Memory, history and literature

Detalhes bibliográficos
Autor(a) principal: Loriga, Sabina
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/41249
Resumo: How to ask? our historical consciousness? In the last years, some important general diagnoses have been proposed and we have few empirical surveys. I would like to question the ways in which the contemporary novel imagined the historian. Analyzing the way in which this figure appears as assiduity (from George Eliott’s Middlemarch (1872) to Tous les noms, by Joseph Saramago) allows us to inquire about how novelists see the historian and his relations with memory. keywords: memory; literature; historical consciousness.
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spelling Memory, history and literatureMemória, história e literaturaHow to ask? our historical consciousness? In the last years, some important general diagnoses have been proposed and we have few empirical surveys. I would like to question the ways in which the contemporary novel imagined the historian. Analyzing the way in which this figure appears as assiduity (from George Eliott’s Middlemarch (1872) to Tous les noms, by Joseph Saramago) allows us to inquire about how novelists see the historian and his relations with memory. keywords: memory; literature; historical consciousness.Como interrogar nossa consciência histórica? Nos últimos anos, foram propostos alguns importantes diagnósticos gerais e temos raros levantamentos empíricos. Aqui, eu gostaria de interrogar as maneiras como o romance contemporâneo imaginou o historiador. Analisar o modo no qual esta figura aparece como assiduidade (de Middlemarch, de George Eliott (1872) a Tous les noms, de José Saramago) permite indagar sobre como os romancistas veem o historiador e sobre suas relações com a memória Palavras-chave: memória; literatura; consciência histórica.Universidade Federal de Uberlândia2017-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/4124910.14393/ArtC-V19n35-2017-2-02ArtCultura; Vol. 19 No. 35 (2017): ArtCulturaArtCultura; Vol. 19 Núm. 35 (2017): ArtCulturaArtCultura; v. 19 n. 35 (2017): ArtCultura2178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/41249/21810Copyright (c) 2018 Artculturainfo:eu-repo/semantics/openAccessLoriga, Sabina2022-05-27T16:17:36Zoai:ojs.www.seer.ufu.br:article/41249Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:17:36ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Memory, history and literature
Memória, história e literatura
title Memory, history and literature
spellingShingle Memory, history and literature
Loriga, Sabina
title_short Memory, history and literature
title_full Memory, history and literature
title_fullStr Memory, history and literature
title_full_unstemmed Memory, history and literature
title_sort Memory, history and literature
author Loriga, Sabina
author_facet Loriga, Sabina
author_role author
dc.contributor.author.fl_str_mv Loriga, Sabina
description How to ask? our historical consciousness? In the last years, some important general diagnoses have been proposed and we have few empirical surveys. I would like to question the ways in which the contemporary novel imagined the historian. Analyzing the way in which this figure appears as assiduity (from George Eliott’s Middlemarch (1872) to Tous les noms, by Joseph Saramago) allows us to inquire about how novelists see the historian and his relations with memory. keywords: memory; literature; historical consciousness.
publishDate 2017
dc.date.none.fl_str_mv 2017-12-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/41249
10.14393/ArtC-V19n35-2017-2-02
url https://seer.ufu.br/index.php/artcultura/article/view/41249
identifier_str_mv 10.14393/ArtC-V19n35-2017-2-02
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/41249/21810
dc.rights.driver.fl_str_mv Copyright (c) 2018 Artcultura
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Artcultura
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 19 No. 35 (2017): ArtCultura
ArtCultura; Vol. 19 Núm. 35 (2017): ArtCultura
ArtCultura; v. 19 n. 35 (2017): ArtCultura
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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