Cinematic images finally made it to my art classes!

Detalhes bibliográficos
Autor(a) principal: Assis, Henrique Lima
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Digital do LAV ( Laboratório de Artes Visuais)
Texto Completo: http://periodicos.ufsm.br/revislav/article/view/2177
Resumo: This article presents some reflexions and inquietudes which motivated the writing of a research project named Other ways of seeing: cinematographic images in visual arts teaching. That work was applied in the Post-Graduation program in visual culture at Visual Arts College at Federal University of Goiás.For such , reflexions and inquietude relate directly to the place, or even better, the non place for technical images. Specially, cinematographical images in the context of visual arts teaching and learning. The project was built after assessment of ten art curricula of students from high school and the systematization of memories refering to the encounters of the researcher with the images, which permitted the conclusion that the cinem a was not there.Regarding that, in this assessment was used theoretical and methodological background, concepts and procedures of Research-Action and Teachers Research. Therefore, the curricula analysis and the memories which constitute the history of life of the researcher, end up, in which Thiollent (2004) portrays, as exploratory phasis. This part correspond to the moment in which the research field, the subjects and the problems of pragmatical order and the need to find resolutions or consciousness unveils. This way, experience along with high school students of 2ºgrade and, a set of learnings through cinematographical images, in its artistical e aesthetical dimensions would result in a broader consciousness about school relationships as well as presenting their productions for their teachers Also, the adding of technical images in the researcher curricula arrangement.
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spelling Cinematic images finally made it to my art classes!As imagens cinematográficas finalmente chegaram às minhas aulas de arte!Cinematographical ImagesCurricula AnalysisHistory of LifeImagens CinematográficasAnálise de currículosHistória de vidaThis article presents some reflexions and inquietudes which motivated the writing of a research project named Other ways of seeing: cinematographic images in visual arts teaching. That work was applied in the Post-Graduation program in visual culture at Visual Arts College at Federal University of Goiás.For such , reflexions and inquietude relate directly to the place, or even better, the non place for technical images. Specially, cinematographical images in the context of visual arts teaching and learning. The project was built after assessment of ten art curricula of students from high school and the systematization of memories refering to the encounters of the researcher with the images, which permitted the conclusion that the cinem a was not there.Regarding that, in this assessment was used theoretical and methodological background, concepts and procedures of Research-Action and Teachers Research. Therefore, the curricula analysis and the memories which constitute the history of life of the researcher, end up, in which Thiollent (2004) portrays, as exploratory phasis. This part correspond to the moment in which the research field, the subjects and the problems of pragmatical order and the need to find resolutions or consciousness unveils. This way, experience along with high school students of 2ºgrade and, a set of learnings through cinematographical images, in its artistical e aesthetical dimensions would result in a broader consciousness about school relationships as well as presenting their productions for their teachers Also, the adding of technical images in the researcher curricula arrangement.Este artigo apresenta algumas reflexões e inquietações que motivaram a escrita de um projeto de pesquisa, denominado Outros Modos de Ver: imagens cinematográficas no ensino de artes visuais, para o ingresso no Programa de Pós-Graduação em Cultura Visual da Faculdade de Artes Visuais da Universidade Federal de Goiás. Para tanto, as reflexões ou inquietações relacionaram-se diretamente com o lugar, ou melhor, o não-lugar das imagens técnicas, em especial, das imagens cinematográficas no contexto do ensino e da aprendizagem em artes visuais. O projeto foi construído a partir da análise de dez currículos de arte para estudantes do ensino médio e da sistematização das memórias referentes aos encontros do pesquisador com as imagens, o que permitiu a conclusão de que o cinema não estava lá. Nesta direção, a investigação utilizou como aporte teórico e metodológico os conceitos e procedimentos da Pesquisa-ação e da Pesquisa Docente. Assim, as análises dos currículos e das memórias que constituíram a história de vida do pesquisador configuraram no que Thiollent (2004) classifica como fase exploratória. Esta etapa corresponde aos instantes em que se desvelam o campo da pesquisa, os sujeitos e os problemas de ordem pragmática que necessitam de resoluções ou tomada de consciência. Dessa maneira, vivenciar com estudantes da segunda série do ensino médio um conjunto de aprendizagens abordando as imagens cinematográficas, em suas dimensões artísticas e estéticas, e apresentar essas produções aos seus professores, resultaria na tomada de consciência sobre as relações escolares e, também, sobre a inclusão das imagens técnicas no arranjo curricular do investigador. Universidade Federal de Santa Maria2010-10-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/217710.5902/198373482177Revista Digital do LAV; No. 2 (2009): Revista Digital do LAV - Ano II – Número 02 – Março de 2009; 163-183Revista Digital do LAV; n. 2 (2009): Revista Digital do LAV - Ano II – Número 02 – Março de 2009; 163-1831983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/2177/1339Assis, Henrique Limainfo:eu-repo/semantics/openAccess2020-06-08T14:25:38Zoai:ojs.pkp.sfu.ca:article/2177Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-08T14:25:38Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Cinematic images finally made it to my art classes!
