The eternal angst, the violence, the silencing, and the grotesque in Os Porcos, by Julia Lopes de Almeida

Detalhes bibliográficos
Autor(a) principal: Ferreira Barbosa, Iaranda Jurema
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: REVES - Revista Relações Sociais
Texto Completo: https://periodicos.ufv.br/reves/article/view/10428
Resumo: Julia Lopes de Almeida was an abolicionist in the 19th Century and one of the idealizers of Brazilian Academy of Letters. The aim of this study is to discuss about the abovementioned author by taking into account the process of silencing and violence that affects women inside and outside the literary scene. In Os Porcos, published in 1903, such phenomena are personified in the figure of Umbelina. The aforementioned work is not part of the canon, is not present in the most renowned manuals of literature, didactic books, nor has it ever reached a massive audience. However, it reflects the social ills resulting from years of submission and lack of acknowledgement, mostly due to its criticism that grotesquely exposes blindspots in the feminine writing in the historiography of literature. The dialog between ficctional violence which the main character suffers from and both symbolic and empirical violences that Julia Lopes de Almeida suffered from walk hand in hand with inumerous rights violations experienced by women these days. The theoretical framework is mainly based on Woolf (1982), Telles (1988), Perrot (2005), and Colling (2004). The representation of a woman who wishes to break free from the silencing, which is a form of violence, has been discussed in this study.
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spelling The eternal angst, the violence, the silencing, and the grotesque in Os Porcos, by Julia Lopes de AlmeidaA ânsia eterna, a violência, o silenciamento e o grotesco em Os Porcos, de Julia Lopes de AlmeidaGender. Literature. Silencing. Violence. Grotesque.Gênero. Literatura. Silenciamento. Violência. Grotesco.Julia Lopes de Almeida was an abolicionist in the 19th Century and one of the idealizers of Brazilian Academy of Letters. The aim of this study is to discuss about the abovementioned author by taking into account the process of silencing and violence that affects women inside and outside the literary scene. In Os Porcos, published in 1903, such phenomena are personified in the figure of Umbelina. The aforementioned work is not part of the canon, is not present in the most renowned manuals of literature, didactic books, nor has it ever reached a massive audience. However, it reflects the social ills resulting from years of submission and lack of acknowledgement, mostly due to its criticism that grotesquely exposes blindspots in the feminine writing in the historiography of literature. The dialog between ficctional violence which the main character suffers from and both symbolic and empirical violences that Julia Lopes de Almeida suffered from walk hand in hand with inumerous rights violations experienced by women these days. The theoretical framework is mainly based on Woolf (1982), Telles (1988), Perrot (2005), and Colling (2004). The representation of a woman who wishes to break free from the silencing, which is a form of violence, has been discussed in this study.Julia Lopes de Almeida foi uma abolicionista do século XIX e uma das idealizadoras da Academia Brasileira de Letras. O objetivo da discussão é resgatar essa escritora, tomando como base o processo de silenciamento e violência que atinge as mulheres dentro e fora do âmbito literário e personificado por Umbelina, em Os porcos, escrito em 1903. A referida obra não faz parte do cânone, dos renomados manuais de literatura, dos livros didáticos, nem tampouco do conhecimento do grande público. Contudo ela reflete as mazelas sociais resultantes de anos de submissão e ausência de reconhecimento, sobretudo da crítica que fomenta, grotescamente, pontos cegos na escrita feminina na historiografia da literatura. O diálogo entre a violência ficcional sofrida pela protagonista do conto e a violência simbólica e empírica vivida pela referida escritora andam ombro a ombro com as inúmeras violações de direitos vivenciadas pelas mulheres até os dias atuais. O referencial teórico compõe-se, principalmente, por Woolf (1928), Telles (1988), Perrot (2005) e Colling (2004). Discutiu-se a representação dessa mulher que anseia sair do silenciamento, que, por sua vez, também é uma forma de violência.Universidade Federal de Viçosa - UFV2021-01-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufv.br/reves/article/view/1042810.18540/revesvl4iss1pp13001-13013REVES - Revista Relações Sociais; Vol. 4 No. 1 (2021); 13001-13013REVES - Revista Relações Sociais; Vol. 4 Núm. 1 (2021); 13001-13013REVES - Revista Relações Sociais; v. 4 n. 1 (2021); 13001-130132595-4490reponame:REVES - Revista Relações Sociaisinstname:Universidade Federal de Viçosa (UFV)instacron:UFVporhttps://periodicos.ufv.br/reves/article/view/10428/6266Copyright (c) 2020 REVES - Revista Relações Sociaishttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFerreira Barbosa, Iaranda Jurema2021-05-04T21:53:27Zoai:ojs.periodicos.ufv.br:article/10428Revistahttps://periodicos.ufv.br/reves/PUBhttps://periodicos.ufv.br/reves/oaireves.journal@ufv.br||2595-44902595-4490opendoar:2021-05-04T21:53:27REVES - Revista Relações Sociais - Universidade Federal de Viçosa (UFV)false
dc.title.none.fl_str_mv The eternal angst, the violence, the silencing, and the grotesque in Os Porcos, by Julia Lopes de Almeida
A ânsia eterna, a violência, o silenciamento e o grotesco em Os Porcos, de Julia Lopes de Almeida
title The eternal angst, the violence, the silencing, and the grotesque in Os Porcos, by Julia Lopes de Almeida
spellingShingle The eternal angst, the violence, the silencing, and the grotesque in Os Porcos, by Julia Lopes de Almeida
Ferreira Barbosa, Iaranda Jurema
Gender. Literature. Silencing. Violence. Grotesque.
