Figures of dictatorial memory: blurs and erasures to (dis)remember the past

Detalhes bibliográficos
Autor(a) principal: Lima Santos, Ana Carolina
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/73179
Resumo: This article analyzes three art works which explores blurs and erasures to elaborate the memory of the Brazilian civil-military dictatorship, understood as ways to referencing forgetfulness. Three works, that were part of the MemoriAntonia exhibition, curated by Márcio Seligmann-Silva and Diego Matos in 2021, are examined: Reconstituição, by Lais Myrrha; and Decreto and Pesquisa escolar, by Leila Danziger. Here, it is investigated how the productions subsidize the remembrance of the dictatorial period from a perspective that, permeated by discontinuities, points out both the power and the fragility of memory. It is perceived, therefore, that the art works also mark the need to reformulate what is (dis)remembered about the dictatorship, driven by a will to knowledge.
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spelling Figures of dictatorial memory: blurs and erasures to (dis)remember the pastFiguras da memória ditatorial: borrões e apagamentos para (des)lembrar o passadoartememóriaditaduraartmemorydictatorshipThis article analyzes three art works which explores blurs and erasures to elaborate the memory of the Brazilian civil-military dictatorship, understood as ways to referencing forgetfulness. Three works, that were part of the MemoriAntonia exhibition, curated by Márcio Seligmann-Silva and Diego Matos in 2021, are examined: Reconstituição, by Lais Myrrha; and Decreto and Pesquisa escolar, by Leila Danziger. Here, it is investigated how the productions subsidize the remembrance of the dictatorial period from a perspective that, permeated by discontinuities, points out both the power and the fragility of memory. It is perceived, therefore, that the art works also mark the need to reformulate what is (dis)remembered about the dictatorship, driven by a will to knowledge.Este artigo analisa obras de arte que recorrem a borrões e apagamentos para elaborar a memória da ditadura civil-militar brasileira, entendidos como modos de referenciar esquecimentos. São examinados três trabalhos que integraram a exposição MemoriAntonia, montada em 2021 com curadoria de Márcio Seligmann-Silva e Diego Matos: Reconstituição, de Lais Myrrha; e Decreto e Pesquisa escolar, de Leila Danziger. Aqui, interessa investigar de que forma as produções subsidiam a rememoração do período ditatorial a partir de uma perspectiva que, permeada por descontinuidades, sugere tanto a potência quanto a fragilidade da memória. Percebe-se, com isso, que as obras também marcam a necessidade de reformular o que se (des)lembra acerca da ditadura, impulsionada por um querer saber.Universidade Federal de Uberlândia2023-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/7317910.14393/artc-v25-n47-2023-73179ArtCultura; Vol. 25 No. 47 (2023): ArtCultura; 264-278ArtCultura; Vol. 25 Núm. 47 (2023): ArtCultura; 264-278ArtCultura; v. 25 n. 47 (2023): ArtCultura; 264-2782178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/73179/38551Lima Santos, Ana Carolinainfo:eu-repo/semantics/openAccess2024-04-19T17:23:45Zoai:ojs.www.seer.ufu.br:article/73179Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2024-04-19T17:23:45ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Figures of dictatorial memory: blurs and erasures to (dis)remember the past
Figuras da memória ditatorial: borrões e apagamentos para (des)lembrar o passado
title Figures of dictatorial memory: blurs and erasures to (dis)remember the past
spellingShingle Figures of dictatorial memory: blurs and erasures to (dis)remember the past
Lima Santos, Ana Carolina
arte
memória
ditadura
art
memory
dictatorship
title_short Figures of dictatorial memory: blurs and erasures to (dis)remember the past
title_full Figures of dictatorial memory: blurs and erasures to (dis)remember the past
title_fullStr Figures of dictatorial memory: blurs and erasures to (dis)remember the past
title_full_unstemmed Figures of dictatorial memory: blurs and erasures to (dis)remember the past
title_sort Figures of dictatorial memory: blurs and erasures to (dis)remember the past
author Lima Santos, Ana Carolina
author_facet Lima Santos, Ana Carolina
author_role author
dc.contributor.author.fl_str_mv Lima Santos, Ana Carolina
dc.subject.por.fl_str_mv arte
memória
ditadura
art
memory
dictatorship
topic arte
memória
ditadura
art
memory
dictatorship
description This article analyzes three art works which explores blurs and erasures to elaborate the memory of the Brazilian civil-military dictatorship, understood as ways to referencing forgetfulness. Three works, that were part of the MemoriAntonia exhibition, curated by Márcio Seligmann-Silva and Diego Matos in 2021, are examined: Reconstituição, by Lais Myrrha; and Decreto and Pesquisa escolar, by Leila Danziger. Here, it is investigated how the productions subsidize the remembrance of the dictatorial period from a perspective that, permeated by discontinuities, points out both the power and the fragility of memory. It is perceived, therefore, that the art works also mark the need to reformulate what is (dis)remembered about the dictatorship, driven by a will to knowledge.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/73179
10.14393/artc-v25-n47-2023-73179
url https://seer.ufu.br/index.php/artcultura/article/view/73179
identifier_str_mv 10.14393/artc-v25-n47-2023-73179
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/73179/38551
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 25 No. 47 (2023): ArtCultura; 264-278
ArtCultura; Vol. 25 Núm. 47 (2023): ArtCultura; 264-278
ArtCultura; v. 25 n. 47 (2023): ArtCultura; 264-278
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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