The power of the vulnerable in Amy Winehouse: abysmal plans of a cinebiographical narrativity
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Fórum Linguístico |
Texto Completo: | https://periodicos.ufsc.br/index.php/forum/article/view/73524 |
Resumo: | In this article, I intend to develop the hypothesis that there are two ways of thinking about the phenomenon of precariousness. The first way consists in taking the vulnerable as what prevents the realization of a life project, when it arises in any field. The second way of dealing with precariousness is to conceive it not as what prevents, but as what is a crucial part of the uncertain, and indeterminate realization of a life. In these terms, precariousness is the feature of what moves between doing and not doing. The aim is to follow the marks of precariousness or vulnerability that are produced, in certain modes of discourse, in the field of film narratives about the lives of singers. I want to analyze a case of cine-biography, among many others, where acts and practices of life erode the voice and put it at risk. Here the object of analysis is the filmic narration on the tragic story of the British singer Amy Winehouse: Amy, by Asif Kaadia, 2015. |
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The power of the vulnerable in Amy Winehouse: abysmal plans of a cinebiographical narrativityEl poder de lo vulnerable en Amy Winehouse: planos abismales de una narratividad cinebiográficaA potência do vulnerável em Amy Winehouse: planos abismais de uma narratividade cinebiográficaIn this article, I intend to develop the hypothesis that there are two ways of thinking about the phenomenon of precariousness. The first way consists in taking the vulnerable as what prevents the realization of a life project, when it arises in any field. The second way of dealing with precariousness is to conceive it not as what prevents, but as what is a crucial part of the uncertain, and indeterminate realization of a life. In these terms, precariousness is the feature of what moves between doing and not doing. The aim is to follow the marks of precariousness or vulnerability that are produced, in certain modes of discourse, in the field of film narratives about the lives of singers. I want to analyze a case of cine-biography, among many others, where acts and practices of life erode the voice and put it at risk. Here the object of analysis is the filmic narration on the tragic story of the British singer Amy Winehouse: Amy, by Asif Kaadia, 2015.En este artículo, desarrollaré la hipótesis de que hay dos maneras de pensar en el fenómeno de la precariedad. El primer camino consiste en tomar a los vulnerables como lo que impide la realización de un proyecto de vida, cuando éste surge en cualquier campo. La segunda forma de abordar la precariedad es concebirla no como lo que impide, sino como una parte crucial de la realización incierta e indeterminada de una vida. En estos términos, la precariedad es la característica de lo que se mueve entre el hacer y el no hacer. Se trata de seguir las marcas de precariedad o vulnerabilidad que se producen, en ciertos modos de discurso, en el campo de las narraciones cinematográficas sobre la vida de los cantantes. Analizaré un caso de biografía cinematográfica, entre muchos otros, donde los actos y prácticas de la vida erosionan la voz y la ponen en riesgo. Aquí el objeto de análisis es la narración fílmica de la trágica historia de la cantante británica Amy Winehouse: Amy, de Asif Kaadia, 2015.Neste artigo, pretendo desenvolver a hipótese de que há duas maneiras de pensar o fenômeno da precariedade. A primeira maneira consiste em tomar o precário, o vulnerável, naquilo que impede a realização de um projeto de vida, não importa em que domínio se coloque. O segundo modo de abordar a precariedade é concebê-la não como o que impede mas como o que é parte crucial da realização incerta, indeterminada de uma vida. Nesses termos, o precário é o traço do que se move entre o fazer e o não fazer. O objetivo é rastrear marcas de precariedade ou vulnerabilidade que se fabricam em certa modalidade de discurso no campo das narrativas fílmicas sobre vida de cantores. Quero analisar um caso de cinebiografia, entre muitos outros, em que atos corporais de enunciação e práticas de vida rondam a voz e a colocam em risco. Aqui o objeto da análise é a narrativa fílmica sobre a trágica história da cantora britânica Amy Winehouse: