What if God existed and lived Belgium? Laughter, humor and relief of bible narratives

Detalhes bibliográficos
Autor(a) principal: Serafim, Vanda
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Esboços (Online)
Texto Completo: https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2017v24n37p86
Resumo: God, an alcoholic and a pervert, created the world not out of love but out of boredom. This is one of the premises of the flm The New Testament (2014), it was directed and produced by the Belgian Jaco van Dormael. The flm narrative opens a series of reflections on the relationship between gods and humans, gods and gods and humans and humans. He lives in Belgium with his wife, passive and almost voiceless, and Ea, his pre-adolescent daughter, with a cliché-Gothic style of rebellion, bored with her parents’ lives and their close relationship with television. The goal is to see how the re-readings of the biblical narratives of Christianity that have been performed suggest laughter and humor today. For this, it is based methodologically on the discussions made by Marco Napolitano about cinema as a historical source and dialogues with Henri Bergson and Sigmund Freud to think laughter and humor in the flm narrative.
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spelling What if God existed and lived Belgium? Laughter, humor and relief of bible narrativesE se Deus existisse e morasse na Bélgica? riso, humor e releituras das narrativas bíblicasGod, an alcoholic and a pervert, created the world not out of love but out of boredom. This is one of the premises of the flm The New Testament (2014), it was directed and produced by the Belgian Jaco van Dormael. The flm narrative opens a series of reflections on the relationship between gods and humans, gods and gods and humans and humans. He lives in Belgium with his wife, passive and almost voiceless, and Ea, his pre-adolescent daughter, with a cliché-Gothic style of rebellion, bored with her parents’ lives and their close relationship with television. The goal is to see how the re-readings of the biblical narratives of Christianity that have been performed suggest laughter and humor today. For this, it is based methodologically on the discussions made by Marco Napolitano about cinema as a historical source and dialogues with Henri Bergson and Sigmund Freud to think laughter and humor in the flm narrative.Deus, alcoólatra e perverso, criou o mundo não por amor, mas por tédio. Essa é uma das premissas do filme O Novíssimo Testamento (2014) dirigido e produzido pelo belga Jaco van Dormael. A narrativa fílmica abre uma série de reflexões sobre a relação entre deuses e humanos, deuses e deuses e humanos e humanos.  Ele vive na Bélgica com sua esposa, passiva e quase sem voz e Ea, sua filha pré-adolescente, com um estilo clichê-gótico de rebeldia, entediada com a vida dos pais e a íntima relação com a televisão. O objetivo é perceber como as releituras das narrativas bíblicas do Cristianismo realizadas sugerem o riso e o humor na atualidade. Para tanto, parte-se metodologicamente das discussões realizadas por Marco Napolitano acerca do cinema como fonte histórica e teoricamente dialoga-se com Henri Bergson e Sigmund Freud para pensar o riso e o humor na narrativa fílmica.Universidade Federal de Santa Catarina2017-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2017v24n37p8610.5007/2175-7976.2017v24n37p86Esboços: histories in global contexts; Vol. 24 No. 37 (2017): História das Religiões e Religiosidades; 86-101Esboços: historias en contextos globales; Vol. 24 Núm. 37 (2017): História das Religiões e Religiosidades; 86-101Esboços: histórias em contextos globais; v. 24 n. 37 (2017): História das Religiões e Religiosidades; 86-1012175-79761414-722Xreponame:Esboços (Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2017v24n37p86/35073Copyright (c) 2019 Vanda Serafiminfo:eu-repo/semantics/openAccessSerafim, Vanda2019-03-27T22:37:30Zoai:periodicos.ufsc.br:article/51745Revistahttps://periodicos.ufsc.br/index.php/esbocos/indexPUBhttps://periodicos.ufsc.br/index.php/esbocos/oaiportaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||2175-79761414-722Xopendoar:2019-03-27T22:37:30Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv What if God existed and lived Belgium? Laughter, humor and relief of bible narratives
E se Deus existisse e morasse na Bélgica? riso, humor e releituras das narrativas bíblicas
title What if God existed and lived Belgium? Laughter, humor and relief of bible narratives
spellingShingle What if God existed and lived Belgium? Laughter, humor and relief of bible narratives
Serafim, Vanda
title_short What if God existed and lived Belgium? Laughter, humor and relief of bible narratives
title_full What if God existed and lived Belgium? Laughter, humor and relief of bible narratives
title_fullStr What if God existed and lived Belgium? Laughter, humor and relief of bible narratives
title_full_unstemmed What if God existed and lived Belgium? Laughter, humor and relief of bible narratives
title_sort What if God existed and lived Belgium? Laughter, humor and relief of bible narratives
author Serafim, Vanda
author_facet Serafim, Vanda
author_role author
dc.contributor.author.fl_str_mv Serafim, Vanda
description God, an alcoholic and a pervert, created the world not out of love but out of boredom. This is one of the premises of the flm The New Testament (2014), it was directed and produced by the Belgian Jaco van Dormael. The flm narrative opens a series of reflections on the relationship between gods and humans, gods and gods and humans and humans. He lives in Belgium with his wife, passive and almost voiceless, and Ea, his pre-adolescent daughter, with a cliché-Gothic style of rebellion, bored with her parents’ lives and their close relationship with television. The goal is to see how the re-readings of the biblical narratives of Christianity that have been performed suggest laughter and humor today. For this, it is based methodologically on the discussions made by Marco Napolitano about cinema as a historical source and dialogues with Henri Bergson and Sigmund Freud to think laughter and humor in the flm narrative.
publishDate 2017
dc.date.none.fl_str_mv 2017-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2017v24n37p86
10.5007/2175-7976.2017v24n37p86
url https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2017v24n37p86
identifier_str_mv 10.5007/2175-7976.2017v24n37p86
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2017v24n37p86/35073
dc.rights.driver.fl_str_mv Copyright (c) 2019 Vanda Serafim
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Vanda Serafim
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Esboços: histories in global contexts; Vol. 24 No. 37 (2017): História das Religiões e Religiosidades; 86-101
Esboços: historias en contextos globales; Vol. 24 Núm. 37 (2017): História das Religiões e Religiosidades; 86-101
Esboços: histórias em contextos globais; v. 24 n. 37 (2017): História das Religiões e Religiosidades; 86-101
2175-7976
1414-722X
reponame:Esboços (Online)
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Esboços (Online)
collection Esboços (Online)
repository.name.fl_str_mv Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv portaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||
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