From clay to music: resistance and continuity in the expressions of Alto do Moura

Detalhes bibliográficos
Autor(a) principal: Santos, Marília
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de educação popular (Online)
Texto Completo: https://seer.ufu.br/index.php/reveducpop/article/view/68902
Resumo: Alto do Moura, the largest figurative art center in the Americas, is a neighborhood in the city of Caruaru, known mainly for the production of figurative clay art. In addition to clay crafts, there are several other types of expressions, most of them with music, that are performed by the locals – or by other people who go to the place to make such expressions happen –, among them: Reisado, Bacamarte, poesia, pífano and others. One of the aspects of the artistic and cultural expressions carried out in Alto do Moura is their relationship with clay figurative art and the Festas Juninas (June festivals). This article, which aims to discuss how these expressions are changing to continue existing, is an excerpt from a qualitative research, with ethnographic methodological procedures and fieldwork, based on semi-structured interviews, observations, and personal experience. Part of the data was obtained through the work carried out for the “Inventário do Ofício dos Artesãos e Artesãs do Barro do Alto do Moura – Caruaru-PE”. It is possible to notice that, to remain alive, the expressions of Alto do Moura transit between the new (change) and the old (tradition), the art of clay and Festas Juninas.
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spelling From clay to music: resistance and continuity in the expressions of Alto do MouraDo barro à música: resistência e continuidade nas expressões do Alto do MouraBrazilian musicPopular cultureHeritageEthnomusicologyEducationMúsica brasileiraCultura popularPatrimônioEtnomusicologiaEducaçãoAlto do Moura, the largest figurative art center in the Americas, is a neighborhood in the city of Caruaru, known mainly for the production of figurative clay art. In addition to clay crafts, there are several other types of expressions, most of them with music, that are performed by the locals – or by other people who go to the place to make such expressions happen –, among them: Reisado, Bacamarte, poesia, pífano and others. One of the aspects of the artistic and cultural expressions carried out in Alto do Moura is their relationship with clay figurative art and the Festas Juninas (June festivals). This article, which aims to discuss how these expressions are changing to continue existing, is an excerpt from a qualitative research, with ethnographic methodological procedures and fieldwork, based on semi-structured interviews, observations, and personal experience. Part of the data was obtained through the work carried out for the “Inventário do Ofício dos Artesãos e Artesãs do Barro do Alto do Moura – Caruaru-PE”. It is possible to notice that, to remain alive, the expressions of Alto do Moura transit between the new (change) and the old (tradition), the art of clay and Festas Juninas.O Alto do Moura, maior centro de Arte Figurativa das Américas, é um bairro da cidade de Caruaru, conhecido principalmente pela produção da arte figurativa do barro. Além do artesanato do barro, há vários outros tipos de expressões, a maioria com música, que são realizadas pelos moradores do lugar – ou por outras pessoas que vão ali para fazer tais expressões acontecerem – dentre elas: Reisado, Bacamarte, poesia, pífano, entre outras. Um dos aspectos das expressões artísticas e culturais realizadas no Alto do Moura é a relação com a arte figurativa do barro e com as Festas Juninas. Este artigo, que tem como objetivo discutir como essas expressões estão se modificando para continuarem existindo, é um recorte de uma pesquisa qualitativa, com procedimentos metodológicos etnográficos e trabalho de campo, baseados em entrevistas semiestruturadas, observações e vivência pessoal. Parte dos dados foi obtida por meio do trabalho realizado para o “Inventário do Ofício dos Artesãos e Artesãs em Barro do Alto do Moura – Caruaru-PE”. É possível notar que, para se manterem vivas, as expressões do Alto do Moura transitam entre o novo (mudança) e o velho (tradição), arte figurativa do barro e Festas Juninas.Universidade Federal de Uberlândia2023-09-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://seer.ufu.br/index.php/reveducpop/article/view/6890210.14393/REP-2023-68902Revista