The Badge of Sin: The Magdalene Sisters
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Estudos Feministas |
Texto Completo: | https://periodicos.ufsc.br/index.php/ref/article/view/1806-9584-2020v28n260353 |
Resumo: | Considered to be the badge of sin, perceived as the privileged agent of Satan, woman maintained an often hostile reputation throughout the Middle Ages. Her image had often been associated with the idea of lust, moral decay, and demonic iniquity. In this way, this article intends to reflect on the medieval imaginary in relation to women during the medieval period and the presence of this imaginary conception in the construction of meaning in the film narrative The Magdalene Sisters, by Peter Mullan (2002). Considering that the feature film presents the true story of women in the second half of the twentieth century, it is possible to analyze the social representations of the medieval woman, as well as the allegories present in the movie, as an element of historical permanence. |
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The Badge of Sin: The Magdalene SistersA insígnia do pecado: The Magdalene SistersConsidered to be the badge of sin, perceived as the privileged agent of Satan, woman maintained an often hostile reputation throughout the Middle Ages. Her image had often been associated with the idea of lust, moral decay, and demonic iniquity. In this way, this article intends to reflect on the medieval imaginary in relation to women during the medieval period and the presence of this imaginary conception in the construction of meaning in the film narrative The Magdalene Sisters, by Peter Mullan (2002). Considering that the feature film presents the true story of women in the second half of the twentieth century, it is possible to analyze the social representations of the medieval woman, as well as the allegories present in the movie, as an element of historical permanence.Considerada a insígnia do pecado, sendo percebida como a agente privilegiada de Satã, a mulher manteve uma reputação frequentemente hostil durante todo o medievo. Sua imagem, muitas vezes, fora associada à ideia da luxúria, da decadência moral e da iniquidade demoníaca. Deste modo, neste artigo pretende-se refletir sobre o imaginário medieval em relação à mulher durante o período medieval e à presença desta concepção imaginária como construtora de sentidos na narrativa fílmica The Magdalene Sisters, de Peter Mullan (2002). Considerando que o longa-metragem apresenta a história verídica de mulheres na segunda metade do século XX, é possível analisar as representações sociais da mulher medieval, bem como das alegorias presentes no longa-metragem, compreendendoas como um elemento de permanência histórica.Universidade Federal de Santa Catarina2020-09-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAnálise de conteúdoapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/1806-9584-2020v28n26035310.1590/1806-9584-2020v28n260353Revista Estudos Feministas; Vol. 28 No. 2 (2020)Revista Estudos Feministas; Vol. 28 Núm. 2 (2020)Revista Estudos Feministas; v. 28 n. 2 (2020)1806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/1806-9584-2020v28n260353/44138Copyright (c) 2020 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessSilva, Cristina Ennes daSilva, Tiago2020-09-16T14:15:10Zoai:periodicos.ufsc.br:article/60353Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:46.973086Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true |
dc.title.none.fl_str_mv |
The Badge of Sin: The Magdalene Sisters A insígnia do pecado: The Magdalene Sisters |
title |
The Badge of Sin: The Magdalene Sisters |
spellingShingle |
The Badge of Sin: The Magdalene Sisters Silva, Cristina Ennes da |
title_short |
The Badge of Sin: The Magdalene Sisters |
title_full |
The Badge of Sin: The Magdalene Sisters |
title_fullStr |
The Badge of Sin: The Magdalene Sisters |
title_full_unstemmed |
The Badge of Sin: The Magdalene Sisters |
title_sort |
The Badge of Sin: The Magdalene Sisters |
author |
Silva, Cristina Ennes da |
author_facet |
Silva, Cristina Ennes da Silva, Tiago |
author_role |
author |
author2 |
Silva, Tiago |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Cristina Ennes da Silva, Tiago |
description |
Considered to be the badge of sin, perceived as the privileged agent of Satan, woman maintained an often hostile reputation throughout the Middle Ages. Her image had often been associated with the idea of lust, moral decay, and demonic iniquity. In this way, this article intends to reflect on the medieval imaginary in relation to women during the medieval period and the presence of this imaginary conception in the construction of meaning in the film narrative The Magdalene Sisters, by Peter Mullan (2002). Considering that the feature film presents the true story of women in the second half of the twentieth century, it is possible to analyze the social representations of the medieval woman, as well as the allegories present in the movie, as an element of historical permanence. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-09-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Análise de conteúdo |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/1806-9584-2020v28n260353 10.1590/1806-9584-2020v28n260353 |
url |
https://periodicos.ufsc.br/index.php/ref/article/view/1806-9584-2020v28n260353 |
identifier_str_mv |
10.1590/1806-9584-2020v28n260353 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/1806-9584-2020v28n260353/44138 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Revista Estudos Feministas info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Revista Estudos Feministas |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Estudos Feministas; Vol. 28 No. 2 (2020) Revista Estudos Feministas; Vol. 28 Núm. 2 (2020) Revista Estudos Feministas; v. 28 n. 2 (2020) 1806-9584 0104-026X reponame:Revista Estudos Feministas instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Revista Estudos Feministas |
collection |
Revista Estudos Feministas |
repository.name.fl_str_mv |
Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
||ref@cfh.ufsc.br |
_version_ |
1789435253158313984 |