Dance and knowledge: reflections on the lived body

Detalhes bibliográficos
Autor(a) principal: Nascimento, Marcelo de Maio
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Motrivivência (Florianópolis)
Texto Completo: https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2020e65366
Resumo: The aim of this study was to address the production and gain of knowledge danced based on different epistemological currents in the field of dance. Thus, based on Merleau-Ponty's existential phenomenological view, presented in the work Phenomenology of Perception, the idea of the lived body and the gain of knowledge in dance was discussed. It was assumed that the act of dancing when performed intentionally allows the subject to express himself, dialogue and experience facts of life, which contributes to the awareness of “being-in-the-world”. In this context, dance presents itself as a kinesthetic field for gaining embodied experiences, established at each step, spin, jump or choreographic arrangement experienced. In such a way, the procedural dynamics of the body lived in dance comes from the mental arrangement of the sensations apprehended from the external environment through the “body(me)-in movement” in time and space, which, nevertheless, organizes the project of a corporeality.
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spelling Dance and knowledge: reflections on the lived bodyDanza y conocimiento: reflexiones sobre el cuerpo vividoDança e conhecimento: reflexões sobre o corpo vividoThe aim of this study was to address the production and gain of knowledge danced based on different epistemological currents in the field of dance. Thus, based on Merleau-Ponty's existential phenomenological view, presented in the work Phenomenology of Perception, the idea of the lived body and the gain of knowledge in dance was discussed. It was assumed that the act of dancing when performed intentionally allows the subject to express himself, dialogue and experience facts of life, which contributes to the awareness of “being-in-the-world”. In this context, dance presents itself as a kinesthetic field for gaining embodied experiences, established at each step, spin, jump or choreographic arrangement experienced. In such a way, the procedural dynamics of the body lived in dance comes from the mental arrangement of the sensations apprehended from the external environment through the “body(me)-in movement” in time and space, which, nevertheless, organizes the project of a corporeality.El objetivo de este estudio fue abordar la producción y el conocimiento adquirido en base a diferentes corrientes epistemológicas en el campo de la danza. Así, en base a la visión fenomenológica existencial de Merleau-Ponty, presentada en el trabajo Fenomenología de la percepción, se discutió la idea del cuerpo vivido y el conocimiento adquirido en la danza. Se suponía que el acto de bailar cuando se realiza intencionalmente le permite al sujeto expresarse, dialogar y experimentar hechos de la vida, lo que contribuye a la conciencia de "estar en el mundo". En este contexto, la danza se presenta como un campo kinestésico para obtener experiencias encarnadas, establecidas en cada paso, giro, salto o arreglo coreográfico experimentado. De esta manera, la dinámica procesal del cuerpo vivido en la danza proviene de la disposición mental de las sensaciones aprehendidas del entorno externo a través del “cuerpo(yo)-en movimiento” en el tiempo y el espacio, que, sin embargo, organiza el proyecto de una corporeidad.O objetivo deste estudo foi abordar a produção e o ganho do conhecimento dançado com base em diferentes correntes epistemológicas da área da dança. Assim, com base na visão fenomenológica existencialista de Merleau-Ponty, apresentada na obra Fenomenologia da Percepção, foi discutida a ideia do corpo vivido e do ganho do conhecimento na dança. Assumiu-se que o ato do dançar quando executado de forma intencional permite ao sujeito se expressar, dialogar e vivenciar fatos da vida, o que contribui para a consciência do “ser-no-mundo”. Nesse contexto, a dança se apresenta como campo cinestésico para o ganho de experiências corporificadas, estabelecidas a cada passo, giro, salto ou arranjo coreográfico vivenciado. De tal modo, a dinâmica processual do corpo vivido na dança sobrevém do arranjo mental das sensações apreendidas do meio externo por intermédio do corpo(eu)-em-movimento no tempo e no espaço, o que, não obstante, organiza o projeto de uma corporeidade.Universidade Federal de Santa Catarina2020-06-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2020e6536610.5007/2175-8042.2020e65366Motrivivência; v. 32 n. 62 (2020); 01-172175-80420103-4111reponame:Motrivivência (Florianópolis)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2020e65366/43535Copyright (c) 2020 Motrivivênciainfo:eu-repo/semantics/openAccessNascimento, Marcelo de Maio2020-06-08T15:36:43Zoai:periodicos.ufsc.br:article/65366Revistahttp://www.periodicos.ufsc.br/index.php/motrivivenciaPUBhttps://periodicos.ufsc.br/index.php/motrivivencia/oai||giovani.pires@ufsc.br2175-80420103-4111opendoar:2020-06-08T15:36:43Motrivivência (Florianópolis) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Dance and knowledge: reflections on the lived body
Danza y conocimiento: reflexiones sobre el cuerpo vivido
Dança e conhecimento: reflexões sobre o corpo vivido
title Dance and knowledge: reflections on the lived body
spellingShingle Dance and knowledge: reflections on the lived body
Nascimento, Marcelo de Maio
title_short Dance and knowledge: reflections on the lived body
title_full Dance and knowledge: reflections on the lived body
title_fullStr Dance and knowledge: reflections on the lived body
title_full_unstemmed Dance and knowledge: reflections on the lived body
title_sort Dance and knowledge: reflections on the lived body
author Nascimento, Marcelo de Maio
author_facet Nascimento, Marcelo de Maio
author_role author
dc.contributor.author.fl_str_mv Nascimento, Marcelo de Maio
description The aim of this study was to address the production and gain of knowledge danced based on different epistemological currents in the field of dance. Thus, based on Merleau-Ponty's existential phenomenological view, presented in the work Phenomenology of Perception, the idea of the lived body and the gain of knowledge in dance was discussed. It was assumed that the act of dancing when performed intentionally allows the subject to express himself, dialogue and experience facts of life, which contributes to the awareness of “being-in-the-world”. In this context, dance presents itself as a kinesthetic field for gaining embodied experiences, established at each step, spin, jump or choreographic arrangement experienced. In such a way, the procedural dynamics of the body lived in dance comes from the mental arrangement of the sensations apprehended from the external environment through the “body(me)-in movement” in time and space, which, nevertheless, organizes the project of a corporeality.
publishDate 2020
dc.date.none.fl_str_mv 2020-06-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2020e65366
10.5007/2175-8042.2020e65366
url https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2020e65366
identifier_str_mv 10.5007/2175-8042.2020e65366
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2020e65366/43535
dc.rights.driver.fl_str_mv Copyright (c) 2020 Motrivivência
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Motrivivência
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Motrivivência; v. 32 n. 62 (2020); 01-17
2175-8042
0103-4111
reponame:Motrivivência (Florianópolis)
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Motrivivência (Florianópolis)
collection Motrivivência (Florianópolis)
repository.name.fl_str_mv Motrivivência (Florianópolis) - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ||giovani.pires@ufsc.br
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