TESTIMONY AS A TREND IN CONTEMPORARY MEMORY NOVEL WRITING

Detalhes bibliográficos
Autor(a) principal: de Souza, Ana Paula
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: EntreLetras
Texto Completo: https://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/16033
Resumo: Testimony is evident trend in contemporary memory writing. The novel Sefarad (2001) by the Spanish Antonio Muñoz Molina (1956) is a fiction narrative produced from the transposition of oral testimonies heard by the writer in interviews and fortuitous conversations, from intertextuality with written testimonies (letters, diaries, memories, autobiographies, testimonies). Based on the analysis of this novel, this article aimed to show the presence of the testimony in the making of the contemporary memory novel, mainly in two key aspects: in the presence of “witnesses-characters” and in the ethical posture of the writers who are configured as “witness-auctor” (AGAMBEN, 2008).
id UFT-4_17f9243b2e881f087967ccf8eda35197
oai_identifier_str oai:ojs.revista.uft.edu.br:article/16033
network_acronym_str UFT-4
network_name_str EntreLetras
repository_id_str
spelling TESTIMONY AS A TREND IN CONTEMPORARY MEMORY NOVEL WRITING O TESTEMUNHO COMO TENDÊNCIA NA ESCRITA DO ROMANCE DE MEMÓRIA CONTEMPORÂNEOTestemunhoMemóriaTeoria do romanceSefaradAntonio Muñoz MolinaTestimonyMemoryTheory of the novelSepharadAntonio Muñoz MolinaTestimony is evident trend in contemporary memory writing. The novel Sefarad (2001) by the Spanish Antonio Muñoz Molina (1956) is a fiction narrative produced from the transposition of oral testimonies heard by the writer in interviews and fortuitous conversations, from intertextuality with written testimonies (letters, diaries, memories, autobiographies, testimonies). Based on the analysis of this novel, this article aimed to show the presence of the testimony in the making of the contemporary memory novel, mainly in two key aspects: in the presence of “witnesses-characters” and in the ethical posture of the writers who are configured as “witness-auctor” (AGAMBEN, 2008).O testemunho é uma tendência evidente na escrita do romance de memória contemporâneo. O romance Sefarad (2001) do espanhol Antonio Muñoz Molina (1956) é uma narrativa de ficção produzida a partir da transposição de testemunhos orais ouvidos pelo escritor em entrevistas e conversas fortuitas, e da intertextualidade com testemunhos escritos (cartas, diários, memórias, autobiografias, testemunhos). A partir da análise desse romance, o objetivo deste artigo é demonstrar a presença do testemunho na feitura do romance de memória contemporâneo, sobretudo em dois aspectos: na presença de “personagens-testemunhas” e na postura ética de escritores que se configuram como “auctor-testemunha” (AGAMBEN, 2008).Universidade Federal do Norte do Tocantins2023-10-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/1603310.20873/uft2179-3948.2023v14n2p7-22EntreLetras; v. 14 n. 2 (2023): TESTEMUNHOS DO PRESENTE: VÍNCULOS ENTRE ÉTICA E ESTÉTICA; 7 - 222179-3948reponame:EntreLetrasinstname:Universidade Federal do Tocantins (UFT)instacron:UFTporhttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/16033/21635Copyright (c) 2023 EntreLetrashttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessde Souza, Ana Paula2023-10-15T23:42:52Zoai:ojs.revista.uft.edu.br:article/16033Revistahttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/indexPUBhttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/oai||luiza.to@uft.edu.br|| revista@uft.edu.br2179-39482178-9479opendoar:2023-10-15T23:42:52EntreLetras - Universidade Federal do Tocantins (UFT)false
dc.title.none.fl_str_mv TESTIMONY AS A TREND IN CONTEMPORARY MEMORY NOVEL WRITING
O TESTEMUNHO COMO TENDÊNCIA NA ESCRITA DO ROMANCE DE MEMÓRIA CONTEMPORÂNEO
title TESTIMONY AS A TREND IN CONTEMPORARY MEMORY NOVEL WRITING
spellingShingle TESTIMONY AS A TREND IN CONTEMPORARY MEMORY NOVEL WRITING
de Souza, Ana Paula
Testemunho
Memória
Teoria do romance
Sefarad
Antonio Muñoz Molina
Testimony
Memory
Theory of the novel
Sepharad
Antonio Muñoz Molina
title_short TESTIMONY AS A TREND IN CONTEMPORARY MEMORY NOVEL WRITING
title_full TESTIMONY AS A TREND IN CONTEMPORARY MEMORY NOVEL WRITING
title_fullStr TESTIMONY AS A TREND IN CONTEMPORARY MEMORY NOVEL WRITING
title_full_unstemmed TESTIMONY AS A TREND IN CONTEMPORARY MEMORY NOVEL WRITING
title_sort TESTIMONY AS A TREND IN CONTEMPORARY MEMORY NOVEL WRITING
author de Souza, Ana Paula
author_facet de Souza, Ana Paula
author_role author
dc.contributor.author.fl_str_mv de Souza, Ana Paula
dc.subject.por.fl_str_mv Testemunho
Memória
Teoria do romance
Sefarad
Antonio Muñoz Molina
Testimony
Memory
Theory of the novel
Sepharad
Antonio Muñoz Molina
topic Testemunho
Memória
Teoria do romance
Sefarad
Antonio Muñoz Molina
Testimony
Memory
Theory of the novel
Sepharad
Antonio Muñoz Molina
description Testimony is evident trend in contemporary memory writing. The novel Sefarad (2001) by the Spanish Antonio Muñoz Molina (1956) is a fiction narrative produced from the transposition of oral testimonies heard by the writer in interviews and fortuitous conversations, from intertextuality with written testimonies (letters, diaries, memories, autobiographies, testimonies). Based on the analysis of this novel, this article aimed to show the presence of the testimony in the making of the contemporary memory novel, mainly in two key aspects: in the presence of “witnesses-characters” and in the ethical posture of the writers who are configured as “witness-auctor” (AGAMBEN, 2008).
publishDate 2023
dc.date.none.fl_str_mv 2023-10-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/16033
10.20873/uft2179-3948.2023v14n2p7-22
url https://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/16033
identifier_str_mv 10.20873/uft2179-3948.2023v14n2p7-22
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/16033/21635
dc.rights.driver.fl_str_mv Copyright (c) 2023 EntreLetras
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 EntreLetras
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Norte do Tocantins
publisher.none.fl_str_mv Universidade Federal do Norte do Tocantins
dc.source.none.fl_str_mv EntreLetras; v. 14 n. 2 (2023): TESTEMUNHOS DO PRESENTE: VÍNCULOS ENTRE ÉTICA E ESTÉTICA; 7 - 22
2179-3948
reponame:EntreLetras
instname:Universidade Federal do Tocantins (UFT)
instacron:UFT
instname_str Universidade Federal do Tocantins (UFT)
instacron_str UFT
institution UFT
reponame_str EntreLetras
collection EntreLetras
repository.name.fl_str_mv EntreLetras - Universidade Federal do Tocantins (UFT)
repository.mail.fl_str_mv ||luiza.to@uft.edu.br|| revista@uft.edu.br
_version_ 1798320163918970880

Registros relacionados