Gênero. Literatura. Silenciamento. Violência. Grotesco.
title_short The eternal angst, the violence, the silencing, and the grotesque in Os Porcos, by Julia Lopes de Almeida
title_full The eternal angst, the violence, the silencing, and the grotesque in Os Porcos, by Julia Lopes de Almeida
title_fullStr The eternal angst, the violence, the silencing, and the grotesque in Os Porcos, by Julia Lopes de Almeida
title_full_unstemmed The eternal angst, the violence, the silencing, and the grotesque in Os Porcos, by Julia Lopes de Almeida
title_sort The eternal angst, the violence, the silencing, and the grotesque in Os Porcos, by Julia Lopes de Almeida
author Ferreira Barbosa, Iaranda Jurema
author_facet Ferreira Barbosa, Iaranda Jurema
author_role author
dc.contributor.author.fl_str_mv Ferreira Barbosa, Iaranda Jurema
dc.subject.por.fl_str_mv Gender. Literature. Silencing. Violence. Grotesque.
Gênero. Literatura. Silenciamento. Violência. Grotesco.
topic Gender. Literature. Silencing. Violence. Grotesque.
Gênero. Literatura. Silenciamento. Violência. Grotesco.
description Julia Lopes de Almeida was an abolicionist in the 19th Century and one of the idealizers of Brazilian Academy of Letters. The aim of this study is to discuss about the abovementioned author by taking into account the process of silencing and violence that affects women inside and outside the literary scene. In Os Porcos, published in 1903, such phenomena are personified in the figure of Umbelina. The aforementioned work is not part of the canon, is not present in the most renowned manuals of literature, didactic books, nor has it ever reached a massive audience. However, it reflects the social ills resulting from years of submission and lack of acknowledgement, mostly due to its criticism that grotesquely exposes blindspots in the feminine writing in the historiography of literature. The dialog between ficctional violence which the main character suffers from and both symbolic and empirical violences that Julia Lopes de Almeida suffered from walk hand in hand with inumerous rights violations experienced by women these days. The theoretical framework is mainly based on Woolf (1982), Telles (1988), Perrot (2005), and Colling (2004). The representation of a woman who wishes to break free from the silencing, which is a form of violence, has been discussed in this study.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://periodicos.ufv.br/reves/article/view/10428
10.18540/revesvl4iss1pp13001-13013
url https://periodicos.ufv.br/reves/article/view/10428
identifier_str_mv 10.18540/revesvl4iss1pp13001-13013
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufv.br/reves/article/view/10428/6266
dc.rights.driver.fl_str_mv Copyright (c) 2020 REVES - Revista Relações Sociais
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 REVES - Revista Relações Sociais
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Viçosa - UFV
publisher.none.fl_str_mv Universidade Federal de Viçosa - UFV
dc.source.none.fl_str_mv REVES - Revista Relações Sociais; Vol. 4 No. 1 (2021); 13001-13013
REVES - Revista Relações Sociais; Vol. 4 Núm. 1 (2021); 13001-13013
REVES - Revista Relações Sociais; v. 4 n. 1 (2021); 13001-13013
2595-4490
reponame:REVES - Revista Relações Sociais
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reponame_str REVES - Revista Relações Sociais
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