Ofertar-me: o batuque como propulsor do estado performático

Detalhes bibliográficos
Autor(a) principal: Lara, Marcos Vinicius Caye
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Manancial - Repositório Digital da UFSM
Texto Completo: http://repositorio.ufsm.br/handle/1/5238
Resumo: This paper aproaches a research on performance art. It is lectured here the mechanisms and keys that allow the performer to fully offer and deliver oneself to the other performer. This research gatter elements within the Batuque culture that enabled the performer to face the leap into the abyss that is to perform, which is, that allow to throw oneself on the here and now on in front of other. How to face this unknown person? Or, especially, how to conect with the unknown, with the other? On this thesis is presented the poetic and the keys that the author used for something to happen with him, to propose oneself experiences in art. These "keys" that the performer found open doors, shortcuts, to enter the state of performance and thus contact with the public. These keys found in the drumming of the rite became, in its majority, part of the poetic, which are constituent elements of performance, making it also the trigger element of the experience with and before other. Five Performances were created from this research, namely: How to explain the sacrifice of a chicken , berried in wealth the body ends up to sufocate. Sit down! Listen , Holly Spirit of 7 Crossroad , From the same mud you came e for the same mud shall return .
id UFSM-20_27070a4f826eaf8ace3e68af5beed607
oai_identifier_str oai:repositorio.ufsm.br:1/5238
network_acronym_str UFSM-20
network_name_str Manancial - Repositório Digital da UFSM
repository_id_str 3913
spelling 2016-04-262016-04-262015-03-27LARA, Marcos Vinicius Caye. Offering myself: the batuque as propellant performative state. 2015. 132 f. Dissertação (Mestrado em Artes) - Universidade Federal de Santa Maria, Santa Maria, 2015.http://repositorio.ufsm.br/handle/1/5238This paper aproaches a research on performance art. It is lectured here the mechanisms and keys that allow the performer to fully offer and deliver oneself to the other performer. This research gatter elements within the Batuque culture that enabled the performer to face the leap into the abyss that is to perform, which is, that allow to throw oneself on the here and now on in front of other. How to face this unknown person? Or, especially, how to conect with the unknown, with the other? On this thesis is presented the poetic and the keys that the author used for something to happen with him, to propose oneself experiences in art. These "keys" that the performer found open doors, shortcuts, to enter the state of performance and thus contact with the public. These keys found in the drumming of the rite became, in its majority, part of the poetic, which are constituent elements of performance, making it also the trigger element of the experience with and before other. Five Performances were created from this research, namely: How to explain the sacrifice of a chicken , berried in wealth the body ends up to sufocate. Sit down! Listen , Holly Spirit of 7 Crossroad , From the same mud you came e for the same mud shall return .Esta dissertação aborda uma pesquisa em performance arte. Disserta-se aqui sobre os mecanismos e chaves que possibilitam que o performer oferte-se, se entregue totalmente para o outro em performance. Esta pesquisa buscou elementos dentro da cultura do Batuque que possibilitassem que o performer enfrentasse o pulo no abismo que é performar, ou seja, que permitissem que ele se jogasse no aqui e no agora diante do outro. Como enfrentar este desconhecido? Ou, principalmente, como entrar em contato com o desconhecido, com o outro? Nesta dissertação apresenta-se a poética e as chaves que o autor utilizou para que algo acontecesse nele, para propor-se a experiências em arte. Tais chaves que o performer encontrou abrem portas, atalhos, para adentrar no estado de performance e, assim, entrar em contato com o público. Estas chaves encontradas no rito do batuque tornaram-se, em sua maioria, parte da poética, ou seja, elementos constitutivos da performance tornando-se, também, o elemento desencadeador da experiência com e perante o outro. Foram criadas cinco Performances a partir desta pesquisa, sendo elas: Como explicar o sacrifício a uma galinha , Enterrado em riquezas o corpo acaba por se sufocar. Sente! Escute , Espirito Santo das 7 Encruzilhadas , Do mesmo barro viestes e Para o mesmo barro voltarás .Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal de Santa MariaPrograma de Pós-Graduação em Artes VisuaisUFSMBRArtesArtePerformancePreparaçãoBatuqueCulturaArtPerformancePreparationBatuqueCultureCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESOfertar-me: o batuque como propulsor do estado performáticoOffering myself: the batuque as propellant performative stateinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisBiancalana, Gisela Reishttp://lattes.cnpq.br/0704025010266511Hartmann, Lucianahttp://lattes.cnpq.br/8454367473690262Corrêa, Helgahttp://lattes.cnpq.br/4382607878188343http://lattes.cnpq.br/3412645556722475Lara, Marcos Vinicius Caye800300000006400300300300300b866c3a4-a184-4c0e-b8d9-aadde1cd91e41848a50f-324e-401a-86a9-5f973488bea6bd9950c4-2bf2-4c0d-8207-be881ec1959b4ed3a5aa-3c8c-4d75-a0fb-9796b0f7063einfo:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALLARA, MARCOS VINICIUS CAYA.pdfapplication/pdf2985759http://repositorio.ufsm.br/bitstream/1/5238/1/LARA%2c%20MARCOS%20VINICIUS%20CAYA.pdf303fc24d3eed44c0c434042ded237d98MD51TEXTLARA, MARCOS VINICIUS CAYA.pdf.txtLARA, MARCOS VINICIUS CAYA.pdf.txtExtracted texttext/plain277778http://repositorio.ufsm.br/bitstream/1/5238/2/LARA%2c%20MARCOS%20VINICIUS%20CAYA.pdf.txt9b2a87332d7f0d2060ad6dfef7d67f9eMD52THUMBNAILLARA, MARCOS VINICIUS CAYA.pdf.jpgLARA, MARCOS VINICIUS CAYA.pdf.jpgIM Thumbnailimage/jpeg4492http://repositorio.ufsm.br/bitstream/1/5238/3/LARA%2c%20MARCOS%20VINICIUS%20CAYA.pdf.jpg3986701b3d46fc9a4385d46405ce1ac1MD531/52382022-05-04 09:15:35.879oai:repositorio.ufsm.br:1/5238Repositório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestopendoar:39132022-05-04T12:15:35Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false
