Yes, I can: the representation of persons with disabilities in the video “We're the Superhumans” of the Channel 4

Detalhes bibliográficos
Autor(a) principal: Velasco, Amanda Paola
Data de Publicação: 2018
Outros Autores: Fermino, Antonio Luis, Poffo, Bianca Natália, Santos, Silvan Menezes dos
Tipo de documento: Artigo
Idioma: por
Título da fonte: Motrivivência (Florianópolis)
Texto Completo: https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n55p34
Resumo: This paper sets out to answer the following question: how are people with disabilities portrayed in the video “We're the Superhumans” produced by the english channel, Channel 4, and released by the IPC to promote the Rio 2016 Paralympics Games? As a methodological basis, we used discourse analysis and listed two categories: Disability Spectacularization (supercrip) and Representation of people with disabilities. We identified that people with disabilities were presented from the perspective of social and sports skills and abilities. The piece of advertising was restricted to convey contents that promote the surprise and the enchantment of the public, omitting sometimes problematic of this universe, as well as the question of accessibility. We also note the mobilization of three elements for the representation of people with disabilities: 1 - Nationalist discourse; 2 - The information mediation of the Paralympic modalities; And 3 - The projection of the future from the image of the child and new sports modalities.
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spelling Yes, I can: the representation of persons with disabilities in the video “We're the Superhumans” of the Channel 4Yes. I can: la representación de las personas con discapacidad en el video “We´re the Superhumans” del Channel 4Yes, I can: a representação das pessoas com deficiência no videoclipe “We're the Superhumans” do Channel 4This paper sets out to answer the following question: how are people with disabilities portrayed in the video “We're the Superhumans” produced by the english channel, Channel 4, and released by the IPC to promote the Rio 2016 Paralympics Games? As a methodological basis, we used discourse analysis and listed two categories: Disability Spectacularization (supercrip) and Representation of people with disabilities. We identified that people with disabilities were presented from the perspective of social and sports skills and abilities. The piece of advertising was restricted to convey contents that promote the surprise and the enchantment of the public, omitting sometimes problematic of this universe, as well as the question of accessibility. We also note the mobilization of three elements for the representation of people with disabilities: 1 - Nationalist discourse; 2 - The information mediation of the Paralympic modalities; And 3 - The projection of the future from the image of the child and new sports modalities.Este artículo pretende contestar a la siguiente pregunta: ¿Cómo se retratan las personas con discapacidad en el video “We´re the Superhumans” producido por el canal inglés, Channel 4, y publicado por el IPC para promover los Juegos Paralímpicos de Río / 2016? Como base metodológica, se utilizó el análisis del discurso y indicamos dos categorías: espectacularización de la discapacidad (supercrip); y la representación de las personas con discapacidad. Hemos identificado que las personas con discapacidad se presentaron desde la perspectiva de habilidades y capacidades sociales y deportivas. La publicidad se limitaba a transmitir contenidos que promovieran la sorpresa y el encantamiento del público, omitiendo a veces problemática de este universo, así como la cuestión de la accesibilidad. También observamos la movilización de tres elementos para la representación de las personas con discapacidad: 1 - Discurso nacionalista; 2 - La mediación de la información de las modalidades paraolímpicas; y 3 - La proyección del futuro desde la imagen del niños y las nuevas modalidades deportivas.Este trabalho se propôs a responder a seguinte questão: De que maneira as pessoas com deficiência são retratadas no videoclipe “We're the Superhumans” produzido pelo canal de televisão inglês, Channel 4, e divulgado pelo IPC para promover os Jogos Paralímpicos Rio/2016? Como base metodológica, utilizamos a análise do discurso e elencamos duas categorias: Espetacularização da deficiência (supercrip) e Representação das pessoas com deficiência. Identificamos que as pessoas com deficiência foram apresentadas sob a ótica das capacidades e habilidades socioesportivas. A peça publicitária se restringiu em veicular conteúdos que promovem a surpresa e o encantamento do público, omitindo, por vezes, problemáticas