The body of Luis Alfaro: sexual identities and performance
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Literatura e Autoritarismo |
Texto Completo: | http://periodicos.ufsm.br/LA/article/view/74302 |
Resumo: | There are many Chicano/Latino performers who have successfully targeted their material to attract a large commercial audience: John Leguizamo and Paul Rodríguez immediately come to mind. However, Luis Alfaro continues to focus on the specific spaces of avant-garde performance art. These venues include, primarily, the Mark Taper Forum in Los Angeles and Highways in Santa Monica, where it is taken for granted that the audience for Alfaro and other artists is made up of individuals aware of performance theories and committed to the transgressive manifestation of body, and who are likely to feel comfortable with productions marked as queer. |
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The body of Luis Alfaro: sexual identities and performanceEl cuerpo de Luis Alfaro: identidades sexuales y performanceO corpo de Luis Alfaro: identidades sexuais e performanceLuis AlfaroCuerpoPerfomanceIdentidad sexual Luis AlfaroSexual identityBodyPerfomanceLuis AlfaroCorpoIdentidade sexualPerformanceThere are many Chicano/Latino performers who have successfully targeted their material to attract a large commercial audience: John Leguizamo and Paul Rodríguez immediately come to mind. However, Luis Alfaro continues to focus on the specific spaces of avant-garde performance art. These venues include, primarily, the Mark Taper Forum in Los Angeles and Highways in Santa Monica, where it is taken for granted that the audience for Alfaro and other artists is made up of individuals aware of performance theories and committed to the transgressive manifestation of body, and who are likely to feel comfortable with productions marked as queer.Hay muchos performanceros chicano/latinos que con éxito han dirigido su material para atraer una gran audiencia comercial: de inmediato los nombres de John Leguizamo y Paul Rodríguez vienen a la mente. Sin embargo, Luis Alfaro continua enfocándose en los espacios específicos de un arte de performance de vanguardia. Estos espacios incluyen, principalmente, el Mark Taper Forum en Los Angeles y Highways en Santa Mónica, donde se da por descontado que la audiencia de Alfaro y de otros artistas se compone de individuos conscientes de las teorías de performance y comprometidos con la manifestación transgresora del cuerpo, y quienes probablemente se sientan a gusto con producciones marcadas como queer.Existem muitos artistas chicanos/latinos que direcionaram com sucesso seu material para atrair um grande público comercial: John Leguizamo e Paul Rodríguez imediatamente vêm à mente. No entanto, Luis Alfaro continua a focar-se nos espaços específicos da arte performativa de vanguarda. Esses espaços incluem, principalmente, o Mark Taper Forum em Los Angeles e Highways em Santa Monica, onde é dado como certo que o público de Alfaro e outros artistas é formado por indivíduos conscientes das teorias da performance e comprometidos com a manifestação transgressora do corpo , e que provavelmente se sentirão à vontade com produções marcadas como queer.Universidade Federal de Santa Maria2023-11-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/7430210.5902/1679849X74302Literatura e Autoritarismo; n. 1 (2003): Literatura e Autoritarismo: Estudos Culturais1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMspahttp://periodicos.ufsm.br/LA/article/view/74302/62309Copyright (c) 2003 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessFoster, David William2023-11-25T00:20:22Zoai:ojs.pkp.sfu.ca:article/74302Revistahttp://periodicos.ufsm.br/index.php/LA/PUBhttp://periodicos.ufsm.br/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-11-25T00:20:22Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
The body of Luis Alfaro: sexual identities and performance El cuerpo de Luis Alfaro: identidades sexuales y performance O corpo de Luis Alfaro: identidades sexuais e performance |
title |
The body of Luis Alfaro: sexual identities and performance |
spellingShingle |
The body of Luis Alfaro: sexual identities and performance Foster, David William Luis Alfaro Cuerpo Perfomance Identidad sexual Luis Alfaro Sexual identity Body Perfomance Luis Alfaro Corpo Identidade sexual Performance |
title_short |
The body of Luis Alfaro: sexual identities and performance |
title_full |
The body of Luis Alfaro: sexual identities and performance |
title_fullStr |
The body of Luis Alfaro: sexual identities and performance |
title_full_unstemmed |
The body of Luis Alfaro: sexual identities and performance |
title_sort |
The body of Luis Alfaro: sexual identities and performance |
author |
Foster, David William |
author_facet |
Foster, David William |
author_role |
author |
dc.contributor.author.fl_str_mv |
Foster, David William |
dc.subject.por.fl_str_mv |
Luis Alfaro Cuerpo Perfomance Identidad sexual Luis Alfaro Sexual identity Body Perfomance Luis Alfaro Corpo Identidade sexual Performance |
topic |
Luis Alfaro Cuerpo Perfomance Identidad sexual Luis Alfaro Sexual identity Body Perfomance Luis Alfaro Corpo Identidade sexual Performance |
description |
There are many Chicano/Latino performers who have successfully targeted their material to attract a large commercial audience: John Leguizamo and Paul Rodríguez immediately come to mind. However, Luis Alfaro continues to focus on the specific spaces of avant-garde performance art. These venues include, primarily, the Mark Taper Forum in Los Angeles and Highways in Santa Monica, where it is taken for granted that the audience for Alfaro and other artists is made up of individuals aware of performance theories and committed to the transgressive manifestation of body, and who are likely to feel comfortable with productions marked as queer. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-11-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/74302 10.5902/1679849X74302 |
url |
http://periodicos.ufsm.br/LA/article/view/74302 |
identifier_str_mv |
10.5902/1679849X74302 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/74302/62309 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2003 Literatura e Autoritarismo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2003 Literatura e Autoritarismo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Literatura e Autoritarismo; n. 1 (2003): Literatura e Autoritarismo: Estudos Culturais 1679-849X reponame:Literatura e Autoritarismo instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Literatura e Autoritarismo |
collection |
Literatura e Autoritarismo |
repository.name.fl_str_mv |
Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
gla@mail.ufsm.br||jlourique@pq.cnpq.br |
_version_ |
1824680501356527616 |