INWARDNESS FROM THE MIDDLE AGES TO THE RENAISSANCE
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | EntreLetras |
Texto Completo: | https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/8286 |
Resumo: | This paper presents some historical, cultural and literary elements which are essential to understand the emergence of inwardness from the Middle Ages onwards. It discusses that Shakespeare did not invent inwardness or subjectivity by himself as Bloom and Fineman propose in their works. Rather, he developed a mimesis of inwardness specifically in the drama and that was his greatest innovation in literature. Beforehand, it is necessary to exemplify the emergence of inwardness in mediaeval writings, especially in Augustine’s Confessions and in Dante’s Vita Nuova. Thus, the analysis by Harrison in his book The Body of Beatrice (1988) is helpful to understand such process. He analyses Dante’s Vita Nuova and demonstrates that Dante represented sensual inwardness in his work. Also, it is worth discussing some ideas in Montaigne’s Essays and how he depicted inward feelings, sensations, thoughts and anxieties in his work. Shakespeare introduced the mimesis of inwardness in his drama in an on-going process of the development of inwardness. |
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INWARDNESS FROM THE MIDDLE AGES TO THE RENAISSANCEemergence of inwardnessShakespeareDanteMontaigneThis paper presents some historical, cultural and literary elements which are essential to understand the emergence of inwardness from the Middle Ages onwards. It discusses that Shakespeare did not invent inwardness or subjectivity by himself as Bloom and Fineman propose in their works. Rather, he developed a mimesis of inwardness specifically in the drama and that was his greatest innovation in literature. Beforehand, it is necessary to exemplify the emergence of inwardness in mediaeval writings, especially in Augustine’s Confessions and in Dante’s Vita Nuova. Thus, the analysis by Harrison in his book The Body of Beatrice (1988) is helpful to understand such process. He analyses Dante’s Vita Nuova and demonstrates that Dante represented sensual inwardness in his work. Also, it is worth discussing some ideas in Montaigne’s Essays and how he depicted inward feelings, sensations, thoughts and anxieties in his work. Shakespeare introduced the mimesis of inwardness in his drama in an on-going process of the development of inwardness.Universidade Federal do Norte do Tocantins2020-04-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufnt.edu.br/index.php/entreletras/article/view/828610.20873/uft.2179-3948.2020v11n1p236EntreLetras; v. 11 n. 1 (2020): LITERATURA E HISTÓRIA; 236 - 2572179-3948reponame:EntreLetrasinstname:Universidade Federal do Tocantins (UFT)instacron:UFTporhttps://periodicos.ufnt.edu.br/index.php/entreletras/article/view/8286/16737Copyright (c) 2020 EntreLetrasinfo:eu-repo/semantics/openAccessLudwig, Carlos Roberto2021-11-24T13:59:18Zoai:ojs2.ufnt.acessoacademico.com.br:article/8286Revistahttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/indexPUBhttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/oaientreletrasuft@gmail.com || dirpesq@ufnt.edu.br2179-39482178-9479opendoar:2021-11-24T13:59:18EntreLetras - Universidade Federal do Tocantins (UFT)false |
dc.title.none.fl_str_mv |
INWARDNESS FROM THE MIDDLE AGES TO THE RENAISSANCE |
title |
INWARDNESS FROM THE MIDDLE AGES TO THE RENAISSANCE |
spellingShingle |
INWARDNESS FROM THE MIDDLE AGES TO THE RENAISSANCE Ludwig, Carlos Roberto emergence of inwardness Shakespeare Dante Montaigne |
title_short |
INWARDNESS FROM THE MIDDLE AGES TO THE RENAISSANCE |
title_full |
INWARDNESS FROM THE MIDDLE AGES TO THE RENAISSANCE |
title_fullStr |
INWARDNESS FROM THE MIDDLE AGES TO THE RENAISSANCE |
title_full_unstemmed |
INWARDNESS FROM THE MIDDLE AGES TO THE RENAISSANCE |
title_sort |
INWARDNESS FROM THE MIDDLE AGES TO THE RENAISSANCE |
author |
Ludwig, Carlos Roberto |
author_facet |
Ludwig, Carlos Roberto |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ludwig, Carlos Roberto |
dc.subject.por.fl_str_mv |
emergence of inwardness Shakespeare Dante Montaigne |
topic |
emergence of inwardness Shakespeare Dante Montaigne |
description |
This paper presents some historical, cultural and literary elements which are essential to understand the emergence of inwardness from the Middle Ages onwards. It discusses that Shakespeare did not invent inwardness or subjectivity by himself as Bloom and Fineman propose in their works. Rather, he developed a mimesis of inwardness specifically in the drama and that was his greatest innovation in literature. Beforehand, it is necessary to exemplify the emergence of inwardness in mediaeval writings, especially in Augustine’s Confessions and in Dante’s Vita Nuova. Thus, the analysis by Harrison in his book The Body of Beatrice (1988) is helpful to understand such process. He analyses Dante’s Vita Nuova and demonstrates that Dante represented sensual inwardness in his work. Also, it is worth discussing some ideas in Montaigne’s Essays and how he depicted inward feelings, sensations, thoughts and anxieties in his work. Shakespeare introduced the mimesis of inwardness in his drama in an on-going process of the development of inwardness. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-04-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/8286 10.20873/uft.2179-3948.2020v11n1p236 |
url |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/8286 |
identifier_str_mv |
10.20873/uft.2179-3948.2020v11n1p236 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/8286/16737 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 EntreLetras info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 EntreLetras |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Norte do Tocantins |
publisher.none.fl_str_mv |
Universidade Federal do Norte do Tocantins |
dc.source.none.fl_str_mv |
EntreLetras; v. 11 n. 1 (2020): LITERATURA E HISTÓRIA; 236 - 257 2179-3948 reponame:EntreLetras instname:Universidade Federal do Tocantins (UFT) instacron:UFT |
instname_str |
Universidade Federal do Tocantins (UFT) |
instacron_str |
UFT |
institution |
UFT |
reponame_str |
EntreLetras |
collection |
EntreLetras |
repository.name.fl_str_mv |
EntreLetras - Universidade Federal do Tocantins (UFT) |
repository.mail.fl_str_mv |
entreletrasuft@gmail.com || dirpesq@ufnt.edu.br |
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1808458994570756096 |