“The Glorious Fruit of our Land”: The Great War in PJ Harvey ’s Let England Shake
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Literatura e Autoritarismo |
Texto Completo: | http://periodicos.ufsm.br/LA/article/view/25174 |
Resumo: | Let England Shake, PJ Harvey’s 2011 concept album, and the homonymous short films collection directed by Seamus Murphy in collaboration with the singer, consist of a very contemporary exampleof war narrative. The album’s lyrics focus centrally – but not exclusively – on the First World War, specially on the Galipoli Campaign, while Murphy’s film approaches mainly the recent conflicts in the Middle East. This article focuses on evidencing how the image of war in Let England Shake is aesthetically constructed both in song and in imagery, supported by the theories of war literature – especiallySamuel Hynes’s – and by debates on the (aesth) ethics of the representation of violence. |
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“The Glorious Fruit of our Land”: The Great War in PJ Harvey ’s Let England Shake"The glorious fruit of our land": a Grande Guerra em Let England shake, de PJ HarveyWar NarrativesFirst World WarIntermedia StudiesSong StudiesNarrativas de guerraPrimeira Guerra MundialEstudos IntermídiaEstudos da CançãoLet England Shake, PJ Harvey’s 2011 concept album, and the homonymous short films collection directed by Seamus Murphy in collaboration with the singer, consist of a very contemporary exampleof war narrative. The album’s lyrics focus centrally – but not exclusively – on the First World War, specially on the Galipoli Campaign, while Murphy’s film approaches mainly the recent conflicts in the Middle East. This article focuses on evidencing how the image of war in Let England Shake is aesthetically constructed both in song and in imagery, supported by the theories of war literature – especiallySamuel Hynes’s – and by debates on the (aesth) ethics of the representation of violence.Let England Shake, álbum conceitual de PJ Harvey de 2001, e a coletânea de curta-metragens homônima dirigida por Seamus Murphy em colaboração com a cantora, consistem em um exemplo contemporâneo de narrativa de guerra. As letras do álbum se concentram principalmente – mas não exclusivamente – na Primeira Guerra Mundial, especialmente na campanha de Galipoli, enquanto o filme de Murphy aborda os recentes conflitos no Oriente Médio. Este artigo evidencia como a imagem da guerra em Let England Shake é esteticamente construída tanto em canção quanto em imagens, apoiado pelas teorias de literatura de guerra – especialmente de Samuel Hynes – e por debates acerca da (est)ética da representação da violência.Universidade Federal de Santa Maria2016-12-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/2517410.5902/1679849X25174Literatura e Autoritarismo; n. 17 (2016): Dossiê "Literatura e Guerra: o impacto da Primeira Guerra Mundial na produção cultural"1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMenghttp://periodicos.ufsm.br/LA/article/view/25174/14528Copyright (c) 2016 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessMachado, José Otaviano da Mata2023-05-24T02:55:33Zoai:ojs.pkp.sfu.ca:article/25174Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T02:55:33Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
“The Glorious Fruit of our Land”: The Great War in PJ Harvey ’s Let England Shake "The glorious fruit of our land": a Grande Guerra em Let England shake, de PJ Harvey |
title |
“The Glorious Fruit of our Land”: The Great War in PJ Harvey ’s Let England Shake |
spellingShingle |
“The Glorious Fruit of our Land”: The Great War in PJ Harvey ’s Let England Shake Machado, José Otaviano da Mata War Narratives First World War Intermedia Studies Song Studies Narrativas de guerra Primeira Guerra Mundial Estudos Intermídia Estudos da Canção |
title_short |
“The Glorious Fruit of our Land”: The Great War in PJ Harvey ’s Let England Shake |
title_full |
“The Glorious Fruit of our Land”: The Great War in PJ Harvey ’s Let England Shake |
title_fullStr |
“The Glorious Fruit of our Land”: The Great War in PJ Harvey ’s Let England Shake |
title_full_unstemmed |
“The Glorious Fruit of our Land”: The Great War in PJ Harvey ’s Let England Shake |
title_sort |
“The Glorious Fruit of our Land”: The Great War in PJ Harvey ’s Let England Shake |
author |
Machado, José Otaviano da Mata |
author_facet |
Machado, José Otaviano da Mata |
author_role |
author |
dc.contributor.author.fl_str_mv |
Machado, José Otaviano da Mata |
dc.subject.por.fl_str_mv |
War Narratives First World War Intermedia Studies Song Studies Narrativas de guerra Primeira Guerra Mundial Estudos Intermídia Estudos da Canção |
topic |
War Narratives First World War Intermedia Studies Song Studies Narrativas de guerra Primeira Guerra Mundial Estudos Intermídia Estudos da Canção |
description |
Let England Shake, PJ Harvey’s 2011 concept album, and the homonymous short films collection directed by Seamus Murphy in collaboration with the singer, consist of a very contemporary exampleof war narrative. The album’s lyrics focus centrally – but not exclusively – on the First World War, specially on the Galipoli Campaign, while Murphy’s film approaches mainly the recent conflicts in the Middle East. This article focuses on evidencing how the image of war in Let England Shake is aesthetically constructed both in song and in imagery, supported by the theories of war literature – especiallySamuel Hynes’s – and by debates on the (aesth) ethics of the representation of violence. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-12-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/25174 10.5902/1679849X25174 |
url |
http://periodicos.ufsm.br/LA/article/view/25174 |
identifier_str_mv |
10.5902/1679849X25174 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/25174/14528 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Literatura e Autoritarismo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Literatura e Autoritarismo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Literatura e Autoritarismo; n. 17 (2016): Dossiê "Literatura e Guerra: o impacto da Primeira Guerra Mundial na produção cultural" 1679-849X 1679-849X reponame:Literatura e Autoritarismo instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Literatura e Autoritarismo |
collection |
Literatura e Autoritarismo |
repository.name.fl_str_mv |
Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
gla@mail.ufsm.br||jlourique@pq.cnpq.br |
_version_ |
1799944019862618112 |