Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFU |
Texto Completo: | https://repositorio.ufu.br/handle/123456789/29468 http://doi.org/10.14393/ufu.di.2020.471 |
Resumo: | The reflections proposed in this research are based on the tangles of knowledge that underpinned the dramaturgical constructions, as well as on the pedagogical methodological strategies adopted for the transmission of circus knowledge in Circo do Povo, a sociocultural project of the City of Uberaba, MG, between 1983 and 2019. Through interviews with the instructors who worked or have been working in this circus and through researches in local newspapers of the analyzed period, I point out debates, disputes, trajectories and influences that converged and have been converging to the plurality of artistic expressions of the Circo do Povo. I also point out the ways of constructing the dramaturgies of the shows, which were based on the meetings of generations, the affections, the involvement and the sharing between the reinvented instructors and the students. Thus, I try to demonstrate that this artistic miscellany, pedagogical knowledge and aesthetic options, on the part of the instructors, was decisive for the structuring of dramaturgical creations in the Circo do Povo, sometimes influenced by artists of the traveling circus, sometimes by artists with theatrical training, sometimes by the combination of the two profiles. |
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Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019Circo do Povo: methodological strategies and artistic miscellany, from 1983 to 2019Circo do PovoCirco SocialPedagogia CircenseDramaturgia CircenseUberabaSocial CircusPedagogy of the circusDramaturgy of the circusCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESThe reflections proposed in this research are based on the tangles of knowledge that underpinned the dramaturgical constructions, as well as on the pedagogical methodological strategies adopted for the transmission of circus knowledge in Circo do Povo, a sociocultural project of the City of Uberaba, MG, between 1983 and 2019. Through interviews with the instructors who worked or have been working in this circus and through researches in local newspapers of the analyzed period, I point out debates, disputes, trajectories and influences that converged and have been converging to the plurality of artistic expressions of the Circo do Povo. I also point out the ways of constructing the dramaturgies of the shows, which were based on the meetings of generations, the affections, the involvement and the sharing between the reinvented instructors and the students. Thus, I try to demonstrate that this artistic miscellany, pedagogical knowledge and aesthetic options, on the part of the instructors, was decisive for the structuring of dramaturgical creations in the Circo do Povo, sometimes influenced by artists of the traveling circus, sometimes by artists with theatrical training, sometimes by the combination of the two profiles.Dissertação (Mestrado)As reflexões propostas nesta pesquisa são pautadas nos emaranhados de saberes que alicerçaram as construções dramatúrgicas, bem como nas estratégias metodológicas pedagógicas adotadas para a transmissão do conhecimento circense no Circo do Povo, projeto sociocultural da Prefeitura de Uberaba, MG, entre 1983 e 2019. Por meio de entrevistas feitas com os instrutores que trabalharam ou trabalham nesse circo e de pesquisas em jornais do período analisado, aponto debates, disputas, trajetórias e influências que convergiram e convergem para a pluralidade das expressões artísticas do Circo do Povo. Pontuo também as formas de se construírem as dramaturgias dos espetáculos, que foram calcadas nos encontros de gerações, nos afetos, nas contaminações e nas partilhas entre os instrutores reinventados e os alunos. Assim, procuro demonstrar que essa miscelânea artística, de conhecimento pedagógico e de opções estéticas, por parte dos instrutores, foi determinante para a estruturação das criações dramatúrgicas no Circo do Povo, ora influenciadas por artistas do circo itinerante, ora por artistas com formação teatral, ora pela combinação dos dois perfis.Universidade Federal de UberlândiaBrasilPrograma de Pós-graduação em Artes CênicasPimenta, Danielehttp://lattes.cnpq.br/8680041834212692SIlva, Erminiahttp://lattes.cnpq.br/1945938635015407Miranda, Rita de Cassia Fernandeshttp://lattes.cnpq.br/9810213448227768Ued, Anderson Gallan2020-07-02T23:08:43Z2020-07-02T23:08:43Z2020-05-21info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfUED, Anderson Gallan. Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019. 2020. 124 f. Dissertação (Mestrado em Artes Cênicas) - Universidade Federal de Uberlândia, Uberlândia, 2020. DOI http://doi.org/10.14393/ufu.di.2020.471https://repositorio.ufu.br/handle/123456789/29468http://doi.org/10.14393/ufu.di.2020.471porAttribution-NonCommercial-NoDerivs 3.0 United Stateshttp://creativecommons.org/licenses/by-nc-nd/3.0/us/info:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFUinstname:Universidade Federal de Uberlândia (UFU)instacron:UFU2020-07-03T06:18:16Zoai:repositorio.ufu.br:123456789/29468Repositório InstitucionalONGhttp://repositorio.ufu.br/oai/requestdiinf@dirbi.ufu.bropendoar:2020-07-03T06:18:16Repositório Institucional da UFU - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019 Circo do Povo: methodological strategies and artistic miscellany, from 1983 to 2019 |
