The body as the subject’s heterotopia
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Data de Publicação: | 2016 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Working Papers em Lingüística (Online) |
Texto Completo: | https://periodicos.ufsc.br/index.php/workingpapers/article/view/1984-8420.2016v17n2p6 |
Resumo: | http://dx.doi.org/10.5007/1984-8420.2016v17n2p6This study is embodied as an enunciation space, which reflects the subject’s position, through discourses materialized in it; thus, the body is considered as a support of a social-historical objectified subject. For this proposition, we are anchored in Michel Foucault’s thought, specifically in the notions of space, heterotopias, utopia, subjectivity; and we analyze a video presented in the talent show contest Se ela dança, eu danço, from the Sistema Brasileiro de Televisão – SBT, in January, 2011. In this video, the choreography proposed by the contester John Lennon da Silva results from a rereading of the classic ballet The Dying Swan. We focus on the transformation of the subjects’ position that composes the jury and on the objectification of the dancer subject before, during and after the choreography. |
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Working Papers em Lingüística (Online) |
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The body as the subject’s heterotopiaO corpo como heterotopias do sujeitohttp://dx.doi.org/10.5007/1984-8420.2016v17n2p6This study is embodied as an enunciation space, which reflects the subject’s position, through discourses materialized in it; thus, the body is considered as a support of a social-historical objectified subject. For this proposition, we are anchored in Michel Foucault’s thought, specifically in the notions of space, heterotopias, utopia, subjectivity; and we analyze a video presented in the talent show contest Se ela dança, eu danço, from the Sistema Brasileiro de Televisão – SBT, in January, 2011. In this video, the choreography proposed by the contester John Lennon da Silva results from a rereading of the classic ballet The Dying Swan. We focus on the transformation of the subjects’ position that composes the jury and on the objectification of the dancer subject before, during and after the choreography.Este estudo toma o corpo como um espaço de enunciação, que reflete posicionamentos de sujeito, por meio de discursos nele materializados; logo, o corpo é considerado como suporte de um sujeito objetivado sócio historicamente. Para tal proposição, nos ancoramos no pensamento de Michel Foucault, especificamente nas noções espaço, heterotopia, utopia, subjetividade, e procederemos à análise de um vídeo apresentado no concurso do reality show “Se ela dança, eu danço”, exibido pelo Sistema Brasileiro de Televisão – SBT, em janeiro de 2011. Nesse vídeo, a coreografia proposta pelo candidato John Lennon da Silva resulta de uma releitura do balé clássico “A Morte do Cisne”. Nosso foco recai nas transformações dos posicionamentos dos sujeitos que compõem o jurado e na objetivação do sujeito dançarino antes, durante e após a coreografia.Programa de Pós-Graduação em Linguística da UFSC2016-10-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersion"Avaliado por pares"Revisão de literatura; Análise de copusapplication/pdfhttps://periodicos.ufsc.br/index.php/workingpapers/article/view/1984-8420.2016v17n2p610.5007/1984-8420.2016v17n2p6Working Papers em Linguística; v. 17 n. 2 (2016): Análise(s) do(s) Discurso(s); 6-181984-8420reponame:Working Papers em Lingüística (Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/workingpapers/article/view/1984-8420.2016v17n2p6/33893Copyright (c) 2017 Working Papers em Linguísticainfo:eu-repo/semantics/openAccessFernandes, Cleudemar AlvesFernandes Júnior, Antônio2018-03-22T12:35:37Zoai:periodicos.ufsc.br:article/48067Revistahttp://www.periodicos.ufsc.br/index.php/workingpapersPUBhttps://periodicos.ufsc.br/index.php/workingpapers/oaiizete.lehmkuhl.coelho@ufsc.br||portaldeperiodicos.bu@contato.ufsc.br||1984-84201415-1464opendoar:2018-03-22T12:35:37Working Papers em Lingüística (Online) - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
The body as the subject’s heterotopia O corpo como heterotopias do sujeito |
title |
The body as the subject’s heterotopia |
spellingShingle |
The body as the subject’s heterotopia Fernandes, Cleudemar Alves |
title_short |
The body as the subject’s heterotopia |
title_full |
The body as the subject’s heterotopia |
title_fullStr |
The body as the subject’s heterotopia |
title_full_unstemmed |
The body as the subject’s heterotopia |
title_sort |
The body as the subject’s heterotopia |
author |
Fernandes, Cleudemar Alves |
author_facet |
Fernandes, Cleudemar Alves Fernandes Júnior, Antônio |
author_role |
author |
author2 |
Fernandes Júnior, Antônio |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Fernandes, Cleudemar Alves Fernandes Júnior, Antônio |
description |
http://dx.doi.org/10.5007/1984-8420.2016v17n2p6This study is embodied as an enunciation space, which reflects the subject’s position, through discourses materialized in it; thus, the body is considered as a support of a social-historical objectified subject. For this proposition, we are anchored in Michel Foucault’s thought, specifically in the notions of space, heterotopias, utopia, subjectivity; and we analyze a video presented in the talent show contest Se ela dança, eu danço, from the Sistema Brasileiro de Televisão – SBT, in January, 2011. In this video, the choreography proposed by the contester John Lennon da Silva results from a rereading of the classic ballet The Dying Swan. We focus on the transformation of the subjects’ position that composes the jury and on the objectification of the dancer subject before, during and after the choreography. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-10-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion "Avaliado por pares" Revisão de literatura; Análise de copus |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/workingpapers/article/view/1984-8420.2016v17n2p6 10.5007/1984-8420.2016v17n2p6 |
url |
https://periodicos.ufsc.br/index.php/workingpapers/article/view/1984-8420.2016v17n2p6 |
identifier_str_mv |
10.5007/1984-8420.2016v17n2p6 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/workingpapers/article/view/1984-8420.2016v17n2p6/33893 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Working Papers em Linguística info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Working Papers em Linguística |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-Graduação em Linguística da UFSC |
publisher.none.fl_str_mv |
Programa de Pós-Graduação em Linguística da UFSC |
dc.source.none.fl_str_mv |
Working Papers em Linguística; v. 17 n. 2 (2016): Análise(s) do(s) Discurso(s); 6-18 1984-8420 reponame:Working Papers em Lingüística (Online) instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Working Papers em Lingüística (Online) |
collection |
Working Papers em Lingüística (Online) |
repository.name.fl_str_mv |
Working Papers em Lingüística (Online) - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
izete.lehmkuhl.coelho@ufsc.br||portaldeperiodicos.bu@contato.ufsc.br|| |
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1797174773454733312 |