Female Voices in Brazilian Translations of Shakespearean Drama
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos de Tradução (Florianópolis. Online) |
Texto Completo: | https://periodicos.ufsc.br/index.php/traducao/article/view/80659 |
Resumo: | The purpose of this article is to draw a profile of a number of women translators of Shakespearean drama into Brazilian Portuguese, a tradition that dates back to 1936, when Berenice Xavier’s translation of The Taming of the Shrew came out. The study is informed by the branch of translation sociology that draws on Pierre Bourdieu’s (1986, 1989, 1996) concepts of habitus, capital, and field, as well as by Andrew Chesterman’s (2009) Translator Studies, a subarea of Translation Studies. Up to the end of 2020, taking into account only whole-text translations deriving from an English source and published in book form, 214 Brazilian Portuguese translations of Shakespeare’s 39 plays have appeared. The translations were made by 39 individual translators, a duo, and a theater company; there are only ten women translators in this group. By jointly examining biographical data, notions of translation and translatory behavior of those women, taking into account the sociocultural background of their work, I intend to highlight their legacy, hoping to be able to contribute to the history of literary translation in Brazil. |
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Female Voices in Brazilian Translations of Shakespearean DramaVozes Femininas nas Traduções Brasileiras do Drama ShakespearianoThe purpose of this article is to draw a profile of a number of women translators of Shakespearean drama into Brazilian Portuguese, a tradition that dates back to 1936, when Berenice Xavier’s translation of The Taming of the Shrew came out. The study is informed by the branch of translation sociology that draws on Pierre Bourdieu’s (1986, 1989, 1996) concepts of habitus, capital, and field, as well as by Andrew Chesterman’s (2009) Translator Studies, a subarea of Translation Studies. Up to the end of 2020, taking into account only whole-text translations deriving from an English source and published in book form, 214 Brazilian Portuguese translations of Shakespeare’s 39 plays have appeared. The translations were made by 39 individual translators, a duo, and a theater company; there are only ten women translators in this group. By jointly examining biographical data, notions of translation and translatory behavior of those women, taking into account the sociocultural background of their work, I intend to highlight their legacy, hoping to be able to contribute to the history of literary translation in Brazil.O objetivo deste artigo é traçar o perfil de algumas tradutoras da poesia dramática shakespeariana para o português do Brasil, cujo marco inicial foi A megera domada em tradução de Berenice Xavier (1936). A perspectiva adotada insere-se na vertente da sociologia da tradução que se fundamenta nos conceitos de habitus, capital e campo de Pierre Bourdieu (1986, 1989, 1996) e na subárea dos Estudos da Tradução a que Andrew Chesterman (2009) se refere como Estudos do Tradutor. Considerando-se apenas traduções integrais a partir da língua inglesa e publicadas sob forma de livro, contam-se até o final de 2020 um total de 214 traduções brasileiras das 39 obras dramáticas de Shakespeare. Até o momento, 39 tradutores individuais, uma dupla e um coletivo assinaram traduções integrais de peças do cânone, grupo no qual se incluem apenas dez mulheres. Ao examinar conjuntamente dados biográficos, visões de tradução e comportamento tradutório dessas mulheres, levando em conta o contexto sociocultural em que se inseriam ou se inserem, pretendo ressaltar o seu legado, em uma possível contribuição para a historiografia da tradução literária no Brasil. Universidade Federal de Santa Catarina2022-05-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/traducao/article/view/8065910.5007/2175-7968.2022.e80659Cadernos de Tradução; Vol. 42 No. 1 (2022): Edição de Fluxo Contínuo (2022); 1-34Cadernos de Tradução; Vol. 42 Núm. 1 (2022): Edição de Fluxo Contínuo (2022); 1-34Cadernos de Tradução; v. 42 n. 1 (2022): Edição de Fluxo Contínuo (2022); 1-342175-79681414-526Xreponame:Cadernos de Tradução (Florianópolis. Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/traducao/article/view/80659/48375Copyright (c) 2022 Cadernos de Traduçãohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMartins, Marcia Amaral Peixoto2023-01-04T18:13:49Zoai:periodicos.ufsc.br:article/80659Revistahttps://periodicos.ufsc.br/index.php/traducao/indexPUBhttps://periodicos.ufsc.br/index.php/traducao/oaieditorcadernostraducao@contato.ufsc.br||ecadernos@gmail.com||editorcadernostraducao@contato.ufsc.br|| cadernostraducao@contato.ufsc.br2175-79681414-526Xopendoar:2023-01-04T18:13:49Cadernos de Tradução (Florianópolis. Online) - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Female Voices in Brazilian Translations of Shakespearean Drama Vozes Femininas nas Traduções Brasileiras do Drama Shakespeariano |
title |
Female Voices in Brazilian Translations of Shakespearean Drama |
spellingShingle |
Female Voices in Brazilian Translations of Shakespearean Drama Martins, Marcia Amaral Peixoto |
title_short |
Female Voices in Brazilian Translations of Shakespearean Drama |
title_full |
Female Voices in Brazilian Translations of Shakespearean Drama |
title_fullStr |
Female Voices in Brazilian Translations of Shakespearean Drama |
title_full_unstemmed |
Female Voices in Brazilian Translations of Shakespearean Drama |
title_sort |
Female Voices in Brazilian Translations of Shakespearean Drama |
author |
Martins, Marcia Amaral Peixoto |
author_facet |
Martins, Marcia Amaral Peixoto |
author_role |
author |
dc.contributor.author.fl_str_mv |
Martins, Marcia Amaral Peixoto |
description |
The purpose of this article is to draw a profile of a number of women translators of Shakespearean drama into Brazilian Portuguese, a tradition that dates back to 1936, when Berenice Xavier’s translation of The Taming of the Shrew came out. The study is informed by the branch of translation sociology that draws on Pierre Bourdieu’s (1986, 1989, 1996) concepts of habitus, capital, and field, as well as by Andrew Chesterman’s (2009) Translator Studies, a subarea of Translation Studies. Up to the end of 2020, taking into account only whole-text translations deriving from an English source and published in book form, 214 Brazilian Portuguese translations of Shakespeare’s 39 plays have appeared. The translations were made by 39 individual translators, a duo, and a theater company; there are only ten women translators in this group. By jointly examining biographical data, notions of translation and translatory behavior of those women, taking into account the sociocultural background of their work, I intend to highlight their legacy, hoping to be able to contribute to the history of literary translation in Brazil. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-05-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/traducao/article/view/80659 10.5007/2175-7968.2022.e80659 |
url |
https://periodicos.ufsc.br/index.php/traducao/article/view/80659 |
identifier_str_mv |
10.5007/2175-7968.2022.e80659 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/traducao/article/view/80659/48375 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Cadernos de Tradução https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Cadernos de Tradução https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Cadernos de Tradução; Vol. 42 No. 1 (2022): Edição de Fluxo Contínuo (2022); 1-34 Cadernos de Tradução; Vol. 42 Núm. 1 (2022): Edição de Fluxo Contínuo (2022); 1-34 Cadernos de Tradução; v. 42 n. 1 (2022): Edição de Fluxo Contínuo (2022); 1-34 2175-7968 1414-526X reponame:Cadernos de Tradução (Florianópolis. Online) instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
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UFSC |
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UFSC |
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Cadernos de Tradução (Florianópolis. Online) |
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Cadernos de Tradução (Florianópolis. Online) |
repository.name.fl_str_mv |
Cadernos de Tradução (Florianópolis. Online) - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
editorcadernostraducao@contato.ufsc.br||ecadernos@gmail.com||editorcadernostraducao@contato.ufsc.br|| cadernostraducao@contato.ufsc.br |
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