de Educação Popular; v. 22 n. 2 (2023): Revista de Educação Popular (ISSN 1982-7660) ; 339-3601982-76601678-5622reponame:Revista de educação popular (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/reveducpop/article/view/68902/36810Copyright (c) 2023 Marília Santoshttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSantos, Marília2023-09-05T17:01:21Zoai:ojs.www.seer.ufu.br:article/68902Revistahttp://www.seer.ufu.br/index.php/reveducpopPUBhttp://www.seer.ufu.br/index.php/reveducpop/oairevistapopular@proex.ufu.br||revistapopular@proex.ufu.br1678-56221982-7660opendoar:2023-09-05T17:01:21Revista de educação popular (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv From clay to music: resistance and continuity in the expressions of Alto do Moura
Do barro à música: resistência e continuidade nas expressões do Alto do Moura
title From clay to music: resistance and continuity in the expressions of Alto do Moura
spellingShingle From clay to music: resistance and continuity in the expressions of Alto do Moura
Santos, Marília
Brazilian music
Popular culture
Heritage
Ethnomusicology
Education
Música brasileira
Cultura popular
Patrimônio
Etnomusicologia
Educação
title_short From clay to music: resistance and continuity in the expressions of Alto do Moura
title_full From clay to music: resistance and continuity in the expressions of Alto do Moura
title_fullStr From clay to music: resistance and continuity in the expressions of Alto do Moura
title_full_unstemmed From clay to music: resistance and continuity in the expressions of Alto do Moura
title_sort From clay to music: resistance and continuity in the expressions of Alto do Moura
author Santos, Marília
author_facet Santos, Marília
author_role author
dc.contributor.author.fl_str_mv Santos, Marília
dc.subject.por.fl_str_mv Brazilian music
Popular culture
Heritage
Ethnomusicology
Education
Música brasileira
Cultura popular
Patrimônio
Etnomusicologia
Educação
topic Brazilian music
Popular culture
Heritage
Ethnomusicology
Education
Música brasileira
Cultura popular
Patrimônio
Etnomusicologia
Educação
description Alto do Moura, the largest figurative art center in the Americas, is a neighborhood in the city of Caruaru, known mainly for the production of figurative clay art. In addition to clay crafts, there are several other types of expressions, most of them with music, that are performed by the locals – or by other people who go to the place to make such expressions happen –, among them: Reisado, Bacamarte, poesia, pífano and others. One of the aspects of the artistic and cultural expressions carried out in Alto do Moura is their relationship with clay figurative art and the Festas Juninas (June festivals). This article, which aims to discuss how these expressions are changing to continue existing, is an excerpt from a qualitative research, with ethnographic methodological procedures and fieldwork, based on semi-structured interviews, observations, and personal experience. Part of the data was obtained through the work carried out for the “Inventário do Ofício dos Artesãos e Artesãs do Barro do Alto do Moura – Caruaru-PE”. It is possible to notice that, to remain alive, the expressions of Alto do Moura transit between the new (change) and the old (tradition), the art of clay and Festas Juninas.
publishDate 2023
dc.date.none.fl_str_mv 2023-09-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/reveducpop/article/view/68902
10.14393/REP-2023-68902
url https://seer.ufu.br/index.php/reveducpop/article/view/68902
identifier_str_mv 10.14393/REP-2023-68902
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/reveducpop/article/view/68902/36810
dc.rights.driver.fl_str_mv Copyright (c) 2023 Marília Santos
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Marília Santos
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv Revista de Educação Popular; v. 22 n. 2 (2023): Revista de Educação Popular (ISSN 1982-7660) ; 339-360
1982-7660
1678-5622
reponame:Revista de educação popular (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str Revista de educação popular (Online)
collection Revista de educação popular (Online)
repository.name.fl_str_mv Revista de educação popular (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv revistapopular@proex.ufu.br||revistapopular@proex.ufu.br
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