Art and exoticism in the representation of the artist’s studio in the 19th century in a watercolor by Rodolpho Amoedo

Detalhes bibliográficos
Autor(a) principal: dos Santos Nicolich, Natália
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/68282
Resumo: Studio interiors have become par excellence themes in Nineteenth-century art and their representations in painting reveal a range of issues for art history. In the case of this article, we turn our attention to the presence of objects of origin or inspiration in cultures very far from European, and therefore identified as exotic, in the studio environment. These items were commonly used in painting compositions, such as genre scenes, nudes, and portraits, or decoration. But the representation of exotic objects in the artist’s studio indicates functions other than practical or decorative. Based on Rodolpho Amoedo’s watercolor “Artist’s studio in Paris” (1883), we investigate the exoticism in studio paintings
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spelling Art and exoticism in the representation of the artist’s studio in the 19th century in a watercolor by Rodolpho AmoedoArte e exotismo na representação do ateliê do artista no século XIX em uma aquarela de Rodolpho AmoedoateliêexotismoRodolpho AmoedostudioexoticismRodolpho AmoedoStudio interiors have become par excellence themes in Nineteenth-century art and their representations in painting reveal a range of issues for art history. In the case of this article, we turn our attention to the presence of objects of origin or inspiration in cultures very far from European, and therefore identified as exotic, in the studio environment. These items were commonly used in painting compositions, such as genre scenes, nudes, and portraits, or decoration. But the representation of exotic objects in the artist’s studio indicates functions other than practical or decorative. Based on Rodolpho Amoedo’s watercolor “Artist’s studio in Paris” (1883), we investigate the exoticism in studio paintingsOs interiores de ateliês se tornaram temas por excelência na arte do século XIX e suas representações na pintura revelam uma gama de questões para a História da Arte. No caso deste artigo, voltamos a atenção para a presença de objetos de origem ou de inspiração em culturas muito distantes da europeia, e por isso identificados como exóticos, no ambiente do ateliê. Esses itens eram normalmente utilizados em composições de pintura, como cenas de gênero, nus e retratos ou para decoração. Mas a representação dos objetos exóticos no ateliê do artista indica outras funções que não somente práticas ou ornamentais. A partir da aquarela Ateliê do artista em Paris (1883), de Rodolpho Amoedo, investigamos o exotismo nas pinturas de ateliê.Universidade Federal de Uberlândia2022-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/6828210.14393/artc-v24-n45-2022-68282ArtCultura; Vol. 24 No. 45 (2022): ArtCultura; 162-177ArtCultura; Vol. 24 Núm. 45 (2022): ArtCultura; 162-177ArtCultura; v. 24 n. 45 (2022): ArtCultura; 162-1772178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/68282/35588dos Santos Nicolich, Natáliainfo:eu-repo/semantics/openAccess2023-10-16T15:23:16Zoai:ojs.www.seer.ufu.br:article/68282Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2023-10-16T15:23:16ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Art and exoticism in the representation of the artist’s studio in the 19th century in a watercolor by Rodolpho Amoedo
Arte e exotismo na representação do ateliê do artista no século XIX em uma aquarela de Rodolpho Amoedo
title Art and exoticism in the representation of the artist’s studio in the 19th century in a watercolor by Rodolpho Amoedo
spellingShingle Art and exoticism in the representation of the artist’s studio in the 19th century in a watercolor by Rodolpho Amoedo
dos Santos Nicolich, Natália
ateliê
exotismo
Rodolpho Amoedo
studio
exoticism
Rodolpho Amoedo
title_short Art and exoticism in the representation of the artist’s studio in the 19th century in a watercolor by Rodolpho Amoedo
title_full Art and exoticism in the representation of the artist’s studio in the 19th century in a watercolor by Rodolpho Amoedo
title_fullStr Art and exoticism in the representation of the artist’s studio in the 19th century in a watercolor by Rodolpho Amoedo
title_full_unstemmed Art and exoticism in the representation of the artist’s studio in the 19th century in a watercolor by Rodolpho Amoedo
title_sort Art and exoticism in the representation of the artist’s studio in the 19th century in a watercolor by Rodolpho Amoedo
author dos Santos Nicolich, Natália
author_facet dos Santos Nicolich, Natália
author_role author
dc.contributor.author.fl_str_mv dos Santos Nicolich, Natália
dc.subject.por.fl_str_mv ateliê
exotismo
Rodolpho Amoedo
studio
exoticism
Rodolpho Amoedo
topic ateliê
exotismo
Rodolpho Amoedo
studio
exoticism
Rodolpho Amoedo
description Studio interiors have become par excellence themes in Nineteenth-century art and their representations in painting reveal a range of issues for art history. In the case of this article, we turn our attention to the presence of objects of origin or inspiration in cultures very far from European, and therefore identified as exotic, in the studio environment. These items were commonly used in painting compositions, such as genre scenes, nudes, and portraits, or decoration. But the representation of exotic objects in the artist’s studio indicates functions other than practical or decorative. Based on Rodolpho Amoedo’s watercolor “Artist’s studio in Paris” (1883), we investigate the exoticism in studio paintings
publishDate 2022
dc.date.none.fl_str_mv 2022-12-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/68282
10.14393/artc-v24-n45-2022-68282
url https://seer.ufu.br/index.php/artcultura/article/view/68282
identifier_str_mv 10.14393/artc-v24-n45-2022-68282
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/68282/35588
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 24 No. 45 (2022): ArtCultura; 162-177
ArtCultura; Vol. 24 Núm. 45 (2022): ArtCultura; 162-177
ArtCultura; v. 24 n. 45 (2022): ArtCultura; 162-177
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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