title |
Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019 |
spellingShingle |
Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019 Ued, Anderson Gallan Circo do Povo Circo Social Pedagogia Circense Dramaturgia Circense Uberaba Social Circus Pedagogy of the circus Dramaturgy of the circus CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019 |
title_full |
Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019 |
title_fullStr |
Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019 |
title_full_unstemmed |
Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019 |
title_sort |
Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019 |
author |
Ued, Anderson Gallan |
author_facet |
Ued, Anderson Gallan |
author_role |
author |
dc.contributor.none.fl_str_mv |
Pimenta, Daniele http://lattes.cnpq.br/8680041834212692 SIlva, Erminia http://lattes.cnpq.br/1945938635015407 Miranda, Rita de Cassia Fernandes http://lattes.cnpq.br/9810213448227768 |
dc.contributor.author.fl_str_mv |
Ued, Anderson Gallan |
dc.subject.por.fl_str_mv |
Circo do Povo Circo Social Pedagogia Circense Dramaturgia Circense Uberaba Social Circus Pedagogy of the circus Dramaturgy of the circus CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
topic |
Circo do Povo Circo Social Pedagogia Circense Dramaturgia Circense Uberaba Social Circus Pedagogy of the circus Dramaturgy of the circus CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
The reflections proposed in this research are based on the tangles of knowledge that underpinned the dramaturgical constructions, as well as on the pedagogical methodological strategies adopted for the transmission of circus knowledge in Circo do Povo, a sociocultural project of the City of Uberaba, MG, between 1983 and 2019. Through interviews with the instructors who worked or have been working in this circus and through researches in local newspapers of the analyzed period, I point out debates, disputes, trajectories and influences that converged and have been converging to the plurality of artistic expressions of the Circo do Povo. I also point out the ways of constructing the dramaturgies of the shows, which were based on the meetings of generations, the affections, the involvement and the sharing between the reinvented instructors and the students. Thus, I try to demonstrate that this artistic miscellany, pedagogical knowledge and aesthetic options, on the part of the instructors, was decisive for the structuring of dramaturgical creations in the Circo do Povo, sometimes influenced by artists of the traveling circus, sometimes by artists with theatrical training, sometimes by the combination of the two profiles. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-07-02T23:08:43Z 2020-07-02T23:08:43Z 2020-05-21 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
UED, Anderson Gallan. Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019. 2020. 124 f. Dissertação (Mestrado em Artes Cênicas) - Universidade Federal de Uberlândia, Uberlândia, 2020. DOI http://doi.org/10.14393/ufu.di.2020.471 https://repositorio.ufu.br/handle/123456789/29468 http://doi.org/10.14393/ufu.di.2020.471 |
identifier_str_mv |
UED, Anderson Gallan. Circo do Povo: estratégias metodológicas e miscelânea artística, de 1983 a 2019. 2020. 124 f. Dissertação (Mestrado em Artes Cênicas) - Universidade Federal de Uberlândia, Uberlândia, 2020. DOI http://doi.org/10.14393/ufu.di.2020.471 |
url |
https://repositorio.ufu.br/handle/123456789/29468 http://doi.org/10.14393/ufu.di.2020.471 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
Attribution-NonCommercial-NoDerivs 3.0 United States http://creativecommons.org/licenses/by-nc-nd/3.0/us/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Attribution-NonCommercial-NoDerivs 3.0 United States http://creativecommons.org/licenses/by-nc-nd/3.0/us/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia Brasil Programa de Pós-graduação em Artes Cênicas |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia Brasil Programa de Pós-graduação em Artes Cênicas |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFU instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
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Universidade Federal de Uberlândia (UFU) |
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UFU |
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UFU |
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Repositório Institucional da UFU |
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Repositório Institucional da UFU |
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Repositório Institucional da UFU - Universidade Federal de Uberlândia (UFU) |
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diinf@dirbi.ufu.br |
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