Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Ilha do Desterro |
Texto Completo: | https://periodicos.ufsc.br/index.php/desterro/article/view/74555 |
Resumo: | This article aims to analyse the intertextual relations and representations of alterity in the novels The Ship of Fools (1962) by the American writer Katherine Anne Porter and Não se Pode Morar nos Olhos de um Gato [You Can’t Live in the Eyes of a Cat] (2016) by the Portuguese writer Ana Margarida de Carvalho.Starting from a comparatist approach in order to analyse similarities within the differences and using the theoretical contributions of Tiphaine Samoyault, Koch and Paul Voestermans among others, we will discuss how intertextuality becomes an entrance into alterity – a core element in the two novels. In fact, in both works, in an atmosphere of claustrophobic confinement, the hostile looks of distrust cast at the “other” reveal the prejudices that lead to injustice and social discrimination. In both cases, “the captain’s table” symbolises a privileged status, accessible only to an elite minority. Finally, we will look at how alterity confers meaning on the inter-relationships established in the two works, underlining a pessimistic view of human nature, of undeniable actuality, that makes us reflect on how in a globalised society in the 21st century we perceive and live (together) with the “other”. |
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Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho Quem pode comer na mesa do capitão? Intertextualidade e alteridade nas obras de Katherine Anne Porter e Ana Margarida de CarvalhoThis article aims to analyse the intertextual relations and representations of alterity in the novels The Ship of Fools (1962) by the American writer Katherine Anne Porter and Não se Pode Morar nos Olhos de um Gato [You Can’t Live in the Eyes of a Cat] (2016) by the Portuguese writer Ana Margarida de Carvalho.Starting from a comparatist approach in order to analyse similarities within the differences and using the theoretical contributions of Tiphaine Samoyault, Koch and Paul Voestermans among others, we will discuss how intertextuality becomes an entrance into alterity – a core element in the two novels. In fact, in both works, in an atmosphere of claustrophobic confinement, the hostile looks of distrust cast at the “other” reveal the prejudices that lead to injustice and social discrimination. In both cases, “the captain’s table” symbolises a privileged status, accessible only to an elite minority. Finally, we will look at how alterity confers meaning on the inter-relationships established in the two works, underlining a pessimistic view of human nature, of undeniable actuality, that makes us reflect on how in a globalised society in the 21st century we perceive and live (together) with the “other”.Este artigo pretende analisar as relações intertextuais e a alteridade nos romances The Ship of Fools (1962) da escritora americana Katherine Anne Porter e Não se Pode Morar nos Olhos de um Gato (2016) da autora portuguesa Ana Margarida de Carvalho. Partindo de uma abordagem comparatista, com o intuito de analisar semelhanças no seio das diferenças, recorrendo aos contributos teóricos de Tiphaine Samoyault, Ingedore Koch, Paul Voestermans, entre outros, discutiremos o modo como a intertextualidade se assume como porta de entrada na alteridade – elemento fulcral nos dois romances. Com efeito, em ambas as obras, num ambiente de confinamento claustrofóbico, os olhares hostis de desconfiança lançados ao “outro” revelam preconceitos conducentes à injustiça e à discriminação social. Em ambos os casos, “a mesa do capitão” simboliza um estatuto privilegiado, acessível apenas a uma elite minoritária. Por fim, abordaremos a forma como a alteridade confere sentido às inter-relações estabelecidas nas duas obras, sublinhando uma visão pessimista da natureza humana, de inegável atualidade, que nos faz refletir no modo como em pleno século XXI, numa sociedade globalizada, percebemos e (con)vivemos com o “outro”.UFSC2021-01-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionliterary and cultural analisisapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/7455510.5007/2175-8026.2021.e74555Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): LiteratureIlha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura2175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/74555/45272Copyright (c) 2020 Dora Nunes Gagohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGago, Dora Nunes2021-01-28T02:23:10Zoai:periodicos.ufsc.br:article/74555Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2021-01-28T02:23:10Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho Quem pode comer na mesa do capitão? Intertextualidade e alteridade nas obras de Katherine Anne Porter e Ana Margarida de Carvalho |
title |
Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho |
spellingShingle |
Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho Gago, Dora Nunes |
title_short |
Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho |
title_full |
Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho |
title_fullStr |
Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho |
title_full_unstemmed |
Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho |
title_sort |
Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho |
author |
Gago, Dora Nunes |
author_facet |
Gago, Dora Nunes |
author_role |
author |
dc.contributor.author.fl_str_mv |
Gago, Dora Nunes |
description |
This article aims to analyse the intertextual relations and representations of alterity in the novels The Ship of Fools (1962) by the American writer Katherine Anne Porter and Não se Pode Morar nos Olhos de um Gato [You Can’t Live in the Eyes of a Cat] (2016) by the Portuguese writer Ana Margarida de Carvalho.Starting from a comparatist approach in order to analyse similarities within the differences and using the theoretical contributions of Tiphaine Samoyault, Koch and Paul Voestermans among others, we will discuss how intertextuality becomes an entrance into alterity – a core element in the two novels. In fact, in both works, in an atmosphere of claustrophobic confinement, the hostile looks of distrust cast at the “other” reveal the prejudices that lead to injustice and social discrimination. In both cases, “the captain’s table” symbolises a privileged status, accessible only to an elite minority. Finally, we will look at how alterity confers meaning on the inter-relationships established in the two works, underlining a pessimistic view of human nature, of undeniable actuality, that makes us reflect on how in a globalised society in the 21st century we perceive and live (together) with the “other”. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-01-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion literary and cultural analisis |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/74555 10.5007/2175-8026.2021.e74555 |
url |
https://periodicos.ufsc.br/index.php/desterro/article/view/74555 |
identifier_str_mv |
10.5007/2175-8026.2021.e74555 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/74555/45272 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Dora Nunes Gago http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Dora Nunes Gago http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSC |
publisher.none.fl_str_mv |
UFSC |
dc.source.none.fl_str_mv |
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): Literature Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura 2175-8026 0101-4846 reponame:Ilha do Desterro instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Ilha do Desterro |
collection |
Ilha do Desterro |
repository.name.fl_str_mv |
Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com |
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