Ar/fogo/terra/água – um mergulho temporal em videoperformance
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional Manancial UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/19234 |
Resumo: | This dissertation presents a poetic research in Visual Arts in the field of Art and Technology. It has videoperformance as a research object, its theme being time. For this poetic investigation, it presents the elements air, fire, earth and water, explored in the videoperformances. In his methodology, he explores the act of walking through unknown places as a process of artistic creation, as well as the cartographic method. Initially, it deals with the creation process, in which immersions were carried out in five different cities, making captures in video, and presents them in its raw form, without editions. Still, it brings two videoperformances that seeks to relate time with the elements water and air. Subsequently, it makes a survey about the context of video art and videoperformance and its emergence in Brazil. In discussing the meeting of videoperformance and the four elements, he presents five videoperformances developed in sequence-plan, in which he relates subjective questions about time through the elements earth and fire, presenting links with performance artists and videoperformance: Richard Long, Marina Abramovic, Tunga, Minoosh Zomorodinia, Noara Quintana and Andressa Cantergiani. Finally, it proposes temporal relations through the editions of previous performances, relating such temporalities to the concept of duration of Henri Bergson. |
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2019-12-27T13:31:13Z2019-12-27T13:31:13Z2019-03-22http://repositorio.ufsm.br/handle/1/19234This dissertation presents a poetic research in Visual Arts in the field of Art and Technology. It has videoperformance as a research object, its theme being time. For this poetic investigation, it presents the elements air, fire, earth and water, explored in the videoperformances. In his methodology, he explores the act of walking through unknown places as a process of artistic creation, as well as the cartographic method. Initially, it deals with the creation process, in which immersions were carried out in five different cities, making captures in video, and presents them in its raw form, without editions. Still, it brings two videoperformances that seeks to relate time with the elements water and air. Subsequently, it makes a survey about the context of video art and videoperformance and its emergence in Brazil. In discussing the meeting of videoperformance and the four elements, he presents five videoperformances developed in sequence-plan, in which he relates subjective questions about time through the elements earth and fire, presenting links with performance artists and videoperformance: Richard Long, Marina Abramovic, Tunga, Minoosh Zomorodinia, Noara Quintana and Andressa Cantergiani. Finally, it proposes temporal relations through the editions of previous performances, relating such temporalities to the concept of duration of Henri Bergson.Esta dissertação apresenta uma pesquisa poética em Artes Visuais, no campo da Arte e Tecnologia. Tem a videoperformance como objeto, e investiga o tempo como temática. Para tal investigação, apresenta os elementos ar, fogo, terra e água como poética, e estes são explorados nas videoperformances. Em sua metodologia, explora o ato de caminhar por lugares desconhecidos como processo de criação artística, bem como o método cartográfico. Inicialmente, trata do processo de criação, no qual foram realizadas imersões em cinco cidades distintas, com captações em vídeo, e os apresenta sem edições. Entre registros escritos e fotográficos, explora a caminhada como processo de criação. Ainda, traz duas videoperformances iniciais, em que busca relacionar o tempo com os elementos água e ar. Posteriormente, faz um levantamento sobre o contexto da videoarte e da videoperformance e seu surgimento no Brasil. Discorre sobre o encontro desta pesquisa com a videoperformance e os quatro elementos, apresentando cinco videoperformances desenvolvidas sem cortes, em que relaciona questões subjetivas sobre o tempo através dos elementos terra e fogo. Tece ligações com artistas da performance e da videoperformance: Richard Long, Marina Abramovic, Tunga, Minoosh Zomorodinia, Noara Quintana e Andressa Cantergiani. Finalmente, apresenta as relações temporais através das edições dessas performances, relacionando essas temporalidades ao conceito de duração de Henri Bergson.porUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em Artes VisuaisUFSMBrasilArtesAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArte contemporâneaArte e tecnologiaVideoperformanceCartografiaTempoContemporary artArt and technologyVideoperformanceCartographyTimeCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESAr/fogo/terra/água – um mergulho temporal em videoperformanceAr/fire/land/water - a temporary dive in videoperformanceinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOliveira, Andréia Machadohttp://lattes.cnpq.br/7243757837987821Szafir, Milenahttp://lattes.cnpq.br/2407478029218868Cedillo, Rosa María Blancahttp://lattes.cnpq.br/2502746878890998http://lattes.cnpq.br/5389696613687845Pohl, Indira Zuhaira Richter800300000006600c55f9fde-f832-4c6f-80bd-c55a479672b07ef9d7c9-1f6d-446f-9f59-8c56d7cc194ae3a9a260-2d47-4a09-8a05-5649deaf314cb5afa66e-61d0-48af-9aa2-0d6f3be3c3e6reponame:Repositório Institucional Manancial UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGAV_2019_POHL_INDIRA.pdfDIS_PPGAV_2019_POHL_INDIRA.pdfDissertação de Mestradoapplication/pdf12792944http://repositorio.ufsm.br/bitstream/1/19234/1/DIS_PPGAV_2019_POHL_INDIRA.pdf74f9f32293abbc4d0c14a75bd3b49dabMD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; 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dc.title.por.fl_str_mv |
