Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho

Detalhes bibliográficos
Autor(a) principal: Gago, Dora Nunes
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/74555
Resumo: This article aims to analyse the intertextual relations and representations of alterity in the novels The Ship of Fools (1962) by the American writer Katherine Anne Porter and Não se Pode Morar nos Olhos de um Gato [You Can’t Live in the Eyes of a Cat] (2016) by the Portuguese writer Ana Margarida de Carvalho.Starting from a comparatist approach in order to analyse similarities within the differences and using the theoretical contributions of Tiphaine Samoyault, Koch and Paul Voestermans among others, we will discuss how intertextuality becomes an entrance into alterity – a core element in the two novels. In fact, in both works, in an atmosphere of claustrophobic confinement, the hostile looks of distrust cast at the “other” reveal the prejudices that lead to injustice and social discrimination. In both cases, “the captain’s table” symbolises a privileged status, accessible only to an elite minority. Finally, we will look at how alterity confers meaning on the inter-relationships established in the two works, underlining a pessimistic view of human nature, of undeniable actuality, that makes us reflect on how in a globalised society in the 21st century we perceive and live (together) with the “other”.
id UFSC-9_538a84dca9313f220036271dd4962bc2
oai_identifier_str oai:periodicos.ufsc.br:article/74555
network_acronym_str UFSC-9
network_name_str Ilha do Desterro
repository_id_str
spelling Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho Quem pode comer na mesa do capitão? Intertextualidade e alteridade nas obras de Katherine Anne Porter e Ana Margarida de CarvalhoThis article aims to analyse the intertextual relations and representations of alterity in the novels The Ship of Fools (1962) by the American writer Katherine Anne Porter and Não se Pode Morar nos Olhos de um Gato [You Can’t Live in the Eyes of a Cat] (2016) by the Portuguese writer Ana Margarida de Carvalho.Starting from a comparatist approach in order to analyse similarities within the differences and using the theoretical contributions of Tiphaine Samoyault, Koch and Paul Voestermans among others, we will discuss how intertextuality becomes an entrance into alterity – a core element in the two novels. In fact, in both works, in an atmosphere of claustrophobic confinement, the hostile looks of distrust cast at the “other” reveal the prejudices that lead to injustice and social discrimination. In both cases, “the captain’s table” symbolises a privileged status, accessible only to an elite minority. Finally, we will look at how alterity confers meaning on the inter-relationships established in the two works, underlining a pessimistic view of human nature, of undeniable actuality, that makes us reflect on how in a globalised society in the 21st century we perceive and live (together) with the “other”.Este artigo pretende analisar as relações intertextuais e a alteridade nos romances The Ship of Fools (1962) da escritora americana Katherine Anne Porter e Não se Pode Morar nos Olhos de um Gato (2016) da autora portuguesa Ana Margarida de Carvalho. Partindo de uma abordagem comparatista, com o intuito de analisar semelhanças no seio das diferenças, recorrendo aos contributos teóricos de Tiphaine Samoyault, Ingedore Koch, Paul Voestermans, entre outros, discutiremos o modo como a intertextualidade se assume como porta de entrada na alteridade – elemento fulcral nos dois romances. Com efeito, em ambas as obras, num ambiente de confinamento claustrofóbico, os olhares hostis de desconfiança lançados ao “outro” revelam preconceitos conducentes à injustiça e à discriminação social. Em ambos os casos, “a mesa do capitão” simboliza um estatuto privilegiado, acessível apenas a uma elite minoritária. Por fim, abordaremos a forma como a alteridade confere sentido às inter-relações estabelecidas nas duas obras, sublinhando uma visão pessimista da natureza humana, de inegável atualidade, que nos faz refletir no modo como em pleno século XXI, numa sociedade globalizada, percebemos e (con)vivemos com o “outro”.UFSC2021-01-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionliterary and cultural analisisapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/7455510.5007/2175-8026.2021.e74555Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): LiteratureIlha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura2175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/74555/45272Copyright (c) 2020 Dora Nunes Gagohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGago, Dora Nunes2021-01-28T02:23:10Zoai:periodicos.ufsc.br:article/74555Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2021-01-28T02:23:10Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho
Quem pode comer na mesa do capitão? Intertextualidade e alteridade nas obras de Katherine Anne Porter e Ana Margarida de Carvalho
title Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho
spellingShingle Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho
Gago, Dora Nunes
title_short Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho
title_full Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho
title_fullStr Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho
title_full_unstemmed Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho
title_sort Who can eat at the captain’s table? Intertextuality and alterity in the works of Katherine Anne Porter and Ana Margarida de Carvalho
author Gago, Dora Nunes
author_facet Gago, Dora Nunes
author_role author
dc.contributor.author.fl_str_mv Gago, Dora Nunes
description This article aims to analyse the intertextual relations and representations of alterity in the novels The Ship of Fools (1962) by the American writer Katherine Anne Porter and Não se Pode Morar nos Olhos de um Gato [You Can’t Live in the Eyes of a Cat] (2016) by the Portuguese writer Ana Margarida de Carvalho.Starting from a comparatist approach in order to analyse similarities within the differences and using the theoretical contributions of Tiphaine Samoyault, Koch and Paul Voestermans among others, we will discuss how intertextuality becomes an entrance into alterity – a core element in the two novels. In fact, in both works, in an atmosphere of claustrophobic confinement, the hostile looks of distrust cast at the “other” reveal the prejudices that lead to injustice and social discrimination. In both cases, “the captain’s table” symbolises a privileged status, accessible only to an elite minority. Finally, we will look at how alterity confers meaning on the inter-relationships established in the two works, underlining a pessimistic view of human nature, of undeniable actuality, that makes us reflect on how in a globalised society in the 21st century we perceive and live (together) with the “other”.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
literary and cultural analisis
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/74555
10.5007/2175-8026.2021.e74555
url https://periodicos.ufsc.br/index.php/desterro/article/view/74555
identifier_str_mv 10.5007/2175-8026.2021.e74555
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/74555/45272
dc.rights.driver.fl_str_mv Copyright (c) 2020 Dora Nunes Gago
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Dora Nunes Gago
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): Literature
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
_version_ 1789434831869837312