Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot

Detalhes bibliográficos
Autor(a) principal: Camati, Anna Stegh
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p35
Resumo: The present article aims at discussing, first and briefly, the experimental features Samuel Beckett (1906-1989) imprinted in Waiting for Godot (1948-1949), among them the implosion of dramatic elements and the inscription of detailed performance instructions within the text itself, thus creating a performance model for which he used to demand respect. Thereupon, after addressing the 1955 first incursion of Godot in Brazil, a historical panorama of some outstanding stage productions of the play, mainly in terms of conceptualization and critical reception, will be provided, in the light of theoretical perspectives by Oswald de Andrade, José Roberto O’Shea, Patrice Pavis, Peter Burke, among others.
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spelling Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for GodotApropriação cultural: produções teatrais brasileiras de Waiting for Godot, de Samuel BeckettThe present article aims at discussing, first and briefly, the experimental features Samuel Beckett (1906-1989) imprinted in Waiting for Godot (1948-1949), among them the implosion of dramatic elements and the inscription of detailed performance instructions within the text itself, thus creating a performance model for which he used to demand respect. Thereupon, after addressing the 1955 first incursion of Godot in Brazil, a historical panorama of some outstanding stage productions of the play, mainly in terms of conceptualization and critical reception, will be provided, in the light of theoretical perspectives by Oswald de Andrade, José Roberto O’Shea, Patrice Pavis, Peter Burke, among others.O presente artigo tem como objetivo discutir, primeiramente e brevemente, as características experimentais que Samuel Beckett (1906-1989) imprimiu em Waiting for Godot (1948-1949), entre elas a implosão de elementos dramáticos e a inscrição de instruções detalhadas de execução no próprio texto , criando assim um modelo de desempenho para o qual ele exigia respeito. Assim, após abordar a primeira incursão de Godot em 1955 no Brasil, será apresentado um panorama histórico de algumas produções teatrais da peça, principalmente em termos de sua concepção e recepção crítica, à luz das perspectivas teóricas de Oswald de Andrade, José Roberto O'Shea, Patrice Pavis, Peter Burke, entre outros.UFSC2020-05-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p3510.5007/2175-8026.2020v73n2p35Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 73 No. 2 (2020): The Irish Theatrical Diaspora; 35-48Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 73 n. 2 (2020): The Irish Theatrical Diaspora; 35-482175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCenghttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p35/43352Copyright (c) 2020 Anna Stegh Camatiinfo:eu-repo/semantics/openAccessCamati, Anna Stegh2020-05-25T14:33:32Zoai:periodicos.ufsc.br:article/70373Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2020-05-25T14:33:32Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
Apropriação cultural: produções teatrais brasileiras de Waiting for Godot, de Samuel Beckett
title Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
spellingShingle Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
Camati, Anna Stegh
title_short Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
title_full Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
title_fullStr Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
title_full_unstemmed Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
title_sort Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
author Camati, Anna Stegh
author_facet Camati, Anna Stegh
author_role author
dc.contributor.author.fl_str_mv Camati, Anna Stegh
description The present article aims at discussing, first and briefly, the experimental features Samuel Beckett (1906-1989) imprinted in Waiting for Godot (1948-1949), among them the implosion of dramatic elements and the inscription of detailed performance instructions within the text itself, thus creating a performance model for which he used to demand respect. Thereupon, after addressing the 1955 first incursion of Godot in Brazil, a historical panorama of some outstanding stage productions of the play, mainly in terms of conceptualization and critical reception, will be provided, in the light of theoretical perspectives by Oswald de Andrade, José Roberto O’Shea, Patrice Pavis, Peter Burke, among others.
publishDate 2020
dc.date.none.fl_str_mv 2020-05-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p35
10.5007/2175-8026.2020v73n2p35
url https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p35
identifier_str_mv 10.5007/2175-8026.2020v73n2p35
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p35/43352
dc.rights.driver.fl_str_mv Copyright (c) 2020 Anna Stegh Camati
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Anna Stegh Camati
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 73 No. 2 (2020): The Irish Theatrical Diaspora; 35-48
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 73 n. 2 (2020): The Irish Theatrical Diaspora; 35-48
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
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