desse universo, assim como a questão da acessibilidade. Constatamos também a mobilização de três elementos para a representação das pessoas com deficiência: 1 – Discurso nacionalista; 2 – A mediação informativa das modalidades paralímpicas; e 3 – A projeção de futuro a partir da imagem da criança e de novas modalidades esportivas.Universidade Federal de Santa Catarina2018-10-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n55p3410.5007/2175-8042.2018v30n55p34Motrivivência; v. 30 n. 55 (2018); 34-572175-80420103-4111reponame:Motrivivência (Florianópolis)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n55p34/37571Copyright (c) 2018 Motrivivênciainfo:eu-repo/semantics/openAccessVelasco, Amanda PaolaFermino, Antonio LuisPoffo, Bianca NatáliaSantos, Silvan Menezes dos2018-10-10T09:30:04Zoai:periodicos.ufsc.br:article/49510Revistahttp://www.periodicos.ufsc.br/index.php/motrivivenciaPUBhttps://periodicos.ufsc.br/index.php/motrivivencia/oai||giovani.pires@ufsc.br2175-80420103-4111opendoar:2018-10-10T09:30:04Motrivivência (Florianópolis) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Yes, I can: the representation of persons with disabilities in the video “We're the Superhumans” of the Channel 4
Yes. I can: la representación de las personas con discapacidad en el video “We´re the Superhumans” del Channel 4
Yes, I can: a representação das pessoas com deficiência no videoclipe “We're the Superhumans” do Channel 4
title Yes, I can: the representation of persons with disabilities in the video “We're the Superhumans” of the Channel 4
spellingShingle Yes, I can: the representation of persons with disabilities in the video “We're the Superhumans” of the Channel 4
Velasco, Amanda Paola
title_short Yes, I can: the representation of persons with disabilities in the video “We're the Superhumans” of the Channel 4
title_full Yes, I can: the representation of persons with disabilities in the video “We're the Superhumans” of the Channel 4
title_fullStr Yes, I can: the representation of persons with disabilities in the video “We're the Superhumans” of the Channel 4
title_full_unstemmed Yes, I can: the representation of persons with disabilities in the video “We're the Superhumans” of the Channel 4
title_sort Yes, I can: the representation of persons with disabilities in the video “We're the Superhumans” of the Channel 4
author Velasco, Amanda Paola
author_facet Velasco, Amanda Paola
Fermino, Antonio Luis
Poffo, Bianca Natália
Santos, Silvan Menezes dos
author_role author
author2 Fermino, Antonio Luis
Poffo, Bianca Natália
Santos, Silvan Menezes dos
author2_role author
author
author
dc.contributor.author.fl_str_mv Velasco, Amanda Paola
Fermino, Antonio Luis
Poffo, Bianca Natália
Santos, Silvan Menezes dos
description This paper sets out to answer the following question: how are people with disabilities portrayed in the video “We're the Superhumans” produced by the english channel, Channel 4, and released by the IPC to promote the Rio 2016 Paralympics Games? As a methodological basis, we used discourse analysis and listed two categories: Disability Spectacularization (supercrip) and Representation of people with disabilities. We identified that people with disabilities were presented from the perspective of social and sports skills and abilities. The piece of advertising was restricted to convey contents that promote the surprise and the enchantment of the public, omitting sometimes problematic of this universe, as well as the question of accessibility. We also note the mobilization of three elements for the representation of people with disabilities: 1 - Nationalist discourse; 2 - The information mediation of the Paralympic modalities; And 3 - The projection of the future from the image of the child and new sports modalities.
publishDate 2018
dc.date.none.fl_str_mv 2018-10-09
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dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n55p34
10.5007/2175-8042.2018v30n55p34
url https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n55p34
identifier_str_mv 10.5007/2175-8042.2018v30n55p34
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n55p34/37571
dc.rights.driver.fl_str_mv Copyright (c) 2018 Motrivivência
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Motrivivência
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Motrivivência; v. 30 n. 55 (2018); 34-57
2175-8042
0103-4111
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reponame_str Motrivivência (Florianópolis)
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repository.name.fl_str_mv Motrivivência (Florianópolis) - Universidade Federal de Santa Catarina (UFSC)
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