As imagens cinematográficas finalmente chegaram às minhas aulas de arte!
title Cinematic images finally made it to my art classes!
spellingShingle Cinematic images finally made it to my art classes!
Assis, Henrique Lima
Cinematographical Images
Curricula Analysis
History of Life
Imagens Cinematográficas
Análise de currículos
História de vida
title_short Cinematic images finally made it to my art classes!
title_full Cinematic images finally made it to my art classes!
title_fullStr Cinematic images finally made it to my art classes!
title_full_unstemmed Cinematic images finally made it to my art classes!
title_sort Cinematic images finally made it to my art classes!
author Assis, Henrique Lima
author_facet Assis, Henrique Lima
author_role author
dc.contributor.author.fl_str_mv Assis, Henrique Lima
dc.subject.por.fl_str_mv Cinematographical Images
Curricula Analysis
History of Life
Imagens Cinematográficas
Análise de currículos
História de vida
topic Cinematographical Images
Curricula Analysis
History of Life
Imagens Cinematográficas
Análise de currículos
História de vida
description This article presents some reflexions and inquietudes which motivated the writing of a research project named Other ways of seeing: cinematographic images in visual arts teaching. That work was applied in the Post-Graduation program in visual culture at Visual Arts College at Federal University of Goiás.For such , reflexions and inquietude relate directly to the place, or even better, the non place for technical images. Specially, cinematographical images in the context of visual arts teaching and learning. The project was built after assessment of ten art curricula of students from high school and the systematization of memories refering to the encounters of the researcher with the images, which permitted the conclusion that the cinem a was not there.Regarding that, in this assessment was used theoretical and methodological background, concepts and procedures of Research-Action and Teachers Research. Therefore, the curricula analysis and the memories which constitute the history of life of the researcher, end up, in which Thiollent (2004) portrays, as exploratory phasis. This part correspond to the moment in which the research field, the subjects and the problems of pragmatical order and the need to find resolutions or consciousness unveils. This way, experience along with high school students of 2ºgrade and, a set of learnings through cinematographical images, in its artistical e aesthetical dimensions would result in a broader consciousness about school relationships as well as presenting their productions for their teachers Also, the adding of technical images in the researcher curricula arrangement.
publishDate 2010
dc.date.none.fl_str_mv 2010-10-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/2177
10.5902/198373482177
url http://periodicos.ufsm.br/revislav/article/view/2177
identifier_str_mv 10.5902/198373482177
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/2177/1339
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Revista Digital do LAV; No. 2 (2009): Revista Digital do LAV - Ano II – Número 02 – Março de 2009; 163-183
Revista Digital do LAV; n. 2 (2009): Revista Digital do LAV - Ano II – Número 02 – Março de 2009; 163-183
1983-7348
1983-7348
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reponame_str Revista Digital do LAV ( Laboratório de Artes Visuais)
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