On mediations, gazes, and visual conceptions

Detalhes bibliográficos
Autor(a) principal: Batista, Paulo Henrique Camargo
Data de Publicação: 2018
Outros Autores: Silveira, Luciana Martha
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Digital do LAV ( Laboratório de Artes Visuais)
Texto Completo: http://periodicos.ufsm.br/revislav/article/view/29730
Resumo: We seek to elaborate a reflection about ‘the gaze’ that precedes the visual conception of the image in its language. From a comparative approach between painting and photography, the article aims to investigate possibilities to understand the way of construction of visuality and how it is established in this process, also addressing some of the subjective, technical and historical-cultural contexts involved in its materialization. In the brief exercise of thinking and problematizing this universe related to the conception of images, the article tries to evaluate if, at the same time, the photographic cameras can be shown as inducing agents of an automatic photographic act, which can interfere in the process or generate less particular aesthetic results in the visual conceptions developed by artists.
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spelling On mediations, gazes, and visual conceptionsSobre mediações, olhares e concepções visuaisGazeVisualityVisual conceptionPaintingPhotographyOlharVisualidadeConcepção visualPinturaFotografiaWe seek to elaborate a reflection about ‘the gaze’ that precedes the visual conception of the image in its language. From a comparative approach between painting and photography, the article aims to investigate possibilities to understand the way of construction of visuality and how it is established in this process, also addressing some of the subjective, technical and historical-cultural contexts involved in its materialization. In the brief exercise of thinking and problematizing this universe related to the conception of images, the article tries to evaluate if, at the same time, the photographic cameras can be shown as inducing agents of an automatic photographic act, which can interfere in the process or generate less particular aesthetic results in the visual conceptions developed by artists.Buscamos elaborar uma reflexão sobre ‘o olhar’ que precede a concepção visual da imagem em sua linguagem. A partir de um recorte comparativo entre a pintura e a fotografia, o artigo objetiva investigar possibilidades para entender o caminho de construção da visualidade e como ela se estabelece neste processo, abordando também parte dos contextos subjetivos, técnicos e histórico-culturais envolvidos em sua materialização. No breve exercício de pensar e problematizar este universo ligado à concepção de imagens, o artigo procura avaliar se, contemporaneamente, as câmeras fotográficas podem se mostrar como agentes indutores de um ato fotográfico autômato, que podem interferir no processo ou gerar resultados estéticos menos particulares nas concepções visuais desenvolvidas pelos artistas.Universidade Federal de Santa Maria2018-04-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/2973010.5902/1983734829730Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 161-178Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 161-1781983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/29730/pdfCopyright (c) 2018 Revista Digital do LAVinfo:eu-repo/semantics/openAccessBatista, Paulo Henrique CamargoSilveira, Luciana Martha2020-06-18T14:01:53Zoai:ojs.pkp.sfu.ca:article/29730Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-18T14:01:53Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv On mediations, gazes, and visual conceptions
Sobre mediações, olhares e concepções visuais
title On mediations, gazes, and visual conceptions
spellingShingle On mediations, gazes, and visual conceptions
Batista, Paulo Henrique Camargo
Gaze
Visuality
Visual conception
Painting
Photography
Olhar
Visualidade
Concepção visual
Pintura
Fotografia
title_short On mediations, gazes, and visual conceptions
title_full On mediations, gazes, and visual conceptions
title_fullStr On mediations, gazes, and visual conceptions
title_full_unstemmed On mediations, gazes, and visual conceptions
title_sort On mediations, gazes, and visual conceptions
author Batista, Paulo Henrique Camargo
author_facet Batista, Paulo Henrique Camargo
Silveira, Luciana Martha
author_role author
author2 Silveira, Luciana Martha
author2_role author
dc.contributor.author.fl_str_mv Batista, Paulo Henrique Camargo
Silveira, Luciana Martha
dc.subject.por.fl_str_mv Gaze
Visuality
Visual conception
Painting
Photography
Olhar
Visualidade
Concepção visual
Pintura
Fotografia
topic Gaze
Visuality
Visual conception
Painting
Photography
Olhar
Visualidade
Concepção visual
Pintura
Fotografia
description We seek to elaborate a reflection about ‘the gaze’ that precedes the visual conception of the image in its language. From a comparative approach between painting and photography, the article aims to investigate possibilities to understand the way of construction of visuality and how it is established in this process, also addressing some of the subjective, technical and historical-cultural contexts involved in its materialization. In the brief exercise of thinking and problematizing this universe related to the conception of images, the article tries to evaluate if, at the same time, the photographic cameras can be shown as inducing agents of an automatic photographic act, which can interfere in the process or generate less particular aesthetic results in the visual conceptions developed by artists.
publishDate 2018
dc.date.none.fl_str_mv 2018-04-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/29730
10.5902/1983734829730
url http://periodicos.ufsm.br/revislav/article/view/29730
identifier_str_mv 10.5902/1983734829730
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/29730/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Digital do LAV
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Digital do LAV
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 161-178
Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 161-178
1983-7348
1983-7348
reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Revista Digital do LAV ( Laboratório de Artes Visuais)
collection Revista Digital do LAV ( Laboratório de Artes Visuais)
repository.name.fl_str_mv Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv revistadigitaldolav@gmail.com||daniel@rswa.com.br
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