“Impressive mud sculptures:” the mangrove and the creation of a new symbol-space

Detalhes bibliográficos
Autor(a) principal: de Lima Oliveira, Esdras Carlos
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/56970
Resumo: This text reveals different images of the mangrove throughout time. The mangrove, once a thriving environment and a metaphor for diversity, underwent radical change. Today a few crustaceans inhabit it. Its space is taken mainly by garbage. In the 1990’s, however, it was appropriated by Manguebeat (Mangrove beat) as a new symbol-space. A travel in time displays multiple visions of the mangrove captured through the eyes of artists from different disciplines. Painting, tapestry, lithography, photography, cinema, literature, or music simultaneously stir up new and old Northeasts. Going through them here means highlighting the Manguetown (Mangrove town) that sprung from Manguebeat, in which a “satellite dish stuck in mud” symbolizes the city of Recife.
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spelling “Impressive mud sculptures:” the mangrove and the creation of a new symbol-space“Impressionantes esculturas de lama”: o mangue e a criação de um novo espaço-símbolomangueManguebeatRecifemangueManguebeatRecifeThis text reveals different images of the mangrove throughout time. The mangrove, once a thriving environment and a metaphor for diversity, underwent radical change. Today a few crustaceans inhabit it. Its space is taken mainly by garbage. In the 1990’s, however, it was appropriated by Manguebeat (Mangrove beat) as a new symbol-space. A travel in time displays multiple visions of the mangrove captured through the eyes of artists from different disciplines. Painting, tapestry, lithography, photography, cinema, literature, or music simultaneously stir up new and old Northeasts. Going through them here means highlighting the Manguetown (Mangrove town) that sprung from Manguebeat, in which a “satellite dish stuck in mud” symbolizes the city of Recife.Neste texto se descortinam imagens distintas do mangue que atravessam os tempos. O manguezal, outrora pujante e metáfora da diversidade, sofreu transformações radicais. Hoje habitado por poucos crustáceos, seu espaço é ocupado sobretudo pelo lixo. Mas, nos anos 1990, ele foi apropriado pelo Manguebeat como um novo espaçosímbolo. Empreender uma viagem pelo tempo nos reserva múltiplas visões do mangue, capturado pelo olhar de artistas de diferentes áreas. Na pintura, na tapeçaria, na litografia, na fotografia, no cinema, na literatura, na música, se agitam, simultaneamente, novos e velhos Nordestes. Aqui, ao passar por eles, trata-se de privilegiar a Manguetown que brotou do Manguebeat, na qual o Recife é simbolizado por uma “antena parabólica enfiada na lama”.Universidade Federal de Uberlândia2020-06-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/5697010.14393/artc-v22-n40-2020-56970ArtCultura; Vol. 22 No. 40 (2020): ArtCultura; 165-190ArtCultura; Vol. 22 Núm. 40 (2020): ArtCultura; 165-190ArtCultura; v. 22 n. 40 (2020): ArtCultura; 165-1902178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/56970/29750de Lima Oliveira, Esdras Carlos info:eu-repo/semantics/openAccess2022-05-27T16:16:01Zoai:ojs.www.seer.ufu.br:article/56970Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:16:01ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv “Impressive mud sculptures:” the mangrove and the creation of a new symbol-space
“Impressionantes esculturas de lama”: o mangue e a criação de um novo espaço-símbolo
title “Impressive mud sculptures:” the mangrove and the creation of a new symbol-space
spellingShingle “Impressive mud sculptures:” the mangrove and the creation of a new symbol-space
de Lima Oliveira, Esdras Carlos
mangue
Manguebeat
Recife
mangue
Manguebeat
Recife
title_short “Impressive mud sculptures:” the mangrove and the creation of a new symbol-space
title_full “Impressive mud sculptures:” the mangrove and the creation of a new symbol-space
title_fullStr “Impressive mud sculptures:” the mangrove and the creation of a new symbol-space
title_full_unstemmed “Impressive mud sculptures:” the mangrove and the creation of a new symbol-space
title_sort “Impressive mud sculptures:” the mangrove and the creation of a new symbol-space
author de Lima Oliveira, Esdras Carlos
author_facet de Lima Oliveira, Esdras Carlos
author_role author
dc.contributor.author.fl_str_mv de Lima Oliveira, Esdras Carlos
dc.subject.por.fl_str_mv mangue
Manguebeat
Recife
mangue
Manguebeat
Recife
topic mangue
Manguebeat
Recife
mangue
Manguebeat
Recife
description This text reveals different images of the mangrove throughout time. The mangrove, once a thriving environment and a metaphor for diversity, underwent radical change. Today a few crustaceans inhabit it. Its space is taken mainly by garbage. In the 1990’s, however, it was appropriated by Manguebeat (Mangrove beat) as a new symbol-space. A travel in time displays multiple visions of the mangrove captured through the eyes of artists from different disciplines. Painting, tapestry, lithography, photography, cinema, literature, or music simultaneously stir up new and old Northeasts. Going through them here means highlighting the Manguetown (Mangrove town) that sprung from Manguebeat, in which a “satellite dish stuck in mud” symbolizes the city of Recife.
publishDate 2020
dc.date.none.fl_str_mv 2020-06-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/56970
10.14393/artc-v22-n40-2020-56970
url https://seer.ufu.br/index.php/artcultura/article/view/56970
identifier_str_mv 10.14393/artc-v22-n40-2020-56970
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/56970/29750
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 22 No. 40 (2020): ArtCultura; 165-190
ArtCultura; Vol. 22 Núm. 40 (2020): ArtCultura; 165-190
ArtCultura; v. 22 n. 40 (2020): ArtCultura; 165-190
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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