Duas visões em conflito : Yasujiro Ozu e Shohei Imamura

Detalhes bibliográficos
Autor(a) principal: Ribeiro, Daniel Ferraz Tanan
Data de Publicação: 2022
Tipo de documento: Trabalho de conclusão de curso
Idioma: por
Título da fonte: Repositório Institucional da UFS
Texto Completo: http://ri.ufs.br/jspui/handle/riufs/17242
Resumo: Yasujiro Ozu and Shohei Imamura are two pillars of Japanese cinema and between them there was a conflict, towards different points of view in the representation of reality. Imamura didn’t waste his chances to talk about his differences with the master in a good share of interviews that he granted, once calling the veteran’s work “post card movies”. Then, to make such conflict evident a historical and comparative research to list the aspects in that the two moviemakers diverge and if perhaps there wouldn’t be a convergence. Why was Shohei Imamura so vocal about his critics on Ozu, the rejection of his generation of moviemakers to their masters.
id UFS-2_81dc63ce46167e212c89716db6ba5bf5
oai_identifier_str oai:ufs.br:riufs/17242
network_acronym_str UFS-2
network_name_str Repositório Institucional da UFS
repository_id_str
spelling Ribeiro, Daniel Ferraz TananVelasco, Diogo Cavalcanti2023-03-09T12:32:24Z2023-03-09T12:32:24Z2022-06-24Ribeiro, Daniel Ferraz Tanan. Duas visões em conflito : Yasujiro Ozu e Shohei Imamura. São Cristóvão, 2022. Monografia (graduação em Cinema e Audiovisual) – Departamento de Comunicação Social, Centro de Ciências Sociais Aplicadas, Universidade Federal de Sergipe, São Cristóvão, SE, 2022http://ri.ufs.br/jspui/handle/riufs/17242Yasujiro Ozu and Shohei Imamura are two pillars of Japanese cinema and between them there was a conflict, towards different points of view in the representation of reality. Imamura didn’t waste his chances to talk about his differences with the master in a good share of interviews that he granted, once calling the veteran’s work “post card movies”. Then, to make such conflict evident a historical and comparative research to list the aspects in that the two moviemakers diverge and if perhaps there wouldn’t be a convergence. Why was Shohei Imamura so vocal about his critics on Ozu, the rejection of his generation of moviemakers to their masters.Yasujiro Ozu e Shohei Imamura são dois pilares do cinema japonês e, entre eles, havia um conflito acerca dos seus pontos de vista sobre o conceito de realidade e suas consequências na criação fílmica. Imamura não perdia a chance de falar sobre suas diferenças com o mestre Ozu em boa parte das entrevistas que concedeu, certa vez até chamando a obra do veterano de “filmes cartões postais”. Desse modo, para evidenciar tal conflito, foi realizada uma pesquisa histórica e comparativa dos diretores, uma busca por um conjunto de críticas, entrevistas e análises dos filmes para elencar os aspectos em que os dois cineastas diferem e convergem. Tentamos enfatizar os motivos de Shohei Imamura ser tão vocal acerca de suas críticas a Ozu, mostrando a rejeição da sua geração de cineastas para com seus mestres.São Cristóvão, SEporComunicação SocialCinemaYasujiro OzuShohei ImamuraCinema japonêsInterpretação cinematográficaPesquisa histórica e comparativaAudiovisualJapanese cinemaHistorical and comparative researchLINGUISTICA, LETRAS E ARTES::ARTES::CINEMA::INTERPRETACAO CINEMATOGRAFICADuas visões em conflito : Yasujiro Ozu e Shohei Imamurainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesisUniversidade Federal de SergipeDCOS - Departamento de Comunicação Social – Cinema e Audiovisual – São Cristóvão – Presencialreponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessTEXTDaniel_Ferraz_Tanan_Ribeiro.pdf.txtDaniel_Ferraz_Tanan_Ribeiro.pdf.txtExtracted texttext/plain220822https://ri.ufs.br/jspui/bitstream/riufs/17242/3/Daniel_Ferraz_Tanan_Ribeiro.pdf.txt9e43bbf0fe58240ddb78dcd7d1ecf861MD53THUMBNAILDaniel_Ferraz_Tanan_Ribeiro.pdf.jpgDaniel_Ferraz_Tanan_Ribeiro.pdf.jpgGenerated Thumbnailimage/jpeg1317https://ri.ufs.br/jspui/bitstream/riufs/17242/4/Daniel_Ferraz_Tanan_Ribeiro.pdf.jpgd29143a1c41817d5b16317bf5edad763MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/17242/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALDaniel_Ferraz_Tanan_Ribeiro.pdfDaniel_Ferraz_Tanan_Ribeiro.pdfapplication/pdf10016442https://ri.ufs.br/jspui/bitstream/riufs/17242/2/Daniel_Ferraz_Tanan_Ribeiro.pdfe501f2d0842acaecbd158d0fe802f9fbMD52riufs/172422023-03-09 09:32:26.914oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2023-03-09T12:32:26Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false
dc.title.pt_BR.fl_str_mv Duas visões em conflito : Yasujiro Ozu e Shohei Imamura