Amy, de Asif Kapadia, 2015 .Programa de Pós-Graduação em Linguística - UFSC2021-09-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionavaliado por paresapplication/pdfhttps://periodicos.ufsc.br/index.php/forum/article/view/7352410.5007/1984-8412.2021.e73524Fórum Linguístico; Vol. 18 No. 2 (2021); 5939-5948Fórum Linguístico; Vol. 18 Núm. 2 (2021); 5939-5948Fórum Linguístico; v. 18 n. 2 (2021); 5939-59481984-84121415-8698reponame:Fórum Linguísticoinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/forum/article/view/73524/47288Copyright (c) 2021 Fórum Linguísticohttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessde Souza, Pedro2021-09-10T12:59:24Zoai:periodicos.ufsc.br:article/73524Revistahttps://periodicos.ufsc.br/index.php/forum/indexPUBhttps://periodicos.ufsc.br/index.php/forum/oaiportaldeperiodicos.bu@contato.ufsc.br || atilio.butturi@ufsc.br1984-84121984-8412opendoar:2023-01-12T16:40:40.765213Fórum Linguístico - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
The power of the vulnerable in Amy Winehouse: abysmal plans of a cinebiographical narrativity El poder de lo vulnerable en Amy Winehouse: planos abismales de una narratividad cinebiográfica A potência do vulnerável em Amy Winehouse: planos abismais de uma narratividade cinebiográfica |
title |
The power of the vulnerable in Amy Winehouse: abysmal plans of a cinebiographical narrativity |
spellingShingle |
The power of the vulnerable in Amy Winehouse: abysmal plans of a cinebiographical narrativity de Souza, Pedro |
title_short |
The power of the vulnerable in Amy Winehouse: abysmal plans of a cinebiographical narrativity |
title_full |
The power of the vulnerable in Amy Winehouse: abysmal plans of a cinebiographical narrativity |
title_fullStr |
The power of the vulnerable in Amy Winehouse: abysmal plans of a cinebiographical narrativity |
title_full_unstemmed |
The power of the vulnerable in Amy Winehouse: abysmal plans of a cinebiographical narrativity |
title_sort |
The power of the vulnerable in Amy Winehouse: abysmal plans of a cinebiographical narrativity |
author |
de Souza, Pedro |
author_facet |
de Souza, Pedro |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Souza, Pedro |
description |
In this article, I intend to develop the hypothesis that there are two ways of thinking about the phenomenon of precariousness. The first way consists in taking the vulnerable as what prevents the realization of a life project, when it arises in any field. The second way of dealing with precariousness is to conceive it not as what prevents, but as what is a crucial part of the uncertain, and indeterminate realization of a life. In these terms, precariousness is the feature of what moves between doing and not doing. The aim is to follow the marks of precariousness or vulnerability that are produced, in certain modes of discourse, in the field of film narratives about the lives of singers. I want to analyze a case of cine-biography, among many others, where acts and practices of life erode the voice and put it at risk. Here the object of analysis is the filmic narration on the tragic story of the British singer Amy Winehouse: Amy, by Asif Kaadia, 2015. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-09-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/forum/article/view/73524 10.5007/1984-8412.2021.e73524 |
url |
https://periodicos.ufsc.br/index.php/forum/article/view/73524 |
identifier_str_mv |
10.5007/1984-8412.2021.e73524 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/forum/article/view/73524/47288 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Fórum Linguístico http://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Fórum Linguístico http://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-Graduação em Linguística - UFSC |
publisher.none.fl_str_mv |
Programa de Pós-Graduação em Linguística - UFSC |
dc.source.none.fl_str_mv |
Fórum Linguístico; Vol. 18 No. 2 (2021); 5939-5948 Fórum Linguístico; Vol. 18 Núm. 2 (2021); 5939-5948 Fórum Linguístico; v. 18 n. 2 (2021); 5939-5948 1984-8412 1415-8698 reponame:Fórum Linguístico instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Fórum Linguístico |
collection |
Fórum Linguístico |
repository.name.fl_str_mv |
Fórum Linguístico - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
portaldeperiodicos.bu@contato.ufsc.br || atilio.butturi@ufsc.br |
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1797051420607774720 |