dc.title.por.fl_str_mv Ofertar-me: o batuque como propulsor do estado performático
dc.title.alternative.eng.fl_str_mv Offering myself: the batuque as propellant performative state
title Ofertar-me: o batuque como propulsor do estado performático
spellingShingle Ofertar-me: o batuque como propulsor do estado performático
Lara, Marcos Vinicius Caye
Arte
Performance
Preparação
Batuque
Cultura
Art
Performance
Preparation
Batuque
Culture
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
title_short Ofertar-me: o batuque como propulsor do estado performático
title_full Ofertar-me: o batuque como propulsor do estado performático
title_fullStr Ofertar-me: o batuque como propulsor do estado performático
title_full_unstemmed Ofertar-me: o batuque como propulsor do estado performático
title_sort Ofertar-me: o batuque como propulsor do estado performático
author Lara, Marcos Vinicius Caye
author_facet Lara, Marcos Vinicius Caye
author_role author
dc.contributor.advisor1.fl_str_mv Biancalana, Gisela Reis
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/0704025010266511
dc.contributor.referee1.fl_str_mv Hartmann, Luciana
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/8454367473690262
dc.contributor.referee2.fl_str_mv Corrêa, Helga
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/4382607878188343
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/3412645556722475
dc.contributor.author.fl_str_mv Lara, Marcos Vinicius Caye
contributor_str_mv Biancalana, Gisela Reis
Hartmann, Luciana
Corrêa, Helga
dc.subject.por.fl_str_mv Arte
Performance
Preparação
Batuque
Cultura
topic Arte
Performance
Preparação
Batuque
Cultura
Art
Performance
Preparation
Batuque
Culture
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
dc.subject.eng.fl_str_mv Art
Performance
Preparation
Batuque
Culture
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
description This paper aproaches a research on performance art. It is lectured here the mechanisms and keys that allow the performer to fully offer and deliver oneself to the other performer. This research gatter elements within the Batuque culture that enabled the performer to face the leap into the abyss that is to perform, which is, that allow to throw oneself on the here and now on in front of other. How to face this unknown person? Or, especially, how to conect with the unknown, with the other? On this thesis is presented the poetic and the keys that the author used for something to happen with him, to propose oneself experiences in art. These "keys" that the performer found open doors, shortcuts, to enter the state of performance and thus contact with the public. These keys found in the drumming of the rite became, in its majority, part of the poetic, which are constituent elements of performance, making it also the trigger element of the experience with and before other. Five Performances were created from this research, namely: How to explain the sacrifice of a chicken , berried in wealth the body ends up to sufocate. Sit down! Listen , Holly Spirit of 7 Crossroad , From the same mud you came e for the same mud shall return .
publishDate 2015
dc.date.issued.fl_str_mv 2015-03-27
dc.date.accessioned.fl_str_mv 2016-04-26
dc.date.available.fl_str_mv 2016-04-26
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv LARA, Marcos Vinicius Caye. Offering myself: the batuque as propellant performative state. 2015. 132 f. Dissertação (Mestrado em Artes) - Universidade Federal de Santa Maria, Santa Maria, 2015.
dc.identifier.uri.fl_str_mv http://repositorio.ufsm.br/handle/1/5238
identifier_str_mv LARA, Marcos Vinicius Caye. Offering myself: the batuque as propellant performative state. 2015. 132 f. Dissertação (Mestrado em Artes) - Universidade Federal de Santa Maria, Santa Maria, 2015.
url http://repositorio.ufsm.br/handle/1/5238
dc.language.iso.fl_str_mv por
language por
dc.relation.cnpq.fl_str_mv 800300000006
dc.relation.confidence.fl_str_mv 400
300
300
300
300
dc.relation.authority.fl_str_mv b866c3a4-a184-4c0e-b8d9-aadde1cd91e4
1848a50f-324e-401a-86a9-5f973488bea6
bd9950c4-2bf2-4c0d-8207-be881ec1959b
4ed3a5aa-3c8c-4d75-a0fb-9796b0f7063e
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Artes Visuais
dc.publisher.initials.fl_str_mv UFSM
dc.publisher.country.fl_str_mv BR
dc.publisher.department.fl_str_mv Artes
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv reponame:Manancial - Repositório Digital da UFSM
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Manancial - Repositório Digital da UFSM
collection Manancial - Repositório Digital da UFSM
bitstream.url.fl_str_mv http://repositorio.ufsm.br/bitstream/1/5238/1/LARA%2c%20MARCOS%20VINICIUS%20CAYA.pdf
http://repositorio.ufsm.br/bitstream/1/5238/2/LARA%2c%20MARCOS%20VINICIUS%20CAYA.pdf.txt
http://repositorio.ufsm.br/bitstream/1/5238/3/LARA%2c%20MARCOS%20VINICIUS%20CAYA.pdf.jpg
bitstream.checksum.fl_str_mv 303fc24d3eed44c0c434042ded237d98
9b2a87332d7f0d2060ad6dfef7d67f9e
3986701b3d46fc9a4385d46405ce1ac1
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
repository.name.fl_str_mv Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv
_version_ 1801223836735111168