Formative movements between narrative and images: the experience of a teacher in the exercise of seeing and not seeing

Detalhes bibliográficos
Autor(a) principal: Silva, Daiana Pilar Andrade de Freitas
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Digital do LAV ( Laboratório de Artes Visuais)
Texto Completo: http://periodicos.ufsm.br/revislav/article/view/37907
Resumo: This article is about an essayistic experience from the encounter with blind people while working as a teacher at the Benjamin Constant Institute. Therefore, I place myself as a thinking practitioner to narrate the formative movements experienced by me in these spaces-times which I participate of. Moved by the effects produced in these movements between teaching and learning, resulting from relations with blind people in the IBC, I allow myself to think about the knowledge produced in everyday life, in the use of images and technology in school. I consider the experience, according to Larrosa (2002), as that which passes us, crosses, moves and transforms us; and, to record them in this work, I use not only the written narrative, but also images that enable me to think concepts that arise from my concerns about the relations between the research subjects and how the knowledge of daily life acts as a constitutive part of my formative process. Beginning with an introduction that I call "Initial Movements," I move towards the development that I divide into "Movements (of) formation or (trans)formation?", "Movements of seeing and not seeing: a matter of looking.", Movements of/in practice", and lastly I present as final considerations, far from ending, "Movements of (trans)formation”.
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spelling Formative movements between narrative and images: the experience of a teacher in the exercise of seeing and not seeingMovimentos formativos entre narrativa e imagens: a experiência de uma professora no exercício de ver e não ver.TrainingBlindnessExperience and imagesFormaçãoCegueiraExperiência e imagensThis article is about an essayistic experience from the encounter with blind people while working as a teacher at the Benjamin Constant Institute. Therefore, I place myself as a thinking practitioner to narrate the formative movements experienced by me in these spaces-times which I participate of. Moved by the effects produced in these movements between teaching and learning, resulting from relations with blind people in the IBC, I allow myself to think about the knowledge produced in everyday life, in the use of images and technology in school. I consider the experience, according to Larrosa (2002), as that which passes us, crosses, moves and transforms us; and, to record them in this work, I use not only the written narrative, but also images that enable me to think concepts that arise from my concerns about the relations between the research subjects and how the knowledge of daily life acts as a constitutive part of my formative process. Beginning with an introduction that I call "Initial Movements," I move towards the development that I divide into "Movements (of) formation or (trans)formation?", "Movements of seeing and not seeing: a matter of looking.", Movements of/in practice", and lastly I present as final considerations, far from ending, "Movements of (trans)formation”.Este artigo trata-se de um relato de experiência ensaística  a partir do encontro com pessoas cegas ao atuar como professora no Instituto Benjamin Constant. Portanto coloco-me como praticante-pensante para narrar os movimentos formativos experienciados por mim nesses espaços-tempos que frequento. Movida pelos efeitos produzidos nesses movimentos entre ensinar-aprender, oriundos das relações com pessoas cegas no IBC, me permito pensar nos conhecimentos produzidos no cotidiano, no uso de imagens e tecnologia na escola. Considero a experiência, segundo Larrosa (2002), como aquilo que nos passa, nos atravessa, nos desloca e nos transforma e para registrá-las neste trabalho, utilizo não só a narrativa escrita, mas também imagens que me possibilitam pensar conceitos que surgem de minhas  inquietações nas relações tecidas entre os sujeitos da pesquisa e quanto os conhecimentos do cotidiano atuam como parte constitutiva em meu processo formativo.  Inicio com uma introdução que chamo de “Movimentos iniciais”,  depois parto para o desenvolvimento que divido em “Movimentos (de)formação ou (trans)formação?”, “Movimentos de ver e não ver: uma questão de olhar.”, “Movimentos da/na prática ”, e por último apresento como considerações finais, longe de finalizar “ Movimentos de (trans)formação.Universidade Federal de Santa Maria2019-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/3790710.5902/1983734837907Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 2, mai./ago. 2019; 103-117Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 2, mai./ago. 2019; 103-1171983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/37907/pdfCopyright (c) 2019 Revista Digital do LAVinfo:eu-repo/semantics/openAccessSilva, Daiana Pilar Andrade de Freitas2020-06-19T12:49:12Zoai:ojs.pkp.sfu.ca:article/37907Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-19T12:49:12Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Formative movements between narrative and images: the experience of a teacher in the exercise of seeing and not seeing
Movimentos formativos entre narrativa e imagens: a experiência de uma professora no exercício de ver e não ver.
title Formative movements between narrative and images: the experience of a teacher in the exercise of seeing and not seeing
spellingShingle Formative movements between narrative and images: the experience of a teacher in the exercise of seeing and not seeing
Silva, Daiana Pilar Andrade de Freitas
Training
Blindness
Experience and images
Formação
Cegueira
Experiência e imagens
title_short Formative movements between narrative and images: the experience of a teacher in the exercise of seeing and not seeing
title_full Formative movements between narrative and images: the experience of a teacher in the exercise of seeing and not seeing
title_fullStr Formative movements between narrative and images: the experience of a teacher in the exercise of seeing and not seeing
title_full_unstemmed Formative movements between narrative and images: the experience of a teacher in the exercise of seeing and not seeing
title_sort Formative movements between narrative and images: the experience of a teacher in the exercise of seeing and not seeing
author Silva, Daiana Pilar Andrade de Freitas
author_facet Silva, Daiana Pilar Andrade de Freitas
author_role author
dc.contributor.author.fl_str_mv Silva, Daiana Pilar Andrade de Freitas
dc.subject.por.fl_str_mv Training
Blindness
Experience and images
Formação
Cegueira
Experiência e imagens
topic Training
Blindness
Experience and images
Formação
Cegueira
Experiência e imagens
description This article is about an essayistic experience from the encounter with blind people while working as a teacher at the Benjamin Constant Institute. Therefore, I place myself as a thinking practitioner to narrate the formative movements experienced by me in these spaces-times which I participate of. Moved by the effects produced in these movements between teaching and learning, resulting from relations with blind people in the IBC, I allow myself to think about the knowledge produced in everyday life, in the use of images and technology in school. I consider the experience, according to Larrosa (2002), as that which passes us, crosses, moves and transforms us; and, to record them in this work, I use not only the written narrative, but also images that enable me to think concepts that arise from my concerns about the relations between the research subjects and how the knowledge of daily life acts as a constitutive part of my formative process. Beginning with an introduction that I call "Initial Movements," I move towards the development that I divide into "Movements (of) formation or (trans)formation?", "Movements of seeing and not seeing: a matter of looking.", Movements of/in practice", and lastly I present as final considerations, far from ending, "Movements of (trans)formation”.
publishDate 2019
dc.date.none.fl_str_mv 2019-08-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/37907
10.5902/1983734837907
url http://periodicos.ufsm.br/revislav/article/view/37907
identifier_str_mv 10.5902/1983734837907
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/37907/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2019 Revista Digital do LAV
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Revista Digital do LAV
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 2, mai./ago. 2019; 103-117
Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 2, mai./ago. 2019; 103-117
1983-7348
1983-7348
reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Revista Digital do LAV ( Laboratório de Artes Visuais)
collection Revista Digital do LAV ( Laboratório de Artes Visuais)
repository.name.fl_str_mv Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv revistadigitaldolav@gmail.com||daniel@rswa.com.br
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