Modernism and the narrative of nation in jfk
Autor(a) principal: | |
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Data de Publicação: | 1997 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Ilha do Desterro |
Texto Completo: | https://periodicos.ufsc.br/index.php/desterro/article/view/8435 |
Resumo: | The debate over Oliver Stone’s JFK has been framed to date largely within the discourse of historiography, with greatest attention being paid to issues concerning the limits of fact and fiction, and the erosion of the presumed boundry between documentary and imaginative reconstruction.2 Defenders of the film have usually argued from a deeply theoretical position, pointing out the permeable nature of the border between factual discourse and imaginative reconstruction, as well as the protean quality of even the most substantial documentary record of the past.3 In this essay, I wish to shift the angle of approach to the film in order to consider another set of questions, revolving chiefly around the tension between the film’s formal innovations and its explicit aim to articulate a narrative of national cohesion. The film’s fragmentary form, I argue, can be revealingly seen as an expression of a national narrative in disorder and disarray, its collage-like narrative structure reflecting the disruption of the evolutionary or historical narrative that gives continuity to national identity. |
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Modernism and the narrative of nation in jfkModernism and the narrative of nation in jfkThe debate over Oliver Stone’s JFK has been framed to date largely within the discourse of historiography, with greatest attention being paid to issues concerning the limits of fact and fiction, and the erosion of the presumed boundry between documentary and imaginative reconstruction.2 Defenders of the film have usually argued from a deeply theoretical position, pointing out the permeable nature of the border between factual discourse and imaginative reconstruction, as well as the protean quality of even the most substantial documentary record of the past.3 In this essay, I wish to shift the angle of approach to the film in order to consider another set of questions, revolving chiefly around the tension between the film’s formal innovations and its explicit aim to articulate a narrative of national cohesion. The film’s fragmentary form, I argue, can be revealingly seen as an expression of a national narrative in disorder and disarray, its collage-like narrative structure reflecting the disruption of the evolutionary or historical narrative that gives continuity to national identity.The debate over Oliver Stone’s JFK has been framed to date largely within the discourse of historiography, with greatest attention being paid to issues concerning the limits of fact and fiction, and the erosion of the presumed boundry between documentary and imaginative reconstruction.2 Defenders of the film have usually argued from a deeply theoretical position, pointing out the permeable nature of the border between factual discourse and imaginative reconstruction, as well as the protean quality of even the most substantial documentary record of the past.3 In this essay, I wish to shift the angle of approach to the film in order to consider another set of questions, revolving chiefly around the tension between the film’s formal innovations and its explicit aim to articulate a narrative of national cohesion. The film’s fragmentary form, I argue, can be revealingly seen as an expression of a national narrative in disorder and disarray, its collage-like narrative structure reflecting the disruption of the evolutionary or historical narrative that gives continuity to national identity.UFSC1997-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/8435Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 32 (1997); 081-098Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 32 (1997); 081-0982175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/8435/7964Copyright (c) 1997 Robert Burgoynehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBurgoyne, Robert2022-12-06T14:11:45Zoai:periodicos.ufsc.br:article/8435Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2022-12-06T14:11:45Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Modernism and the narrative of nation in jfk Modernism and the narrative of nation in jfk |
title |
Modernism and the narrative of nation in jfk |
spellingShingle |
Modernism and the narrative of nation in jfk Burgoyne, Robert |
title_short |
Modernism and the narrative of nation in jfk |
title_full |
Modernism and the narrative of nation in jfk |
title_fullStr |
Modernism and the narrative of nation in jfk |
title_full_unstemmed |
Modernism and the narrative of nation in jfk |
title_sort |
Modernism and the narrative of nation in jfk |
author |
Burgoyne, Robert |
author_facet |
Burgoyne, Robert |
author_role |
author |
dc.contributor.author.fl_str_mv |
Burgoyne, Robert |
description |
The debate over Oliver Stone’s JFK has been framed to date largely within the discourse of historiography, with greatest attention being paid to issues concerning the limits of fact and fiction, and the erosion of the presumed boundry between documentary and imaginative reconstruction.2 Defenders of the film have usually argued from a deeply theoretical position, pointing out the permeable nature of the border between factual discourse and imaginative reconstruction, as well as the protean quality of even the most substantial documentary record of the past.3 In this essay, I wish to shift the angle of approach to the film in order to consider another set of questions, revolving chiefly around the tension between the film’s formal innovations and its explicit aim to articulate a narrative of national cohesion. The film’s fragmentary form, I argue, can be revealingly seen as an expression of a national narrative in disorder and disarray, its collage-like narrative structure reflecting the disruption of the evolutionary or historical narrative that gives continuity to national identity. |
publishDate |
1997 |
dc.date.none.fl_str_mv |
1997-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/8435 |
url |
https://periodicos.ufsc.br/index.php/desterro/article/view/8435 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/8435/7964 |
dc.rights.driver.fl_str_mv |
Copyright (c) 1997 Robert Burgoyne http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 1997 Robert Burgoyne http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSC |
publisher.none.fl_str_mv |
UFSC |
dc.source.none.fl_str_mv |
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 32 (1997); 081-098 Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 32 (1997); 081-098 2175-8026 0101-4846 reponame:Ilha do Desterro instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Ilha do Desterro |
collection |
Ilha do Desterro |
repository.name.fl_str_mv |
Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com |
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1799875275546165248 |