization (DUSSEL, 2013; KILOMBA, 2017; MBEMBE, 2019), racial socio-historical and ethnic issues (AKOTIRENE, 2018; ALMEIDA, 2018; DAVIS, 2016; FANON, 2008; HALL, 2003; HOOKS, 2005; NASCIMENTO, 2018; SOUZA, 2018; SOUZA, 1983). The perceived and analyzed reality expanded with the knowledge I had of the daily reality of women who do the Samba de Pareia, providing a deeper understanding and understanding not only of bodies that sambam, but that work, exist and resist. |
publishDate |
2019 |
dc.date.issued.fl_str_mv |
2019-08-31 |
dc.date.accessioned.fl_str_mv |
2020-05-28T12:41:15Z |
dc.date.available.fl_str_mv |
2020-05-28T12:41:15Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SILVA, Jonathan Rodrigues. Samba de pareia pelos saberes do corpo que samba. 2019. 194 f. Dissertação (Mestrado em Culturas Populares) - Universidade Federal de Sergipe, São Cristóvão, SE, 2019. |
dc.identifier.uri.fl_str_mv |
http://ri.ufs.br/jspui/handle/riufs/13451 |
identifier_str_mv |
SILVA, Jonathan Rodrigues. Samba de pareia pelos saberes do corpo que samba. 2019. 194 f. Dissertação (Mestrado em Culturas Populares) - Universidade Federal de Sergipe, São Cristóvão, SE, 2019. |
url |
http://ri.ufs.br/jspui/handle/riufs/13451 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.program.fl_str_mv |
Pós-Graduação Interdisciplinar em Culturas Populares |
dc.publisher.initials.fl_str_mv |
Universidade Federal de Sergipe |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFS instname:Universidade Federal de Sergipe (UFS) instacron:UFS |
instname_str |
Universidade Federal de Sergipe (UFS) |
instacron_str |
UFS |
institution |
UFS |
reponame_str |
Repositório Institucional da UFS |
collection |
Repositório Institucional da UFS |
bitstream.url.fl_str_mv |
https://ri.ufs.br/jspui/bitstream/riufs/13451/1/license.txt https://ri.ufs.br/jspui/bitstream/riufs/13451/2/JONATHAN_RODRIGUES_SILVA.pdf https://ri.ufs.br/jspui/bitstream/riufs/13451/3/JONATHAN_RODRIGUES_SILVA.pdf.txt https://ri.ufs.br/jspui/bitstream/riufs/13451/4/JONATHAN_RODRIGUES_SILVA.pdf.jpg |
bitstream.checksum.fl_str_mv |
098cbbf65c2c15e1fb2e49c5d306a44c 65a85b5d7bae2abe266074919cfa67fe 96e1f8fcdd4e7e05f507507bf7d3660f 1d98fb62496266fd498b5b910e00b362 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS) |
repository.mail.fl_str_mv |
repositorio@academico.ufs.br |
_version_ |
1802110772905508864 |