Frame and Horizontality in Primeira Missa no Brasil

Detalhes bibliográficos
Autor(a) principal: Coelho, Mário César
Data de Publicação: 2008
Tipo de documento: Artigo
Idioma: por
Título da fonte: Esboços (Online)
Texto Completo: https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p117
Resumo: ^This article approachs the difference of languages between two kinds of painting of Victor Meirelles, a Primeira Missa no Brasil in 1860 and Panorama do Descobrimento do Brasil exposed in 1900. The Panoramas was paintings exposed at especial architecture called rotundas and they had they peak in 19th century. While the Panorama seems no limits at horizontal circularity, at traditional painting the space is delimited by the edge of frame. In the case of Primeira Missa no Brasil beside some reproductions put in evidence just the detail of central scene.
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spelling Frame and Horizontality in Primeira Missa no BrasilMoldura e Horizontalidade na Primeira Missa no Brasil^This article approachs the difference of languages between two kinds of painting of Victor Meirelles, a Primeira Missa no Brasil in 1860 and Panorama do Descobrimento do Brasil exposed in 1900. The Panoramas was paintings exposed at especial architecture called rotundas and they had they peak in 19th century. While the Panorama seems no limits at horizontal circularity, at traditional painting the space is delimited by the edge of frame. In the case of Primeira Missa no Brasil beside some reproductions put in evidence just the detail of central scene.Este artigo aborda as diferenças de linguagem entre duas formas de pintura executadas por Victor Meirelles, a "Primeira Missa no Brasil" em 1860 e "panoramas do Decobrimento deo Brasil" exposto em 1900. Os panoramas eram pinturas expostas numa arquitetura especial chamadas de rotundas e tiveram seu auge no século XIX. Enquanto o Panorama parece não ter limites numa circularidade horizontal, na pintura tradicional o espaço é delimitado pelas bordas do quadro. além disso, no caso da "primeira Missa no Brasil", algumas reproduções colocam em evid?encia apenas o detalhe da cena central.Universidade Federal de Santa Catarina2008-03-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p11710.5007/2175-7976.2008v15n19p117Esboços: histories in global contexts; Vol. 15 No. 19 (2008); 117-123Esboços: historias en contextos globales; Vol. 15 Núm. 19 (2008); 117-123Esboços: histórias em contextos globais; v. 15 n. 19 (2008); 117-1232175-79761414-722Xreponame:Esboços (Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p117/9175Copyright (c) 2019 Mário César Coelhoinfo:eu-repo/semantics/openAccessCoelho, Mário César2023-01-12T15:08:37Zoai:periodicos.ufsc.br:article/9333Revistahttps://periodicos.ufsc.br/index.php/esbocos/indexPUBhttps://periodicos.ufsc.br/index.php/esbocos/oaiportaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||2175-79761414-722Xopendoar:2023-01-12T15:08:37Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Frame and Horizontality in Primeira Missa no Brasil
Moldura e Horizontalidade na Primeira Missa no Brasil
title Frame and Horizontality in Primeira Missa no Brasil
spellingShingle Frame and Horizontality in Primeira Missa no Brasil
Coelho, Mário César
title_short Frame and Horizontality in Primeira Missa no Brasil
title_full Frame and Horizontality in Primeira Missa no Brasil
title_fullStr Frame and Horizontality in Primeira Missa no Brasil
title_full_unstemmed Frame and Horizontality in Primeira Missa no Brasil
title_sort Frame and Horizontality in Primeira Missa no Brasil
author Coelho, Mário César
author_facet Coelho, Mário César
author_role author
dc.contributor.author.fl_str_mv Coelho, Mário César
description ^This article approachs the difference of languages between two kinds of painting of Victor Meirelles, a Primeira Missa no Brasil in 1860 and Panorama do Descobrimento do Brasil exposed in 1900. The Panoramas was paintings exposed at especial architecture called rotundas and they had they peak in 19th century. While the Panorama seems no limits at horizontal circularity, at traditional painting the space is delimited by the edge of frame. In the case of Primeira Missa no Brasil beside some reproductions put in evidence just the detail of central scene.
publishDate 2008
dc.date.none.fl_str_mv 2008-03-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p117
10.5007/2175-7976.2008v15n19p117
url https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p117
identifier_str_mv 10.5007/2175-7976.2008v15n19p117
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p117/9175
dc.rights.driver.fl_str_mv Copyright (c) 2019 Mário César Coelho
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Mário César Coelho
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Esboços: histories in global contexts; Vol. 15 No. 19 (2008); 117-123
Esboços: historias en contextos globales; Vol. 15 Núm. 19 (2008); 117-123
Esboços: histórias em contextos globais; v. 15 n. 19 (2008); 117-123
2175-7976
1414-722X
reponame:Esboços (Online)
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Esboços (Online)
collection Esboços (Online)
repository.name.fl_str_mv Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv portaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||
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