The AU genre: multimodality, post-autonomous literature, queer crowd

Detalhes bibliográficos
Autor(a) principal: Grandini Caetano, Brenda
Data de Publicação: 2021
Outros Autores: Andrade, Antonio
Tipo de documento: Artigo
Idioma: por
Título da fonte: Texto digital
Texto Completo: https://periodicos.ufsc.br/index.php/textodigital/article/view/81384
Resumo: Discourse genres, as well as other aspects of human experience, change and become more complex over time. Digital technologies and multimodality have transformed, for example, the way of producing and consuming contemporary literature. In this context, the fan culture, configured as a convergence culture, includes aesthetic productions of different fan groups, made in dialogue with products that already exist in the cultural industry. These groups, characterized as discursive communities, create new multimodal fictional textualities, such as those presented under the label of AU (Alternative Universe). This article aims to discuss aspects of this new genre, from our point of view - contrary to popular belief - not subordinate to fanfic genre. Therefore, we analyze here a Larry AU entitled “No. 309” (which focuses on the shipping of the singers Harry Styles and Louis Tomlinson), seeking to reflect on issues related to the compositional structure, thematic content, and style of the genre, under a Bakhtinian perspective. Other concepts such as multimodality, post-autonomous literature and queer crowd are also adopted to support the discussion around this innovative genre.
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spelling The AU genre: multimodality, post-autonomous literature, queer crowdO gênero AU: multimodalidade, literatura pós-autônoma, multidões queerDiscourse genres, as well as other aspects of human experience, change and become more complex over time. Digital technologies and multimodality have transformed, for example, the way of producing and consuming contemporary literature. In this context, the fan culture, configured as a convergence culture, includes aesthetic productions of different fan groups, made in dialogue with products that already exist in the cultural industry. These groups, characterized as discursive communities, create new multimodal fictional textualities, such as those presented under the label of AU (Alternative Universe). This article aims to discuss aspects of this new genre, from our point of view - contrary to popular belief - not subordinate to fanfic genre. Therefore, we analyze here a Larry AU entitled “No. 309” (which focuses on the shipping of the singers Harry Styles and Louis Tomlinson), seeking to reflect on issues related to the compositional structure, thematic content, and style of the genre, under a Bakhtinian perspective. Other concepts such as multimodality, post-autonomous literature and queer crowd are also adopted to support the discussion around this innovative genre.Os gêneros do discurso, assim como outros aspectos da experiência humana, se modificam e complexificam ao longo do tempo. As tecnologias digitais e a multimodalidade vêm transformando, por exemplo, a forma de produzir e consumir literatura na contemporaneidade. Neste contexto, a cultura de fã, que se configura como uma cultura de convergência, abarca produções estéticas de diversos grupos de fãs, realizadas a partir do diálogo com produtos já existentes na indústria cultural. Tais grupos, que se caracterizam como comunidades discursivas, criam novas textualidades multimodais de caráter ficcional, como as que se apresentam sob a rubrica de AU (Alternative Universe). Este artigo tem por objetivo discutir aspectos deste novo gênero da cultura de fã, que, a nosso ver, diferentemente do que se pensa, não está subordinado ao gênero fanfic. Para isto, analisa-se aqui uma AU Larry (shipp dos cantores Harry Styles e Louis Tomlinson) intitulada “Nº 309”, buscando-se refletir sobre questões ligadas à estrutura composicional, ao conteúdo temático e ao estilo do gênero, sob uma perspectiva bakhtiniana. Outros conceitos como os de multimodalidade, literatura pós-autônoma e multidões queer são também mobilizados a fim de apoiar a discussão em torno desse gênero inovador.Center for Research in Computing, Literature, and Linguistics (NuPILL)2021-11-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/8138410.5007/1807-9288.2021.e81384Texto Digital; Vol. 17 No. 2 (2021): Multimodalidade em textos digitais - Parte II; 103-133Texto Digital; Vol. 17 No 2 (2021): Multimodalidade em textos digitais - Parte II; 103-133Texto Digital; v. 17 n. 2 (2021): Multimodalidade em textos digitais - Parte II; 103-1331807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/81384/47623Copyright (c) 2021 Brenda Grandini Caetano, Antonio Andradehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGrandini Caetano, BrendaAndrade, Antonio 2021-11-10T18:30:51Zoai:periodicos.ufsc.br:article/81384Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2021-11-10T18:30:51Texto digital - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv The AU genre: multimodality, post-autonomous literature, queer crowd
O gênero AU: multimodalidade, literatura pós-autônoma, multidões queer
title The AU genre: multimodality, post-autonomous literature, queer crowd
spellingShingle The AU genre: multimodality, post-autonomous literature, queer crowd
Grandini Caetano, Brenda
title_short The AU genre: multimodality, post-autonomous literature, queer crowd
title_full The AU genre: multimodality, post-autonomous literature, queer crowd
title_fullStr The AU genre: multimodality, post-autonomous literature, queer crowd
title_full_unstemmed The AU genre: multimodality, post-autonomous literature, queer crowd
title_sort The AU genre: multimodality, post-autonomous literature, queer crowd
author Grandini Caetano, Brenda
author_facet Grandini Caetano, Brenda
Andrade, Antonio
author_role author
author2 Andrade, Antonio
author2_role author
dc.contributor.author.fl_str_mv Grandini Caetano, Brenda
Andrade, Antonio
description Discourse genres, as well as other aspects of human experience, change and become more complex over time. Digital technologies and multimodality have transformed, for example, the way of producing and consuming contemporary literature. In this context, the fan culture, configured as a convergence culture, includes aesthetic productions of different fan groups, made in dialogue with products that already exist in the cultural industry. These groups, characterized as discursive communities, create new multimodal fictional textualities, such as those presented under the label of AU (Alternative Universe). This article aims to discuss aspects of this new genre, from our point of view - contrary to popular belief - not subordinate to fanfic genre. Therefore, we analyze here a Larry AU entitled “No. 309” (which focuses on the shipping of the singers Harry Styles and Louis Tomlinson), seeking to reflect on issues related to the compositional structure, thematic content, and style of the genre, under a Bakhtinian perspective. Other concepts such as multimodality, post-autonomous literature and queer crowd are also adopted to support the discussion around this innovative genre.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/81384
10.5007/1807-9288.2021.e81384
url https://periodicos.ufsc.br/index.php/textodigital/article/view/81384
identifier_str_mv 10.5007/1807-9288.2021.e81384
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/81384/47623
dc.rights.driver.fl_str_mv Copyright (c) 2021 Brenda Grandini Caetano, Antonio Andrade
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Brenda Grandini Caetano, Antonio Andrade
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
dc.source.none.fl_str_mv Texto Digital; Vol. 17 No. 2 (2021): Multimodalidade em textos digitais - Parte II; 103-133
Texto Digital; Vol. 17 No 2 (2021): Multimodalidade em textos digitais - Parte II; 103-133
Texto Digital; v. 17 n. 2 (2021): Multimodalidade em textos digitais - Parte II; 103-133
1807-9288
reponame:Texto digital
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Texto digital
collection Texto digital
repository.name.fl_str_mv Texto digital - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv textodigital@cce.ufsc.br
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