Suspense: transmedia dispositif by Katia Maciel
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Texto digital |
Texto Completo: | https://periodicos.ufsc.br/index.php/textodigital/article/view/77421 |
Resumo: | Reconfiguring languages since the hybrid experiments of the 1960s and 1970s, art has been undertaking a wide variety of works with the media, for example the audiovisual installations. This article aims to analyze the dispositif Suspense, by Katia Maciel, based on an anti-essentialist aesthetic which considers technology. It forms an imagery field involving cinema, video, photography and literature. A virtual space that values time as duration, matter, perception, memory and invention, the empowerment of the body and the break with linear narrative. In the relationship between aesthetics and ethics based on the connections between nature and the urban environment, Suspense wishes to force thought and change the ways of seeing and living in the world. |
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Suspense: transmedia dispositif by Katia MacielSuspense: dispositivo transmídia de Katia MacielReconfiguring languages since the hybrid experiments of the 1960s and 1970s, art has been undertaking a wide variety of works with the media, for example the audiovisual installations. This article aims to analyze the dispositif Suspense, by Katia Maciel, based on an anti-essentialist aesthetic which considers technology. It forms an imagery field involving cinema, video, photography and literature. A virtual space that values time as duration, matter, perception, memory and invention, the empowerment of the body and the break with linear narrative. In the relationship between aesthetics and ethics based on the connections between nature and the urban environment, Suspense wishes to force thought and change the ways of seeing and living in the world.Reconfigurando linguagens desde as experimentações híbridas das décadas de 1960 e 1970, a arte vem empreendendo ampla variedade de trabalhos com as mídias, a exemplo das instalações audiovisuais. A partir de uma estética não-essencialista e que considera a tecnologia, esse artigo tem como objetivo analisar o dispositivo “Suspense”, de Katia Maciel. Ele forma um campo imagético envolvendo o cinema, o vídeo, a fotografia e a literatura. Um espaço virtual que, à luz de Bergson, valoriza o tempo como duração, matéria, percepção, memória e invenção, a potencialização do corpo e o rompimento com a narrativa linear. Entre a ética pautada nas relações da natureza com o meio urbano e a estética, “Suspense" deseja forçar o pensamento e a mudança nos modos de ver e viver no mundo.Center for Research in Computing, Literature, and Linguistics (NuPILL)2021-08-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/7742110.5007/1807-9288.2021.e77421Texto Digital; Vol. 17 No. 1 (2021): Multimodalidade em textos digitais - Parte I; 239-267Texto Digital; Vol. 17 No 1 (2021): Multimodalidade em textos digitais - Parte I; 239-267Texto Digital; v. 17 n. 1 (2021): Multimodalidade em textos digitais - Parte I; 239-2671807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/77421/47032Copyright (c) 2021 Natasha Marzliakhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMarzliak, Natasha2021-08-04T13:44:14Zoai:periodicos.ufsc.br:article/77421Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2021-08-04T13:44:14Texto digital - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Suspense: transmedia dispositif by Katia Maciel Suspense: dispositivo transmídia de Katia Maciel |
title |
Suspense: transmedia dispositif by Katia Maciel |
spellingShingle |
Suspense: transmedia dispositif by Katia Maciel Marzliak, Natasha |
title_short |
Suspense: transmedia dispositif by Katia Maciel |
title_full |
Suspense: transmedia dispositif by Katia Maciel |
title_fullStr |
Suspense: transmedia dispositif by Katia Maciel |
title_full_unstemmed |
Suspense: transmedia dispositif by Katia Maciel |
title_sort |
Suspense: transmedia dispositif by Katia Maciel |
author |
Marzliak, Natasha |
author_facet |
Marzliak, Natasha |
author_role |
author |
dc.contributor.author.fl_str_mv |
Marzliak, Natasha |
description |
Reconfiguring languages since the hybrid experiments of the 1960s and 1970s, art has been undertaking a wide variety of works with the media, for example the audiovisual installations. This article aims to analyze the dispositif Suspense, by Katia Maciel, based on an anti-essentialist aesthetic which considers technology. It forms an imagery field involving cinema, video, photography and literature. A virtual space that values time as duration, matter, perception, memory and invention, the empowerment of the body and the break with linear narrative. In the relationship between aesthetics and ethics based on the connections between nature and the urban environment, Suspense wishes to force thought and change the ways of seeing and living in the world. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-08-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77421 10.5007/1807-9288.2021.e77421 |
url |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77421 |
identifier_str_mv |
10.5007/1807-9288.2021.e77421 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77421/47032 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Natasha Marzliak http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Natasha Marzliak http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
dc.source.none.fl_str_mv |
Texto Digital; Vol. 17 No. 1 (2021): Multimodalidade em textos digitais - Parte I; 239-267 Texto Digital; Vol. 17 No 1 (2021): Multimodalidade em textos digitais - Parte I; 239-267 Texto Digital; v. 17 n. 1 (2021): Multimodalidade em textos digitais - Parte I; 239-267 1807-9288 reponame:Texto digital instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Texto digital |
collection |
Texto digital |
repository.name.fl_str_mv |
Texto digital - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
textodigital@cce.ufsc.br |
_version_ |
1797174793012772864 |