Ar/fogo/terra/água – um mergulho temporal em videoperformance |
dc.title.alternative.eng.fl_str_mv |
Ar/fire/land/water - a temporary dive in videoperformance |
title |
Ar/fogo/terra/água – um mergulho temporal em videoperformance |
spellingShingle |
Ar/fogo/terra/água – um mergulho temporal em videoperformance Pohl, Indira Zuhaira Richter Arte contemporânea Arte e tecnologia Videoperformance Cartografia Tempo Contemporary art Art and technology Videoperformance Cartography Time CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
Ar/fogo/terra/água – um mergulho temporal em videoperformance |
title_full |
Ar/fogo/terra/água – um mergulho temporal em videoperformance |
title_fullStr |
Ar/fogo/terra/água – um mergulho temporal em videoperformance |
title_full_unstemmed |
Ar/fogo/terra/água – um mergulho temporal em videoperformance |
title_sort |
Ar/fogo/terra/água – um mergulho temporal em videoperformance |
author |
Pohl, Indira Zuhaira Richter |
author_facet |
Pohl, Indira Zuhaira Richter |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Oliveira, Andréia Machado |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/7243757837987821 |
dc.contributor.referee1.fl_str_mv |
Szafir, Milena |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/2407478029218868 |
dc.contributor.referee2.fl_str_mv |
Cedillo, Rosa María Blanca |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/2502746878890998 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5389696613687845 |
dc.contributor.author.fl_str_mv |
Pohl, Indira Zuhaira Richter |
contributor_str_mv |
Oliveira, Andréia Machado Szafir, Milena Cedillo, Rosa María Blanca |
dc.subject.por.fl_str_mv |
Arte contemporânea Arte e tecnologia Videoperformance Cartografia Tempo |
topic |
Arte contemporânea Arte e tecnologia Videoperformance Cartografia Tempo Contemporary art Art and technology Videoperformance Cartography Time CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.eng.fl_str_mv |
Contemporary art Art and technology Videoperformance Cartography Time |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
This dissertation presents a poetic research in Visual Arts in the field of Art and Technology. It has videoperformance as a research object, its theme being time. For this poetic investigation, it presents the elements air, fire, earth and water, explored in the videoperformances. In his methodology, he explores the act of walking through unknown places as a process of artistic creation, as well as the cartographic method. Initially, it deals with the creation process, in which immersions were carried out in five different cities, making captures in video, and presents them in its raw form, without editions. Still, it brings two videoperformances that seeks to relate time with the elements water and air. Subsequently, it makes a survey about the context of video art and videoperformance and its emergence in Brazil. In discussing the meeting of videoperformance and the four elements, he presents five videoperformances developed in sequence-plan, in which he relates subjective questions about time through the elements earth and fire, presenting links with performance artists and videoperformance: Richard Long, Marina Abramovic, Tunga, Minoosh Zomorodinia, Noara Quintana and Andressa Cantergiani. Finally, it proposes temporal relations through the editions of previous performances, relating such temporalities to the concept of duration of Henri Bergson. |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-12-27T13:31:13Z |
dc.date.available.fl_str_mv |
2019-12-27T13:31:13Z |
dc.date.issued.fl_str_mv |
2019-03-22 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
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http://repositorio.ufsm.br/handle/1/19234 |
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http://repositorio.ufsm.br/handle/1/19234 |
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por |
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800300000006 |
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600 |
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Universidade Federal de Santa Maria Centro de Artes e Letras |
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Programa de Pós-Graduação em Artes Visuais |
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UFSM |
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Brasil |
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Artes |
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Universidade Federal de Santa Maria Centro de Artes e Letras |
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