Between screens and photos: portraits and social construction of the smile
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ArtCultura (Online) |
Texto Completo: | https://seer.ufu.br/index.php/artcultura/article/view/40087 |
Resumo: | From the perspective of historical cons-truction of the smile, this text aims to question the different meanings of smiling representations in portraits (in painting and photography), tracing how from hid-den and discreet smiles gradually became more and more present. At the same time, the expansion of dental care has transfor-med beauty standards (including smiles showing clean, aligned white teeth) that added to the dissemination of new sensiti-vities, practices and behaviors that stress the (almost obsessive) need to be always happy and smiling. To this should be added a commitment to take photos with smiles, which is easily done using digital and ca-meras and cell phones and quickly shared on social media (thousands of selfies). Keywords: smile; portrait; photography. |
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Between screens and photos: portraits and social construction of the smileEntre telas e fotos: retratos e a construção social do sorrisoFrom the perspective of historical cons-truction of the smile, this text aims to question the different meanings of smiling representations in portraits (in painting and photography), tracing how from hid-den and discreet smiles gradually became more and more present. At the same time, the expansion of dental care has transfor-med beauty standards (including smiles showing clean, aligned white teeth) that added to the dissemination of new sensiti-vities, practices and behaviors that stress the (almost obsessive) need to be always happy and smiling. To this should be added a commitment to take photos with smiles, which is easily done using digital and ca-meras and cell phones and quickly shared on social media (thousands of selfies). Keywords: smile; portrait; photography.Numa perspectiva da construção histórica do sorriso, este texto pretende questionar os diferentes significados das representações sorridentes nos retratos (pintados e fotografados), rastreando como, de ocultos e discretos, os sorrisos foram, gradativamente, se tornando cada vez mais presentes. Contemporaneamente, a expansão dos cuidados odontológicos transformou padrões de beleza (incluindo sorrisos com dentes brancos, limpos e alinhados), somados à difusão de novas sensibilidades, práticas e comportamentos que reforçam a necessidade (quase obsessiva) de ser/estar sempre feliz e sorridente. A isso se associa o compromisso de perpetuar fotos com sorrisos, facilmente registrados por câmeras digitais e celulares e socializados rapidamente pelas redes sociais (milhares de selfs que circulam). Palavras-chave: sorriso; retrato; fotografia.Universidade Federal de Uberlândia2017-10-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/4008710.14393/ArtC-V19n34-2017-1-12ArtCultura; Vol. 19 No. 34 (2017): ArtCulturaArtCultura; Vol. 19 Núm. 34 (2017): ArtCulturaArtCultura; v. 19 n. 34 (2017): ArtCultura2178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/40087/20952Copyright (c) 2017 Artculturainfo:eu-repo/semantics/openAccessde Matos, Maria Izilda S.2022-05-27T16:17:57Zoai:ojs.www.seer.ufu.br:article/40087Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:17:57ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
Between screens and photos: portraits and social construction of the smile Entre telas e fotos: retratos e a construção social do sorriso |
title |
Between screens and photos: portraits and social construction of the smile |
spellingShingle |
Between screens and photos: portraits and social construction of the smile de Matos, Maria Izilda S. |
title_short |
Between screens and photos: portraits and social construction of the smile |
title_full |
Between screens and photos: portraits and social construction of the smile |
title_fullStr |
Between screens and photos: portraits and social construction of the smile |
title_full_unstemmed |
Between screens and photos: portraits and social construction of the smile |
title_sort |
Between screens and photos: portraits and social construction of the smile |
author |
de Matos, Maria Izilda S. |
author_facet |
de Matos, Maria Izilda S. |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Matos, Maria Izilda S. |
description |
From the perspective of historical cons-truction of the smile, this text aims to question the different meanings of smiling representations in portraits (in painting and photography), tracing how from hid-den and discreet smiles gradually became more and more present. At the same time, the expansion of dental care has transfor-med beauty standards (including smiles showing clean, aligned white teeth) that added to the dissemination of new sensiti-vities, practices and behaviors that stress the (almost obsessive) need to be always happy and smiling. To this should be added a commitment to take photos with smiles, which is easily done using digital and ca-meras and cell phones and quickly shared on social media (thousands of selfies). Keywords: smile; portrait; photography. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-10-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/40087 10.14393/ArtC-V19n34-2017-1-12 |
url |
https://seer.ufu.br/index.php/artcultura/article/view/40087 |
identifier_str_mv |
10.14393/ArtC-V19n34-2017-1-12 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/40087/20952 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Artcultura info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Artcultura |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
dc.source.none.fl_str_mv |
ArtCultura; Vol. 19 No. 34 (2017): ArtCultura ArtCultura; Vol. 19 Núm. 34 (2017): ArtCultura ArtCultura; v. 19 n. 34 (2017): ArtCultura 2178-3845 reponame:ArtCultura (Online) instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
instname_str |
Universidade Federal de Uberlândia (UFU) |
instacron_str |
UFU |
institution |
UFU |
reponame_str |
ArtCultura (Online) |
collection |
ArtCultura (Online) |
repository.name.fl_str_mv |
ArtCultura (Online) - Universidade Federal de Uberlândia (UFU) |
repository.mail.fl_str_mv |
akparanhos@uol.com.br|| |
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1797069142309732352 |