title Duas visões em conflito : Yasujiro Ozu e Shohei Imamura
spellingShingle Duas visões em conflito : Yasujiro Ozu e Shohei Imamura
Ribeiro, Daniel Ferraz Tanan
Comunicação Social
Cinema
Yasujiro Ozu
Shohei Imamura
Cinema japonês
Interpretação cinematográfica
Pesquisa histórica e comparativa
Audiovisual
Japanese cinema
Historical and comparative research
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA::INTERPRETACAO CINEMATOGRAFICA
title_short Duas visões em conflito : Yasujiro Ozu e Shohei Imamura
title_full Duas visões em conflito : Yasujiro Ozu e Shohei Imamura
title_fullStr Duas visões em conflito : Yasujiro Ozu e Shohei Imamura
title_full_unstemmed Duas visões em conflito : Yasujiro Ozu e Shohei Imamura
title_sort Duas visões em conflito : Yasujiro Ozu e Shohei Imamura
author Ribeiro, Daniel Ferraz Tanan
author_facet Ribeiro, Daniel Ferraz Tanan
author_role author
dc.contributor.author.fl_str_mv Ribeiro, Daniel Ferraz Tanan
dc.contributor.advisor1.fl_str_mv Velasco, Diogo Cavalcanti
contributor_str_mv Velasco, Diogo Cavalcanti
dc.subject.por.fl_str_mv Comunicação Social
Cinema
Yasujiro Ozu
Shohei Imamura
Cinema japonês
Interpretação cinematográfica
Pesquisa histórica e comparativa
Audiovisual
topic Comunicação Social
Cinema
Yasujiro Ozu
Shohei Imamura
Cinema japonês
Interpretação cinematográfica
Pesquisa histórica e comparativa
Audiovisual
Japanese cinema
Historical and comparative research
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA::INTERPRETACAO CINEMATOGRAFICA
dc.subject.eng.fl_str_mv Japanese cinema
Historical and comparative research
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA::INTERPRETACAO CINEMATOGRAFICA
description Yasujiro Ozu and Shohei Imamura are two pillars of Japanese cinema and between them there was a conflict, towards different points of view in the representation of reality. Imamura didn’t waste his chances to talk about his differences with the master in a good share of interviews that he granted, once calling the veteran’s work “post card movies”. Then, to make such conflict evident a historical and comparative research to list the aspects in that the two moviemakers diverge and if perhaps there wouldn’t be a convergence. Why was Shohei Imamura so vocal about his critics on Ozu, the rejection of his generation of moviemakers to their masters.
publishDate 2022
dc.date.issued.fl_str_mv 2022-06-24
dc.date.accessioned.fl_str_mv 2023-03-09T12:32:24Z
dc.date.available.fl_str_mv 2023-03-09T12:32:24Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/bachelorThesis
format bachelorThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Ribeiro, Daniel Ferraz Tanan. Duas visões em conflito : Yasujiro Ozu e Shohei Imamura. São Cristóvão, 2022. Monografia (graduação em Cinema e Audiovisual) – Departamento de Comunicação Social, Centro de Ciências Sociais Aplicadas, Universidade Federal de Sergipe, São Cristóvão, SE, 2022
dc.identifier.uri.fl_str_mv http://ri.ufs.br/jspui/handle/riufs/17242
identifier_str_mv Ribeiro, Daniel Ferraz Tanan. Duas visões em conflito : Yasujiro Ozu e Shohei Imamura. São Cristóvão, 2022. Monografia (graduação em Cinema e Audiovisual) – Departamento de Comunicação Social, Centro de Ciências Sociais Aplicadas, Universidade Federal de Sergipe, São Cristóvão, SE, 2022
url http://ri.ufs.br/jspui/handle/riufs/17242
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.initials.fl_str_mv Universidade Federal de Sergipe
dc.publisher.department.fl_str_mv DCOS - Departamento de Comunicação Social – Cinema e Audiovisual – São Cristóvão – Presencial
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFS
instname:Universidade Federal de Sergipe (UFS)
instacron:UFS
instname_str Universidade Federal de Sergipe (UFS)
instacron_str UFS
institution UFS
reponame_str Repositório Institucional da UFS
collection Repositório Institucional da UFS
bitstream.url.fl_str_mv https://ri.ufs.br/jspui/bitstream/riufs/17242/3/Daniel_Ferraz_Tanan_Ribeiro.pdf.txt
https://ri.ufs.br/jspui/bitstream/riufs/17242/4/Daniel_Ferraz_Tanan_Ribeiro.pdf.jpg
https://ri.ufs.br/jspui/bitstream/riufs/17242/1/license.txt
https://ri.ufs.br/jspui/bitstream/riufs/17242/2/Daniel_Ferraz_Tanan_Ribeiro.pdf
bitstream.checksum.fl_str_mv 9e43bbf0fe58240ddb78dcd7d1ecf861
d29143a1c41817d5b16317bf5edad763
098cbbf65c2c15e1fb2e49c5d306a44c
e501f2d0842acaecbd158d0fe802f9fb
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
repository.name.fl_str_mv Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)
repository.mail.fl_str_mv repositorio@academico.ufs.br
_version_ 1802110835788611584

Registros relacionados